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Collection
Hughes, David

The documents seem to be copied in full with dates. Each entry has a page reference which is preceded by the abbreviation "Dod. no." and followed by the name "David Hughes." These appear to be references to some collection, possibly of the original documents. David Hughes may have been the copyist responsible for this volume, but there is no conclusive evidence as to this. The material is in Latin and the script is clear and legible.

Collection
Livingston, Arthur, 1883-1944

Part I of this collection contains 140 literary and political papers and documents relating to Venice and Venetian families from the 15th through 18th centuries. The material includes a group of the Busenello family papers which are largely wills, transfers of property, laudatory verses, and Latin prose (related to Dr. Livingston's LA VITA VENEZIANA NELLE OPERE DI GIAN FRANCESCO BUSENELLO, Venice, 1913); a series of moral and political sonnets in the Venetian dialect by Angelo Mario Labia (1690-1775); and a number of other documents and papers related to the Viscordi family and tne Venetian state.

Collection
Griscom, Acton, 1891-1961

This is a heterogeneous collection of manuscript typescript material which relates to Joan of Arc. The material ranges in date and character from a 15th-century manuscript, CHRONIQUE DES ROIS CHARLES VI ET VII par Gilles Le Bouvier, on 241 paper leaves, which contains a long account of the life and exploits of Joan, to the 12 page typescript of Ambassador William C. Bullitt's address, LE FETE DE JEANNE D'ARC A PHILADELPHIA, broadcast on the Voice of America, May 9, 1943. The collection includes a number of manuscripts and typescripts of literary and scholarly works on Joan of Arc by Guy Endore, Andrew Lang, Charles Maurras, Pearl Mahaffey, Wilfred P. Barrett, Thomas Jones, and others. There are also letters from scholars and writers on the subject including Anatole France, Robert Southey, Samuel L. Clemens, Cardinal Manning, and Andrew Land. There are also a few original documents contemporary to and relating to Joan and her associates. Six such documents are bound into Gabrial Hanotaux's JEANNE D'ARC, Paris Hachette, 1911, as extra-illustrations.

Collection

This is a miscellaneous collection of maps transferred from the Geology Department. Some are old and rare, some are modern facsimiles. Gifts, purchases, and relevant maps from other special collections were added over time. Maps are arranged geographically. The library has a card catalog listing the maps individually, alphabetized by geographical/political entitity depicted; i.e., maps of Paris are filed under P, maps of France under F, and maps of Europe under E.

Collection
Ostraca are pottery fragments and flakes of limestone with writing in ink. "Ostraka" is the plural; "ostrakon" is a single item; the word can also be spelled with a "c" as in ostraca and ostracon. Some contain Greek, but the majority is Coptic, and they range in date from the sixth to the seventh century CE. They include about one hundred school exercises (especially abecedaries), private letters, religious texts, receipts, etc. With few exceptions, the ostraka come from monasteries in Upper Egypt around Luxor. Columbia Libraries Ostraka range in date from 150 BCE to the ninth century CE; the majority is dated 6th – 7th century CE. Some of the ostraka come from early gifts and from Egypt Exploration Society distribution of Oxyrhynchos ostraka, but most of the ostraca were acquired at the behest of Professor A. Arthur Schiller in two lots from the Metropolitan Museum of Art in 1958 and 1961. They come largely from the unpublished material deriving from the Museum's excavations at Deir el Bahri and at the Monastery of Epiphanius, though some were purchases by and gifts to the MMA. Many of these Coptic ostraka are very fragmentary and little can be said about their contents. In 1991, 10 ostraca found near the ancient Mons Porphyites, in the desert between the Nile and the Red Sea, in Egypt, were donated by Roger Bagnall and added to the collection.
Collection
Del Río, Daniel A.

A collection of autographs of Latin American patriots and Hispanic loyalists living in the Viceroyalty of Perú during the 19th century. The collection provides a valuable look into daily life in the viceroyalty. Documents to and from military leaders on both sides of the War for Independence describe day to day events of the war (requests for supplies, mess, prisoner and hospital lists, etc.). Among the items by patriots represented in the collection are: a decree by Simón Bolivar, dated 1825, setting up a school system that "la debe igualmente a todos..individuos."; a decree by Tomas de Heres creating the coat-of-arms of Perú, and the heraldry and wording for silver and gold coins of the new government; a list by José Medina of the survivors of the "Vendedores" squadron after the battle of Ayachucho; a letter of José de San Martín to Francisco de Paula Otero; a letter by Antonio José de Sucre to Manuel Martínez de Aparicio; and a letter by José de La Mar to Joaquín de la Pezuela. Among the loyalists represented are: José Fernando de Abascal y Souza, Fernando VII, José Antonio de Areche, Jerónimo Marrón de Lombera, José de Mendizábal e Imaz, Joaquín de la Pezuela, José Manuel Goyeneche, and Manuel Quimper. Also in the collection are two letters by Secretary of State William H. Seward, and two 16th century documents signed by the "conquistadores" Francisco Pizarro and Juan de la Torre. A second box, added in 1980, contains printed and miscellaneous materials from the 1950s.

