This collection contains a series of filmed interviews with prominent actors, directors, and writers discussing their creative process. The series was hosted by Professor Karen Ludwig of The New School's School of Drama in front of a live audience of students.

The Activism at The New School oral history program, initiated in 2019, documents touchstone moments of activism on The New School's campus from the perspective of students, faculty, and staff who participated. As of April 2020, interviewees include activists in the anti-Vietnam War movement; the 1996-1997 Mobilization for Real Diversity, Democracy, and Economic Justice at The New School; and campus protests in the 2000s-2010s.

Collection consists of Adele Mowton DuBreuil's diploma from the New York School of Fine and Applied Art (now, Parsons School of Design) in advertising display, a black and white photographic portrait of her after graduation, and 24 small, black and white photographic prints depicting her student graphic design work, 1917-1919. Most of the designs are advertisements for consumer goods; two are World War One propaganda posters.

Mary Adrienne Steckling Coen (1934-2006) graduated from Parsons School of Design's Fashion Design Department in 1958. In 1966, "Adri" --her professional name-- created her own line, designing under her own labels for the rest of her career. The records document Adri's professional life, with items arranged by year and season. Includes clippings and tear sheets, photographs, press kits, sketches, swatches, and video recordings.

Albert Hadley (1920-2012) graduated from Parsons School of Design in 1949 and served on the faculty from 1949 through 1954. Hadley later joined Dorothy "Sister" Parish to form the interior design firm Parish-Hadley. The collection includes correspondence, design and lecture notes, student work and a mock-up for a booklet.

Consists of records generated by Albert Landa (1927-2008), who started in 1960 as director of Public Information and became vice president of Development and Public Relations at The New School, and then held the title of Vice President, until his retirement in 1985. The records in this collection are notable because Landa was deeply involved in a rapid expansion of the university, including its 1970 incorporation of Parsons School of Design. The collection comprises six series, representing activities related to most of the major divisions and institutes of the university. Materials relate primarily to the development of new programs, building projects, fund raising, and public relations. Some documents in this collection are restricted. Please email archivist@newschool.edu for further information.

Typographer Albert Schiller (1898-1970) created artworks using pre-cast metal type elements. The collection is comprised of 35 type pictures and printing samples featured in a 1976 exhibition at Parsons School of Design.

Includes prints numbered 43 and 184 from an edition of 220 created by Alice Halicka. Depicts the Place de la Concorde in Paris, including the Luxor Obelisk and a detail from the Fontaine des Mers, consisting of a naiad holding a fish.

Alison Smith Hannan (1925-) graduated from Parsons School of Design in 1947. She maintained this student notebook while studying fashion design and fashion illustration between 1945 and 1947.

The collection consists of art and design work executed by furniture and interior designer Allan Skriloff during his studies in Parsons School of Design's Interior Design Department.

Allen Austill (1927-2016) joined The New School in 1962. In 1965, he was appointed dean of the Adult Division and in 1987, he was named chancellor of the university and held this position until his retirement in 1989. The Allen Austill records are a small but significant set of materials largely relating to Austill's activities at The New School that fell outside of his primary role as dean of the Adult Division, including new program initiatives. Some documents in this collection are restricted. Please email archivist@newschool.edu for further information.

Consists of handwritten and typed letters from Dr. Alvin Johnson, President Emeritus of the New School for Social Research, to philanthropist Dannie N. Heineman and carbon copies of some of Heineman's replies.

This collection primarily reflects the activities of Alvin Saunders Johnson during his years as director and president emeritus of the New School for Social Research (1946-1971). The files consist of biographical materials, correspondence, subject files, and writings. Because much of Johnson's work as president emeritus of the New School was concentrated on fundraising, the correspondence and subject files largely document this activity. Other projects documented here include Johnson's proposal to establish a labor college at the New School (which never came to pass), and launching a Faculty of Retired Professors. The Writings series includes drafts, typescripts, and reprints from publications documenting Johnson's abiding engagement with social issues, in addition to chapter drafts for his autobiography, Pioneer's Progress (published 1952).

