This collection contains a series of filmed interviews with prominent actors, directors, and writers discussing their creative process. The series was hosted by Professor Karen Ludwig of The New School's School of Drama in front of a live audience of students.

The Activism at The New School oral history program, initiated in 2019, documents touchstone moments of activism on The New School's campus from the perspective of students, faculty, and staff who participated. As of April 2020, interviewees include activists in the anti-Vietnam War movement; the 1996-1997 Mobilization for Real Diversity, Democracy, and Economic Justice at The New School; and campus protests in the 2000s-2010s.

Collection consists of Adele Mowton DuBreuil's diploma from the New York School of Fine and Applied Art (now, Parsons School of Design) in advertising display, a black and white photographic portrait of her after graduation, and 24 small, black and white photographic prints depicting her student graphic design work, 1917-1919. Most of the designs are advertisements for consumer goods; two are World War One propaganda posters.

Mary Adrienne Steckling Coen (1934-2006) graduated from Parsons School of Design's Fashion Design Department in 1958. In 1966, "Adri" --her professional name-- created her own line, designing under her own labels for the rest of her career. The records document Adri's professional life, with items arranged by year and season. Includes clippings and tear sheets, photographs, press kits, sketches, swatches, and video recordings.

Albert Hadley (1920-2012) graduated from Parsons School of Design in 1949 and served on the faculty from 1949 through 1954. Hadley later joined Dorothy "Sister" Parish to form the interior design firm Parish-Hadley. The collection includes correspondence, design and lecture notes, student work and a mock-up for a booklet.

Consists of records generated by Albert Landa (1927-2008), who started in 1960 as director of Public Information and became vice president of Development and Public Relations at The New School, and then held the title of Vice President, until his retirement in 1985. The records in this collection are notable because Landa was deeply involved in a rapid expansion of the university, including its 1970 incorporation of Parsons School of Design. The collection comprises six series, representing activities related to most of the major divisions and institutes of the university. Materials relate primarily to the development of new programs, building projects, fund raising, and public relations. Some documents in this collection are restricted. Please email archivist@newschool.edu for further information.

Typographer Albert Schiller (1898-1970) created artworks using pre-cast metal type elements. The collection is comprised of 35 type pictures and printing samples featured in a 1976 exhibition at Parsons School of Design.

Includes prints numbered 43 and 184 from an edition of 220 created by Alice Halicka. Depicts the Place de la Concorde in Paris, including the Luxor Obelisk and a detail from the Fontaine des Mers, consisting of a naiad holding a fish.

Alison Smith Hannan (1925-) graduated from Parsons School of Design in 1947. She maintained this student notebook while studying fashion design and fashion illustration between 1945 and 1947.

The collection consists of art and design work executed by furniture and interior designer Allan Skriloff during his studies in Parsons School of Design's Interior Design Department.

Allen Austill (1927-2016) joined The New School in 1962. In 1965, he was appointed dean of the Adult Division and in 1987, he was named chancellor of the university and held this position until his retirement in 1989. The Allen Austill records are a small but significant set of materials largely relating to Austill's activities at The New School that fell outside of his primary role as dean of the Adult Division, including new program initiatives. Some documents in this collection are restricted. Please email archivist@newschool.edu for further information.

Consists of handwritten and typed letters from Dr. Alvin Johnson, President Emeritus of the New School for Social Research, to philanthropist Dannie N. Heineman and carbon copies of some of Heineman's replies.

This collection primarily reflects the activities of Alvin Saunders Johnson during his years as director and president emeritus of the New School for Social Research (1946-1971). The files consist of biographical materials, correspondence, subject files, and writings. Because much of Johnson's work as president emeritus of the New School was concentrated on fundraising, the correspondence and subject files largely document this activity. Other projects documented here include Johnson's proposal to establish a labor college at the New School (which never came to pass), and launching a Faculty of Retired Professors. The Writings series includes drafts, typescripts, and reprints from publications documenting Johnson's abiding engagement with social issues, in addition to chapter drafts for his autobiography, Pioneer's Progress (published 1952).

