1 presentation book

Also, biographical manuscripts, illustrations of coats of arms, pedigree, and lists of his drawings and his library, to circa 1900, much of it done by Joseph B. Davis.

Alexander McMillan Welch (1869-1943) was a New York City based architect who practiced independently and as a member of Welch, Smith & Provot. His firm was best known for designing New York City townhouses in the Beaux-Arts style. The collection includes 1,641 architectural drawings, 196 student drawings, 14 student notebooks, 99 loose photographs and 3 photo albums of project photography, project specifications and files, and some professional ephemera.

Architectural plans and renderings of Welch's designs, largely New York City residences, circa 1890s-1920s; specifications; photographs; and brochures advertising buildings at 787 Fifth Ave., 628 Fifth Ave., and 71 and 73 Murray Street, in New York City. Drawings and a sketchbook done by Welch while a student; fourteen notebooks containing Welch's notes from Columbia classes in architecture, 1888-1890; licenses to practice in New York and New Jersey, 1904-1923; a certificate, 1937, and related correspondence relating to Welch's appointment as a U.S. delegate to the fourteenth International Congress of Architects, held in Paris, July 18-25, 1937. A list of U.S. delegates is included. Of note are drawings and papers for the restoration of the Dyckman House, an 18th century farmhouse in upper Manhattan (1910-1917); and the Mrs. Rutherford Stuyvesant Estate in Allamuchy, New Jersey, and the Rutherford Stuyvesant Momument in Tranquility Cemetery, Tranquility, New Jersey, designed by sculptor Daniel Chester French.

Undated photographs taken circa 1940s-1960s show interiors and exteriors of eighteenth and nineteenth century buildings in Kentucky. Buildings include The Grange, near Paris, built 1818; the Old Capitol, Frankfort, built 1827-1829; Adam Childers House, Versailles, built circa 1845; Betty Bryan Place, Harrodsburg Pike, built circa 1843; Holloway House, Richmond, built circa 1838; Castlelawn, near Lexington, undated; Junius Ward Place, near Georgetown, built 1859; Warwick, at Danville, built circa 1845; and others.

Includes professional papers, photographs, slides, art, and architectural drawings.

Alfred Neumann (1900-1968) was a Czech architect with an international career. Most of his major projects were executed in Israel; his earlier work consisted mainly of private residences for Czech clients, as well as commercial and residential architecture undertaken with various firms or government bodies in Paris, Berlin, Algiers, and South Africa. Neumann devoted a substantial portion of his career to teaching and to research into architectural morphology, theories of proportion, polyhedral structures, and architectural space as pattern. He taught at both the Technion (Israel Institute of Technology) in Haifa, and the Université Laval in Quebec. He participated in CIAM (Congrès International d'Architecture Moderne), Groupe Espace, and other architectural groups throughout his career. This collection consists mainly of project drawings and photographs, personal and professional correspondence, Neumann's writings and research, papers related to Neumann's membership in CIAM, and publications related to his projects. The bulk of the material dates from Neumann's later career and concerns projects and research undertaken while Neumann was in Israel.

Drawings show plans, elevations, and sections for the Southwest Apartment on the 11th and 12th story of 1 Lexington Avenue.

This collection includes primarily original etchings, engravings, and lithographs, as well as published images from a variety of sources, of individual architectural structures or the built environment. Most of the images are uncolored. The collection is especially strong in images from the United States and England. A significant number of images are plates from Walter Harrison's "A new and universal history, description and survey of the cities of London and Westminister, the borough of Southwark, and their adjacent parts." (London, J. Cooke, 1776). A small portion of the collection depicts decorative arts and interiors. Also included are a few ephemeral items--such as tickets, letterhead, receipts, and bills--that include architectural imagery.