The American Council for Émigrés in the Professions was founded in 1945 by Drs. Else Staudinger and Alvin Johnson to provide aid and placement for World War II refugees who had been professionals in Europe. Records contain correspondence, meeting minutes, photographs, and subject files. Access is provided to this unprocessed record group, but some files may be restricted. Please email archivist@newschool.edu for details.

The American Indian College Fund is one of the largest Native-run charity supporting Indigenous students' access to higher education in the United States. The collection consists of advertising posters created by the advertising firm Wieden+Kennedy for the American Indian College Fund.

The audio recordings and transcripts in this collection document lectures from a fifteen-week series on the race crisis in the United States, held in the spring of 1964 at the New School and organized by New School professor Daniel S. Anthony. The recorded speakers include Charles Abrams, Algernon D. Black, Dan W. Dodson, Milton A. Galamison, Martin Luther King, Jr., Louis Lomax, Melvin Tumin, Robert C. Weaver, and Roy Wilkins.

The workbook that comprises this collection was used during the Amos Parrish Fashion Merchandising Clinic, held in New York City, January 6-10, 1930. The clinic was offered once and at times twice annually from the 1920s through 1955 to forecast the year's fashion industry trends. This workbook belonged to Howard Phillips, merchandise manager for Ernst Kern Department Store, Detroit, Michigan, and was annotated by Phillips.

André and Creators Studios were Seventh Avenue fashion firms that marketed their designs to clothing manufacturers by subscription. In the mid-1970s Pearl Alexander Lipman, André's co-owner and designer since the 1930s, retired, and André's design drawings were sold to Creators Studios. The collection consists of design reproductions created and distributed by the two companies between 1937 and 1972.

After graduating from Parsons School of Design in 1943, Andrée Golbin (1923-2006) led a long career as a painter, graphic artist and illustrator. Serving as art director for Mademoiselle magazine in the early 1950s, Golbin also created artwork for a diverse list of clients, including several modern dance companies, Henri Bendel, and American Cyanamid. This collection contains examples of Golbin's drawings and completed projects.

Records kept by New School faculty member Ann Snitow, largely documenting her activities in connection with the evolving status of gender studies courses and programs at The New School at the graduate and undergraduate level.

Feminist activist and scholar Ann Barr Snitow (1943-2019) taught at The New School's Eugene Lang College of Liberal Arts from 1986 until her retirement in April 2019. This collection visually documents a retirement party held in her honor. It includes image and video files.

The collection consists of examples of Anthony Pellino's student art and design work, the bulk of which was completed in 1983, in his first year at Parsons. The notes that appear throughout the collection guide were compiled from notes made by Pellino at the time that he donated his work to the New School Archives.

Aristide Zolberg (1931-2013) was a professor of political science at The New School. This collection of Zolberg's papers includes manuscript drafts of Zolberg's books, articles, essays and reviews; correspondence; research files; departmental administrative documents; and biographical ephemera.

Arthur J. Vidich (1922-2006) was a long-term member of the faculty at the New School for Social Research as a professor of Sociology (1960-1991). He published dozens of books, papers, and edited anthologies, notably Small Town in Mass Society: Class, Power, and Religion in a Rural Community (1958). This collection contains material documenting his teaching, writing, lectures, and other academic and professional work spanning his entire career. Included are correspondence with colleagues, friends, and presses; manuscript and typescript drafts of his writings; conference and lecture materials; subject files relating to his colleagues and personal life; and items pertaining to his teaching at the New School and other institutions, as well as his role as chair of the New School Sociology Department; photographs; and audio and video recordings of lectures, talks, and courses.

The collection consists of 68 prints out of a set of 70 from woodcuts created by Romanian-born painter Arthur Segal (1875-1944) between 1912 and 1919. The prints, from Segal's original blocks, were made on handmade paper by William Carter, and published by Richard Nathanson.

Arthur Waldeck (1899-1965) was a New York-based voice teacher. The collection consists of Waldeck's letters to and from renowned music theorist Heinrich Schenker (1868-1935), as well as Waldeck's translations into English and heavily annotated copies of Schenker's works, written and published in German.