The American Council for Émigrés in the Professions was founded in 1945 by Drs. Else Staudinger and Alvin Johnson to provide aid and placement for World War II refugees who had been professionals in Europe. Records contain correspondence, meeting minutes, photographs, and subject files. Access is provided to this unprocessed record group, but some files may be restricted. Please email archivist@newschool.edu for details.

The American Indian College Fund is one of the largest Native-run charity supporting Indigenous students' access to higher education in the United States. The collection consists of advertising posters created by the advertising firm Wieden+Kennedy for the American Indian College Fund.

The audio recordings and transcripts in this collection document lectures from a fifteen-week series on the race crisis in the United States, held in the spring of 1964 at the New School and organized by New School professor Daniel S. Anthony. The recorded speakers include Charles Abrams, Algernon D. Black, Dan W. Dodson, Milton A. Galamison, Martin Luther King, Jr., Louis Lomax, Melvin Tumin, Robert C. Weaver, and Roy Wilkins.

The workbook that comprises this collection was used during the Amos Parrish Fashion Merchandising Clinic, held in New York City, January 6-10, 1930. The clinic was offered once and at times twice annually from the 1920s through 1955 to forecast the year's fashion industry trends. This workbook belonged to Howard Phillips, merchandise manager for Ernst Kern Department Store, Detroit, Michigan, and was annotated by Phillips.

André and Creators Studios were Seventh Avenue fashion firms that marketed their designs to clothing manufacturers by subscription. In the mid-1970s Pearl Alexander Lipman, André's co-owner and designer since the 1930s, retired, and André's design drawings were sold to Creators Studios. The collection consists of design reproductions created and distributed by the two companies between 1937 and 1972.

After graduating from Parsons School of Design in 1943, Andrée Golbin (1923-2006) led a long career as a painter, graphic artist and illustrator. Serving as art director for Mademoiselle magazine in the early 1950s, Golbin also created artwork for a diverse list of clients, including several modern dance companies, Henri Bendel, and American Cyanamid. This collection contains examples of Golbin's drawings and completed projects.

Records kept by New School faculty member Ann Snitow, largely documenting her activities in connection with the evolving status of gender studies courses and programs at The New School at the graduate and undergraduate level.

Feminist activist and scholar Ann Barr Snitow (1943-2019) taught at The New School's Eugene Lang College of Liberal Arts from 1986 until her retirement in April 2019. This collection visually documents a retirement party held in her honor. It includes image and video files.

The collection consists of examples of Anthony Pellino's student art and design work, the bulk of which was completed in 1983, in his first year at Parsons. The notes that appear throughout the collection guide were compiled from notes made by Pellino at the time that he donated his work to the New School Archives.

Aristide Zolberg (1931-2013) was a professor of political science at The New School. This collection of Zolberg's papers includes manuscript drafts of Zolberg's books, articles, essays and reviews; correspondence; research files; departmental administrative documents; and biographical ephemera.

Arthur J. Vidich (1922-2006) was a long-term member of the faculty at the New School for Social Research as a professor of Sociology (1960-1991). He published dozens of books, papers, and edited anthologies, notably Small Town in Mass Society: Class, Power, and Religion in a Rural Community (1958). This collection contains material documenting his teaching, writing, lectures, and other academic and professional work spanning his entire career. Included are correspondence with colleagues, friends, and presses; manuscript and typescript drafts of his writings; conference and lecture materials; subject files relating to his colleagues and personal life; and items pertaining to his teaching at the New School and other institutions, as well as his role as chair of the New School Sociology Department; photographs; and audio and video recordings of lectures, talks, and courses.

The collection consists of 68 prints out of a set of 70 from woodcuts created by Romanian-born painter Arthur Segal (1875-1944) between 1912 and 1919. The prints, from Segal's original blocks, were made on handmade paper by William Carter, and published by Richard Nathanson.

