Collections : [Columbia University: Avery Architecture and Fine Arts Library]

Columbia University: Avery Architecture and Fine Arts Library

Columbia University: Avery Architecture and Fine Arts Library

300 Avery Hall
1172 Amsterdam Avenue M.C. 0301
New York, NY 10027, United States
Located in Avery Hall, the Avery Architectural and Fine Arts Library collects books and periodicals in architecture, historic preservation, art history, painting, sculpture, graphic arts, decorative arts, city planning, real estate, and archaeology. The Library contains more than 250,000 volumes and receives approximately 1,500 periodicals.

Search Results

Collection
Online
Colquhoun, Alan, 1921-

This collection is composed primarily of correspondence, memoranda, course material, photographs, drawings and slides. The collection is broken down into personal and academic papers. The academic papers pertain mainly to Colquhoun's career as a writer and theoretician and professor at Princeton University's School of Architecture. The personal papers consist mainly of correspondences with friends and family, as well as notebooks, which Colquhoun kept from the 1940s. The visual materials (photographs and drawings) straddle the two categories. Many of the photographs were taken by Colquhoun himself, to be used later in his teaching, while the drawings consist of both student work and reproductions of works from his practice with John Miller. For the majority of the collection, Colquhoun's folder titles have been maintained and the material has been arranged chronologically. The collection is arranged into four series.

Collection
Alpern, Andrew

This collection primarily contains 177 groups of English, Continental and American drafting sets and individual instruments dating from circa 1700 to 2004. These instruments were used to create technical drawings, typically by architects, draftsmen, engineers, surveyors, and students. Complementing the instruments are a small group of miscellaneous items, including medals, a model, a necktie, and a charm bracelet, and a large group of published materials, including trade catalogs and other technical, biographical, historical, and scholarly writings about drafting and scientific instruments and related subjects.

Collection
Monaco, Angelo

Angelo Monaco (CC '87) studied architecture as an undergraduate at Columbia University. Included in this small collection is a 1-page reminiscence on Douglas Darden who was a studio critic while Monaco was an architecture student (2016); a pencil, color pencil, and ink sketch by Darden titled "The Three Temptations" drawn on the verso of a floor plan of Avery Hall's Wood Auditorium (1985); and a signed 10-page lecture "The Diagram as a Space of Difference" by Peter Eisenman (2005).

Collection
Alt, Annice M.

The collection consists of research papers complied by Annice Alt in preparation for the book Boak & Paris / Boak & Raad: New York Architects (2014), and includes newspaper clippings, notes, contemporary photographs of buildings, real estate advertisements, and building information reports created by Alt. The collection also inclues 10 original ink on linen drawings for the Boak & Raad limited profit housing project, Leland House (Bronx, NY); one perspective rendering by Rowe Langston for the David Rose 1945 commissioned apartment, The Thornley, at 215 E. 79th Street (New York, NY); and reproduction of two drawings for the Boak & Paris apartment house 331-345 West 57th Street (New York, NY).

Collection
Online
Lord, Chip
Chip Lord (1944–) is an architect, media artist, and Professor Emeritus of Film & Digital Media at the University of California, Santa Cruz. Lord is best known for his work with the art and architecture group Ant Farm, which he co-founded with Doug Michels (1943–2003) in 1968. This collection, gathered by Lord, includes correspondence and material produced between 1968 and 1978, when the group disbanded following a fire at their Pier 40 studio in San Francisco, CA. In addition, the collection includes correspondence and material produced in the following decades that document Ant Farm-related products, anniversary celebrations, exhibitions, lectures, and publications, as well as material documenting litigation (including several cases of copyright infringement over use of Cadillac Ranch), licensing, and royalties.
Collection
Gray, Christopher, 1950-2017

This collection contains photocopied images and original published plates of buildings in the United States and abroad designed by the New York architectural firms of Emery Roth and Emery Roth & Sons between the 1920s and the 1980s. The photocopied images are organized by project in binders; the original plates and photographic prints are organized by project in six folders.

Collection
Columbia University

Architectural drawings (no longer in current use by Facilities Management), transferred to the Avery Architectural & Fine Arts Library from the Dept. of Facilities Management pertaining to proposals, construction, alteration and addition of properties formerly used or owned, and buildings demolished or still extant. The dates of the materials span 1895 to today. The drawings include plans showing the heating and ventilation systems, electrical and plumbing details, and some original construction materials. Some of the buildings represented in this collection are: Avery Hall; Earl Hall; St. Paul's Chapel; Teachers College; Low Library; Ferris Booth; and Uris Hall, as well as details of fences; steps; statues; and bronze railings. Some of the architects hired by the University include McKim, Mead & White, Howells & Stokes, James Gamble Rogers, and Allen & Collens, as well as builder and architect R. Guastavino Co. who was responsible for the domes and vaults of St. Paul's Chapel, Earl Hall, and the Van Amringe Memorial

Collection
Columbia University. Graduate School of Architecture, Planning and Preservation

This collection consists of 257 video recordings (from 484 dvds) capturing various GSAPP events conducted from 2005 to 2010. These events encompass lectures, debates, conferences, and symposia and feature practicing architects, architectural historians and theorists, preservationists, and other influential figures within the architectural field. Currently, we are in the process of digitizing these video recordings, and they will be accessible online to Columbia affiliates upon completion [anticipated summer 2024]. Additionally, these recordings will be made available to the public in our reading room. They have been organized chronologically, with undated recordings appearing at the end of the collection.