This collection contains holiday cards, illustrations and children's books sent to Barry Parnell by illustrator Quentin Blake and author John Yeoman over the span of nearly fifty years, testament to their lifelong friendship. 

Bea Feitler (1938-1982) graduated from Parsons School of Design in 1959 with a degree in Graphic Arts and Advertising. She went on to a noted career as a designer of books, magazines, posters and more. Feitler served as art director for Harper's Bazaar and Ms. magazines; consulting art director for Condé Nast; and designer for Rolling Stone magazine. Professional work in this collection includes layouts, dummies, and other pre-press items. The collection also contains photographs and contact sheets by a number of the distinguished photographers with whom Feitler worked. Personal materials include mail art, correspondence, photographs, scrapbooks, ephemera, original drawings and collages.

In 1960, Bess Bernard established her own company, Bernard Design International, Ltd., specializing in interior design projects for commercial and residential spaces. The collection (1960s-1980s) consists of forty-two watercolor and pencil renderings produced by various artists for Bernard Design International.

Bob Adelman (1930-2016) studied photography with Alexey Brodovitch at The New School in the 1950s and became one of the photographers regularly documenting the life of the New School in the 1970s and 1980s. Adelman also taught at the school and was one of the most well-known photographers of the Civil Rights Movement. This collection consists largely of black and white photographic prints taken for the New School for Social Research. The collection also includes a small group of prints representing Adelman's work in documentary journalism, including photographs of Malcolm X and Martin Luther King, Jr., as well as photographs documenting life in New Orleans and Moscow, and the New York City Housing Authority.

The collection consists of approximately 500 professional illustrations by Parsons School of Design alumnus Bob Hiemstra, from the beginning of the 1980s into the early 1990s, when he produced fashion and spot illustrations for a wide range of magazines, newspapers, cosmetic companies and department stores.

American fashion designer Bonnie Cashin (1908-2000) had a longstanding partnership with manufacturer Philip Sills and Co., spanning 1953 into the mid-1970s. This collection represents 65 fashion photographs, some with accompanying press releases, from 1967-1968.

Interior decorator Bruce Buttfield (1897-1969) made his mark in the 1930s by creating distinctive furniture and rooms. In 1931, he designed the interior of the original Whitney Museum building on Eighth Street in New York City. The collection includes photographs and color renderings of Buttfield interiors.

Completed by Burton Schuman while a student at Parsons School of Design in 1947-1948 for an advertising design class taught by Betty Carter, the collection includes sketches, illustrations and advertising designs.

Carl Erickson (1891-1958), who signed his work "Eric," was a leading fashion illustrator whose drawings appeared in Vogue and Harper's Bazaar, among other publications. In 1964, Parsons School of Design hosted a retrospective of Erickson's work. The New School Archives' collection consists of fourteen works, possibly originating from that exhibit.

Carlos Salzédo (1885-1961) was a French-born harpist, teacher, and composer, who performed with the Metropolitan Opera and founded Trio de Lutéce as well as the Salzédo Harp Ensemble. The collection consists of his own published compositions, annotated scores and arrangements by other composers, and issues of the Eolian Review, for which he served as editor.

The material in this collection was assembled by New School librarian Carmen Hendershott and transferred periodically to the Archives. The collection includes fliers, posters, invitations, and event programs produced by multiple university divisions including the New School for Social Research, College of Performing Arts, and Schools of Public Engagement.

The Carol Loebelsohn fashion illustrations represent a sampling of the professional and teaching work of Parsons School of Design alumna and faculty member Carol Loebelsohn. The bulk of the over 150 illustrations covers the 1960s into the 1990s, and includes a variety of media and drawing techniques.

The collection consists primarily of lecture notes and course-related notebooks maintained by designer Carolyn Nesbitt Wagenseller ('63) during her studies in Parsons School of Design's Interior Design Department.

The collection documents projects completed by Casey Coates when she was a student in Parsons School of Design's Environmental Design program between 1972 and 1975. Materials consist of sketches on tracing paper, site plans, land use, climate, and systems studies for three building projects, as well as a silent, color super-8 film capturing street life in Danson's neighborhood on the upper west side of Manhattan.