Arthur Waldeck (1899-1965) was a New York-based voice teacher. The collection consists of Waldeck's letters to and from renowned music theorist Heinrich Schenker (1868-1935), as well as Waldeck's translations into English and heavily annotated copies of Schenker's works, written and published in German.

This collection contains holiday cards, illustrations and children's books sent to Barry Parnell by illustrator Quentin Blake and author John Yeoman over the span of nearly fifty years, testament to their lifelong friendship. 

Bea Feitler (1938-1982) graduated from Parsons School of Design in 1959 with a degree in Graphic Arts and Advertising. She went on to a noted career as a designer of books, magazines, posters and more. Feitler served as art director for Harper's Bazaar and Ms. magazines; consulting art director for Condé Nast; and designer for Rolling Stone magazine. Professional work in this collection includes layouts, dummies, and other pre-press items. The collection also contains photographs and contact sheets by a number of the distinguished photographers with whom Feitler worked. Personal materials include mail art, correspondence, photographs, scrapbooks, ephemera, original drawings and collages.

In 1960, Bess Bernard established her own company, Bernard Design International, Ltd., specializing in interior design projects for commercial and residential spaces. The collection (1960s-1980s) consists of forty-two watercolor and pencil renderings produced by various artists for Bernard Design International.

Bob Adelman (1930-2016) studied photography with Alexey Brodovitch at The New School in the 1950s and became one of the photographers regularly documenting the life of the New School in the 1970s and 1980s. Adelman also taught at the school and was one of the most well-known photographers of the Civil Rights Movement. This collection consists largely of black and white photographic prints taken for the New School for Social Research. The collection also includes a small group of prints representing Adelman's work in documentary journalism, including photographs of Malcolm X and Martin Luther King, Jr., as well as photographs documenting life in New Orleans and Moscow, and the New York City Housing Authority.

The collection consists of approximately 500 professional illustrations by Parsons School of Design alumnus Bob Hiemstra, from the beginning of the 1980s into the early 1990s, when he produced fashion and spot illustrations for a wide range of magazines, newspapers, cosmetic companies and department stores.

American fashion designer Bonnie Cashin (1908-2000) had a longstanding partnership with manufacturer Philip Sills and Co., spanning 1953 into the mid-1970s. This collection represents 65 fashion photographs, some with accompanying press releases, from 1967-1968.

Interior decorator Bruce Buttfield (1897-1969) made his mark in the 1930s by creating distinctive furniture and rooms. In 1931, he designed the interior of the original Whitney Museum building on Eighth Street in New York City. The collection includes photographs and color renderings of Buttfield interiors.

Completed by Burton Schuman while a student at Parsons School of Design in 1947-1948 for an advertising design class taught by Betty Carter, the collection includes sketches, illustrations and advertising designs.

Carl Erickson (1891-1958), who signed his work "Eric," was a leading fashion illustrator whose drawings appeared in Vogue and Harper's Bazaar, among other publications. In 1964, Parsons School of Design hosted a retrospective of Erickson's work. The New School Archives' collection consists of fourteen works, possibly originating from that exhibit.

Carlos Salzédo (1885-1961) was a French-born harpist, teacher, and composer, who performed with the Metropolitan Opera and founded Trio de Lutéce as well as the Salzédo Harp Ensemble. The collection consists of his own published compositions, annotated scores and arrangements by other composers, and issues of the Eolian Review, for which he served as editor.

The material in this collection was assembled by New School librarian Carmen Hendershott and transferred periodically to the Archives. The collection includes fliers, posters, invitations, and event programs produced by multiple university divisions including the New School for Social Research, College of Performing Arts, and Schools of Public Engagement.

The Carol Loebelsohn fashion illustrations represent a sampling of the professional and teaching work of Parsons School of Design alumna and faculty member Carol Loebelsohn. The bulk of the over 150 illustrations covers the 1960s into the 1990s, and includes a variety of media and drawing techniques.