The collection consists primarily of course assignments in the form of a collage, presentation boards, photographs, and a watercolor rendering by interior designer Catherine Minkiewicz (1966) during her studies in Parsons School of Design's Interior Design Department.

Collection consists of photographic slides depicting fashion runway shows compiled by freelance photographer Charles Gerli. Photographs were taken by Gerli, Dan Lecca and Corina Lecca for various magazines. Designers and fashion houses represented include Bill Blass, Chanel, Christian Dior, Dolce & Gabbana, Christian Lacroix, Lanvin, Calvin Klein, Michael Kors, Ralph Lauren, Valentino, Adrienne Vittadini and many others.

Charles Harbutt taught photography at Parsons School of Design from the early 1990s until his death in 2015. He served as the president of the photographic cooperative Magnum twice, and his work appeared in many publications and exhibitions. The collection consists of material created and assembled by Harbutt for his Parsons classes.

Charles Le Maire (1897-1985) began his costume design career in vaudeville shows of the 1920s. He later served as executive designer at Twentieth Century-Fox. In the 1950s, Le Maire formed his own business from private commissions and film work, earning thirteen Oscar nominations and three Oscars for Best Costume Design. The collection contains seventeen Le Maire sketches, including work for the Earl Carroll Vanities (1924-1930).

Consists of records created and received by Charles S. Olton, dean of Parsons School of Design from 1989 until 1997. Includes subject files on committees, departments and programs, events, individuals, international projects, and general administrative issues. Some files are restricted. Please email archivist@newschool.edu for details.

Chester Weinberg (1931-1985) graduated from Parsons School of Design in 1951 and served as visiting lecturer on fashion design there from 1955 to 1985. Weinberg established his own label in 1966. He later became a consultant and was named design director of Calvin Klein jeans in 1981. The collection contains a scrapbook of news clippings, fashion print ads, and photographs mainly chronicling Weinberg's work from 1966 to 1975.

Collection consists of twenty dummies created at Parsons School of Design by students in an Editorial Design course taught by Cipe Pineles. The course was situated in the Graphic Design (later Communication Design) Department. One of the dummies is Pineles's, used as an example for her students, titled, Ah, Me.

Claire McCardell (1905-1958) graduated from the New York School of Fine and Applied Art (later, Parsons School of Design) in 1928 and later became a pivotal figure in American ready-to-wear fashion. In 1944, McCardell returned to Parsons as a critic and instructor, a position she held for the rest of her life. The collection contains roughly 9,000 of McCardell's sketches, dated 1931 to 1958; mostly produced for Townley Frocks.

Notes taken by Cleora Clark Wheeler during lectures given by Frank Alvah Parsons at the New York School of Fine and Applied Art (later, Parsons School of Design), which Wheeler attended in 1912-1913. Also included is a set of bookplates, which was the focus of Wheeler's later career.

The collection consists of work by eighteen artists who worked in the printmaking medium in Great Britain in the 1960s and 70s. Includes work by David Annesley, Patrick Caulfield, Pierre Celice, Bernard Cohen, Elisabeth Frink, Patrick Heron, Gordon House, John Hoyland, Patrick Hughes, Liliane Lijn, Kim Lim, Kenneth Martin, Nicholas Monro, Tom Phillips, Patrick Procktor, William Scott, Colin Self, and William Turnbull.

Consists of course catalogs with information about the policies, faculties and courses of Mannes School of Music. Collection includes a limited number of catalogs focused exclusively on the Extension Division, Preparatory Division, Summer School, and Jazz and Contemporary BFA Program, while most cover a broad range of courses.

Constance P. Brown attended the New York School of Fine and Applied Art (later, Parsons School of Design) from 1913 to 1917, and worked as secretary to Frank Alvah Parsons in the teens or 1920s. The collection consists of correspondence from Parsons to Brown, faculty announcements, school circulars, interior decoration class rolls, clippings from 1913-1934, and correspondence with Parsons School of Design Alumni Association.

This collection consists of an introductory booklet to Benedict J. Fernandez's portfolio of photographs of Martin Luther King, Jr., taken in the last year of King's life, Countdown to Eternity: Photographs of Dr. Martin Luther King, Jr. in the 1960's. Fernandez was founder of the photography program at Parsons School of Design, serving as chair from 1981-1994.

Dan Arje (1923-1993) was a designer and display director for Bonwit Teller. The collection primarily consists of albums of photographs and news clippings about Arje's displays, and correspondence regarding his decorating work for the White House during the Kennedy and Johnson administrations, including decoration of the White House Christmas tree. Also present are materials about Bonwit Teller and Tiffany's designer Gene Moore.

Interior design sketches and detail studies from Daniel Lashen's studies at Parsons School of Design in New York and in Italy. Lashen graduated from Parsons in 1950.

David Corcos Levy served as dean of Parsons School of Design from 1970 until 1989. The bulk of these records were generated between 1970 and 1984, after the merger of Parsons and the New School for Social Research, and consist of memos, correspondence, reports, and subject files related to Levy's administrative tenure. Correspondents include a range of New School and Parsons administrators, including New School president John R. Everett. Categories and subjects represented herein include developing and implementing new degree programs; the process of merging academic institutions, including the Otis Art Institute in Los Angeles; faculty relations and unionization; accreditation; program and department establishment and design; and fundraising activities. Also found here are materials created by the Parsons Board of Trustees and, after the merger, the New School Board of Overseers.

David Nadien was an American classical violinist and Mannes College of Music teacher. The collection includes programs, contracts, reviews, biographies, obituaries, awards and honors, photographs, public relations materials, a small amount of correspondence, sheet music, and a 1952 "Seasons Greetings" ceramic plate from the television variety show, "Your Show of Shows."

The Democracy Seminar, a network of seminars that ran from 1984 to 1994, and again from 2018 to the present (2021), were semi-clandestine meetings of scholars held simultaneously in Warsaw, Budapest and New York, before spreading to cities across Eastern and Central Europe. The seminar discussed topics in democratic politics and culture, and was the genesis of the Transregional Center for Democratic Studies at The New School for Social Research. The Democracy Seminar oral history project consists of interviews conducted by Ph.D. sociology candidate Jack Wells with three sociology faculty members who were deeply involved with the Democracy Seminar: Jeffrey Goldfarb, Elzbieta Matynia and Andrew Arato.

Dero Darwin, Jr. (1929-2014) graduated from Parsons School of Design's Interior Design Department in 1964. This collection includes design work Darwin produced as a student, as well as lecture notes and course materials, and material from Darwin's professional design career.

The Designer files collection was assembled by Kellen Design Archives staff between approximately 1994 and 2008 from a variety of sources (on occasion new files continue to be added). Subjects are typically Parsons School of Design graduates, visiting critics, lecturers, or faculty. Folder contents may include press clippings, work samples, ephemera, slides, and such printed materials as business cards, postcards, and pamphlets.

The collection is comprised of a photograph of attendees at a dinner for the New School for Social Research's University in Exile held on January 15, 1936 at the Waldorf-Astoria Hotel in New York City.

Donald Brooks (1928-2005) was a prominent American fashion designer who, in addition to creating ready-to-wear collections and custom apparel, designed costumes for film, television, and theater. He taught at Parsons School of Design for approximately forty years. The collection includes photographs, publicity materials, and original fashion and costume design sketches.

Dora Mathieu (1909-1980) taught fashion drawing in the Parsons School of Design Fashion Illustration Department, 1964-1966. The Kellen Design Archives holds twenty-nine of Mathieu's sketches, depicting notable designers of the mid-twentieth century. Although the earliest dated portrait is from 1938, the bulk of the collection was created between 1965 and 1968.

Dorothy Haon (1898-1995) attended the New York School of Fine and Applied Art (later, Parsons School of Design) in 1923-1924, and went on to careers in fashion design and merchandising. The collection, which spans the late 1930s through the 1950s, includes working sketches and notes, cloth patterns, fabric samples, and business records. Also included is work by Dorothy's sister, Marion Haon.

A drawing of a male nude by Parsons School of Design alumnus and president Van Day Truex, formerly owned by Harry and Dorothy Kneedler Lawenda.