The collection consists primarily of lecture notes and course-related notebooks maintained by designer Carolyn Nesbitt Wagenseller ('63) during her studies in Parsons School of Design's Interior Design Department.

The collection documents projects completed by Casey Coates when she was a student in Parsons School of Design's Environmental Design program between 1972 and 1975. Materials consist of sketches on tracing paper, site plans, land use, climate, and systems studies for three building projects, as well as a silent, color super-8 film capturing street life in Danson's neighborhood on the upper west side of Manhattan.

The collection consists primarily of course assignments in the form of a collage, presentation boards, photographs, and a watercolor rendering by interior designer Catherine Minkiewicz (1966) during her studies in Parsons School of Design's Interior Design Department.

Collection consists of photographic slides depicting fashion runway shows compiled by freelance photographer Charles Gerli. Photographs were taken by Gerli, Dan Lecca and Corina Lecca for various magazines. Designers and fashion houses represented include Bill Blass, Chanel, Christian Dior, Dolce & Gabbana, Christian Lacroix, Lanvin, Calvin Klein, Michael Kors, Ralph Lauren, Valentino, Adrienne Vittadini and many others.

Charles Harbutt taught photography at Parsons School of Design from the early 1990s until his death in 2015. He served as the president of the photographic cooperative Magnum twice, and his work appeared in many publications and exhibitions. The collection consists of material created and assembled by Harbutt for his Parsons classes.

Charles Le Maire (1897-1985) began his costume design career in vaudeville shows of the 1920s. He later served as executive designer at Twentieth Century-Fox. In the 1950s, Le Maire formed his own business from private commissions and film work, earning thirteen Oscar nominations and three Oscars for Best Costume Design. The collection contains seventeen Le Maire sketches, including work for the Earl Carroll Vanities (1924-1930).

Consists of records created and received by Charles S. Olton, dean of Parsons School of Design from 1989 until 1997. Includes subject files on committees, departments and programs, events, individuals, international projects, and general administrative issues. Some files are restricted. Please email archivist@newschool.edu for details.

Chester Weinberg (1931-1985) graduated from Parsons School of Design in 1951 and served as visiting lecturer on fashion design there from 1955 to 1985. Weinberg established his own label in 1966. He later became a consultant and was named design director of Calvin Klein jeans in 1981. The collection contains a scrapbook of news clippings, fashion print ads, and photographs mainly chronicling Weinberg's work from 1966 to 1975.

Collection consists of twenty dummies created at Parsons School of Design by students in an Editorial Design course taught by Cipe Pineles. The course was situated in the Graphic Design (later Communication Design) Department. One of the dummies is Pineles's, used as an example for her students, titled, Ah, Me.

Claire McCardell (1905-1958) graduated from the New York School of Fine and Applied Art (later, Parsons School of Design) in 1928 and later became a pivotal figure in American ready-to-wear fashion. In 1944, McCardell returned to Parsons as a critic and instructor, a position she held for the rest of her life. The collection contains roughly 9,000 of McCardell's sketches, dated 1931 to 1958; mostly produced for Townley Frocks.

Notes taken by Cleora Clark Wheeler during lectures given by Frank Alvah Parsons at the New York School of Fine and Applied Art (later, Parsons School of Design), which Wheeler attended in 1912-1913. Also included is a set of bookplates, which was the focus of Wheeler's later career.

The collection consists of work by eighteen artists who worked in the printmaking medium in Great Britain in the 1960s and 70s. Includes work by David Annesley, Patrick Caulfield, Pierre Celice, Bernard Cohen, Elisabeth Frink, Patrick Heron, Gordon House, John Hoyland, Patrick Hughes, Liliane Lijn, Kim Lim, Kenneth Martin, Nicholas Monro, Tom Phillips, Patrick Procktor, William Scott, Colin Self, and William Turnbull.