Edith d'Errecalde (1905-2002) worked for Mainbocher in the 1940s and started her own sportswear firm, Maxmil, in 1951. Later d'Errecalde worked for Evan-Picone and as fashion director for Cohama (Cohn-Hall-Marx). The collection contains photographs, sketches, clippings, advertisements, press kits, correspondence, and notes for articles and lectures. D'Errecalde was a critic and lecturer at Parsons School of Design, 1969-1970.

Mostly consists of Kurzweil's research files from her writing and other projects. To a lesser extent, also includes some faculty material, especially from Rutgers University, files relating to Kurzweil's husband and longtime Partisan Review editor, William Phillips, biographical material, correspondence, and Kurzweil's Presidential National Humanities Medal.

Edward Wormley (1907-1995) is often cited as a top designer of American modernist furniture. Starting at the Dunbar Furniture Company at age 23, Wormley eventually became its sole designer and retained a partnership with Dunbar for over thirty years. Wormley taught at Parsons School of Design between 1952 and 1970. The collection includes photographs, slides, subject files, clippings, technical drawings, catalogs, and sketches.

Consists of two drawings of period rooms rendered in pen and ink and watercolor.

After graduating from the New York School of Fine and Applied Art (later, Parsons School of Design) in 1936, Eleanor Horst (1892-1995) led a long career as an interior decorator. The collection includes photographs and slides of Horst projects, as well as numerous renderings of Horst designs, several by fellow Parsons graduate Lyman Martin.

This collection contains materials relating to Eleanor Brown, founder of the interior design firm McMillen Inc. They include biographical information such as obituaries, lectures given by her, photocopies and clippings of articles about her and/or McMillen Inc, records relating to her apartment at 447 East 57th Street, photographs, marriage and divorce certificates, several Parsons School of Design-related records, including an honorary doctorate awarded to her, a letter from Edwin Morgan, McMillen Inc. share certificates, and text and slides from a 1998 presentation given by her grandson, Michael McMillen, to the Mary Institute.

This collection of 24 drawings and paintings consists of women's and men's fashion illustrations created by Elizabeth Cornell, probably in the late 1920s and early 1930s. The illustrations mostly depict women's and men's wear, accessories, and fabric patterns.

Elizabeth Geary Hoopes Krusen (1908-2006) was a student and instructor at the New York School of Fine and Applied Art (later, Parsons School of Design). She specialized in watercolor interior design renderings. The collection consists of four renderings of residential interiors by Hoopes, two of which were commissioned by McMillen, Inc.

Emil Antonucci (1929-2006) was a New York-based artist, graphic artist, book designer, illustrator, publisher, and teacher. This collection contains artwork and design project materials relating to his freelance design and artistic career. Dating from the 1950s through the 2000s, materials in the collection include original artwork; design proofs and layouts; book and magazine interiors, illustrations, mechanicals, and Antonucci's writings. Included in this collection are items pertaining to the poetry of Robert Lax, whose poetry Antonucci published on his letterpresses, The Hand Press and Journeyman Press. Finally, a number of audio recordings of Antonucci's sound art and Lax's poetry readings are contained herein.

Esta Nesbitt (1918-1975), an instructor at Parsons School of Design from 1964 to 1974, created fashion illustrations for Harper's Bazaar, Mademoiselle, and New York Times Magazine. Later in her career, Nesbitt used innovative printing methods as a children's book illustrator, and experimented with Xerography. The collection primarily consists of 271 fashion illustrations, pre-publication layouts, mechanicals, proofs, and tear sheets.

Manuscript created by Parsons School of Design instructor Estelle Hamburger for the book, Fashion Business: It's All Yours (Canfield Press, 1976).

Three impressions from an edition of 100 prints produced in 1974 from a zinc-plate etching created in 1933. The etching is divided into six small panels in which each of the artists etched a portrait of another member of the group.

The collection includes class notes and a clipbook of decorative styles compiled by Ethel Epstein (who later used the surnames Dean and Evans) when she attended the New York School of Fine and Applied Art (later Parsons School of Design) in the Interior Architecture and Decoration Department, around 1925. Also includes textile samples, circa the 1950s, and costume designs for the Broadway play "The Laughing Woman" (1936).

Eugene Paul Ullman (1877-1953), was an American painter of landscapes, portraits, and still lifes. Ullman studied and later taught with artist William Merritt Chase during the earliest years of the Chase School, predecessor school to what became Parsons School of Design. The collection consists of artwork in the form of sketches and photographs of paintings, correspondence, exhibition catalogs, a scrapbook, and unpublished essay manuscripts. Much of the material is annotated by Ullman's youngest son, Pierre L. Ullman. Also included are files documenting the life of an older son, Paul Ullman, who was killed in France during the Second World War.

Contains printed and moving image publicity materials produced for late twentieth century fashion designers, including: Calvin Klein, Donna Karan (DKNY), Joseph Abboud, Pierre Balmain, Ralph Lauren, and Tommy Hilfiger. Also holds printed matter created for Parsons School of Design alumni Anna Sui, Badgley Mischka, Isaac Mizrahi, Marc Jacobs, Narciso Rodriguez, Peter Speliopoulus, and Bruce (Daphne Gutierrez and Nicole Noselli).

Consists of 19 scrapbooks containing more than 10,000 prints of fashion illustrations produced between the early 1800s and 1913. The prints primarily depict clothing and accessories designs, with a few depicting theatrical costumes, architectural and sculptural details, and textile designs. Many images were issued as portfolio prints, others cut from books and periodicals, such as Graham's Magazine and Godey's Lady's Book and Magazine.

Saks Fifth Avenue compiled this collection of more than 1,100 slides depicting fashion runway shows in the 1990s. The 35 mm slides depict haute couture and ready-to-wear collections from an array of fashion labels, including Adrienne Vittadini, Bill Blass, Calvin Klein, Dolce & Gabbana, Issey Miyake, Max Mara, Michael Kors, Oscar de la Renta, Ralph Lauren, Rifat Ozbek, Versace, Vivienne Westwood, Yves Saint-Laurent, and many others. Former Parsons School of Design students include but are not limited to Marc Jacobs, Donna Karan, Badgley Mischka, Isaac Mizrahi, Charlotte Neuville, Anna Sui, and Yeohlee Teng. Dan and Corina Lecca, Chris Moore, and Dino Scrimali are some of the photographers whose work is represented in the collection.

Fiona Walker Dieffenbacher is a fashion designer, author, and alumna of Parsons School of Design, as well as a faculty member and director of the BFA Fashion Design program. The collection consists of student notebooks and portfolios kept by Dieffenbacher while Fashion Design BFA student at Parsons School of Design in the 1990s; samples of visual aids she created as professor; and student work made in her classes in the 2000s.

Francesca Sammaritano is a fashion designer and alumna of Parsons School of Design, as well as a full-time faculty member. The collection is comprised of two student project notebooks maintained by Sammaritano while she was a Fashion BFA student at Parsons School of Design in the late 1980s and two examples of student work created in classes Sammaritano taught as a professor.

Francis Geck (1900-2005) graduated from the New York School of Fine and Applied Art (later, Parsons School of Design) in 1924 and taught interior design at the school's Paris Ateliers until 1927. In 1930, Geck became a professor of fine arts at University of Colorado, where he taught for 39 years. The papers contain correspondence with Parsons administrators, design sketches and student work, publications, and course materials.

The collection contains correspondence from Frank Alvah Parsons, president of the New York School of Fine and Applied Art (later, Parsons School of Design), to alumni James Wilfrid Kerr and Rose Netzorg Kerr, in addition to a short manuscript written by James Wilfrid Kerr upon Parsons' death. The tribute relates Kerr's experiences as a World War One veteran studying art under Parsons' tutelage.

Frank Alvah Parsons (1866-1930) began as an instructor at the New York School of Art in 1904. He became director in 1911, renaming the school the New York School of Fine and Applied Art to reflect his reorientation of the institution toward practical design disciplines. The school was later renamed to honor his leadership. The collection consists of published editions of Parsons' lectures, and prints he used to illustrate them.

Frederick Werlé (1910-1997) was a composer, music teacher, and a former dean of the Mannes College of Music. His papers primarily consist of reel-to-reel and LP audio recordings and original music manuscripts. Also present in the collection are newspaper clippings, published music scores, concert programs, correspondence and notes.

Fred Greenhill (1925-2007) graduated from Parsons School of Design in 1950. He went on to work as a fashion illustrator for Neiman Marcus in the 1950s, and was the primary artist for Saks Fifth Avenue in the 1960s and early 70s. Greenhill is most recognized for his work at Lord & Taylor from 1974 into the 1980s. The collection holds approximately 700 illustrations that Greenhill created from the 1960s through the 1980s.

Frieda Wunderlich (1884-1965) was a member of the University-in-Exile (also known as the Graduate Faculty, and later as the New School for Social Research). A professor, public official and editor of an anti-Nazi magazine in her native Germany, Wunderlich came to the New School in 1933 and continued her social and economic research while teaching into the 1950s. The collection consists of files and topically-themed notebooks.

Giuseppe Zambonini (1942-1990) was an Italian-born and New York-based architect, interior designer, theater director, and teacher. This collection contains materials pertaining to Zambonini's architectural and design career, as well as items related to his tenure as dean of the New York School of Interior Design, founder and head of the Open Atelier of Design, and director of the architecture program at the Georgia Institute of Technology. Dating primarily from the 1960s through the late-1980s, materials in the collection include sketches, drawings, plans, and blueprints of Zambonini's architecture and interior design projects, as well as photographs of the building sites and finished work. Also included are correspondence, photographs, and printed material related to his teaching and administrative career. Zambonini's work as a theater producer and director in Italy is represented by photographs, scripts, audio, and a variety of posters and programs. Finally, the collection contains a small selection of Zambonini's writings and lectures.

The collection consists of showroom books for the Givenchy Nouvelle Boutique of New York City, 1972-1974. The showroom books include price lists, garment sketch reproductions, and fabric swatches.

Audio and video recordings of events sponsored by the Graduate Faculty of the New School for Social Research, 1959-2007. The graduate school at the New School was established in 1933 as the Graduate Faculty of Political and Social Science. In its early years, the school was often referred to as the University in Exile. The division's name was changed in 2005 to the New School for Social Research (NSSR).

The Graduate Faculty of Political and Social Science, often referred to in its early years as the University in Exile, was established in 1933. This collection consists of minutes from meetings from the time the Graduate Faculty was established through 1968.

This collection consists of working papers, numbered 1-56 (with some gaps in numbering), originating from the Committee on Political Economy of the New School for Social Research. The numbers were assigned by the Committee and follow a rough chronological order. Authors include Thomas I. Palley, David M. Gordon, Willi Semmler, and Alice H. Amsden.

The collection consists of thirty-three graphic novels written and illustrated by undergraduate students enrolled in Julia Gorton and Madeline Schwartzman's Spring 2007 Parsons School of Design Lab course.

Seven black and white photographic prints by New York-based photographer Hank O'Neal, from a series documenting artist Richard Hambleton's Shadow Man paintings, which were painted on the walls of buildings around Manhattan's East Village in 1981 and 1982.

Hannah Arendt was University Professor in Philosophy from 1967-1975 in The New School's Graduate Faculty (later, New School for Social Research). These records stem from her work as professor and advisor to students, and her involvement with the Tenure Committee. Student files consist of transcripts, writing samples, resumes, referral requests, grant applications and correspondence, among other documents related to graduate student admissions. Files in locations "nr_2" and "Box 2" are restricted. Please email archivist@newschool.edu for details.

In 1979, Harold Matossian (Parsons School of Design, 1968) became director of the Knoll furniture company's graphics department, producing invitations, brochures, stationery, catalogs and other corporate literature for the company until 1994. The Kellen Design Archives holds finished examples of these graphics.

Harry B. Baker (1868-1941) was an illustrator who taught at the New York School of Fine and Applied Art (which became Parsons School of Design) in the early 20th century. Before moving to New York, Baker traveled the American West. He illustrated bar fights, cowboys, Native Americans, and street scenes. The collection includes photographs of Baker and his students, a letter from Frank Alvah Parsons, and illustrations by Baker.