Collection
Plimpton, George A. (George Arthur), 1855-1936

Primarily oil portraits of 18th century literary figures. There are also engravings, and pen and ink and pencil sketches. Among the literary figures are portraits of Samuel Butler, Lord Byron, Thomas Carlyle; Colley Cibber; Charles Dickens; John Evelyn; John Foxe; David Garrick; Thomas Gray; Charles Lamb; Sir Thomas More; Sir Walter Raleigh; Samuel Richardson; Richard B. Sheridan; Alfred, Lord Tennyson; William M. Thackeray; and others. There is also a portrait by Blanche Ames of George A. Plimpton. Among the artists represented in the collection are James Maubert, Frederick Sandys, and William Hogarth (attrib.)

Collection
Phoenix, S. Whitney (Stephen Whitney), 1836-1881

Personal letters written by Phoenix to friends and associates, and letters which Phoenix collected as autograph specimens, ranging in date from 1554 (Melanchthon) to 1933 (Franklin D. Roosevelt). Over half of Phoenix's own letters are addressed to Josiah Collins Pumpelly (1839-1920), many others are to Henry Thayer Drowne (1822-1897). The material is dated from various places in the United States and Europe and contains accounts of Phoenix's travels and comments on yachting, books, the theater, and friends. There is a series of Presidential letters ranging from Washington to Franklin D. Roosevelt. Also, an engraved portrait of Phoenix.

Collection
Typographic Library

A collection of letters, manuscripts, and documents relating to the history of printing and the graphic arts. The collection is in six parts. Cataloged Correspondence and manuscripts, including cataloged letters to and from Henry Lewis Bullen, the librarian of American Typefounders Company Library. Uncataloged letters of the Typographic Library, including routine correspondence, letters of inquiry to Bullen, the Library's order file, and library correspondence of Columbia University, 1941-1946, pertaining to the collection. Correspondence, manuscripts, documents and printed material by and relating to Henry L. Bullen. Letter books, ledgers, daybooks, and journals of the early American typefounders, Binney and Ronaldson. A collection of over 200 typographical patents for the design of printing types (19th and 20th centuries). Archives of the Companía Real de Impresores, Madrid, relating to its operations and business.

Collection
Schaefler, Sam, 1920-

The collection consists of several sub-divisions, such as bookplates with a printed date (over 300 bookplates, 1587-1800), ecclesiastical bookplates of the 17th and 18th centuries, and a large group relating to Cambridge and Oxford Universities (mostly 18th century). Well represented are bookplates of libraries, starting with a German bookplate, ca. 1580. Among the library bookplates of some significance are large dated German bookplates of the Royal Library, Munich, the earliest being dated 1614, the bookplate of the medical library, Frankfort, 1676, representing the view of a 17th century library, and a large collection of early American library bookplates.

Collection
Franklin, Benjamin, 1706-1790

These documents were printed by Franklin at the press he established in Passy, France, while representing the new United States government in Paris. Franklin went all out to create forms which would represent the new American nation as a respectable power. For these forms, he used a sloped Roman type and fancy capitals which were unique to his press, and had the paper made to order (in England!) in the smooth wove style still little known of in France, with a strip of marbling down the center of the sheet. The sheet would have originally been twice the size you see here; it held the promissory note in duplicate. The document is "indentured," or cut apart in a wavy line through the marbling, making each copy of the promissory note (for the very large sums of money the US was borrowing from France) unique — so it would be impossible for either side to substitute a different document with, perhaps, a different sum owed.

Collection
Bard Family

Correspondence, documents, and genealogical records of the Bard and related Muirson, Prime, and Sands families of New York and New Jersey. Prominent among the papers is the correspondence of William Bard, 1778-1853, to his daughter, Susan Sands, his son-in-law, Ferdinand Sands, and his grandson, Joseph Sands. Includes 18 letters from Samuel Bard, 1742-1821, physician and professor of medicine at Columbia College, to his grandson, Francis Upton Johnston, medical student at Columbia and house doctor at New York Hospital. The letters deal with personal affairs, Francis' scholastic progress and topics of interest to the medical profession. Thereis also a pastel portrait of John Bard by James Sharples.

Collection
Plimpton, George A. (George Arthur), 1855-1936

This collection includes hornbooks, battledores, and facsimiles of hornbooks, a few hornbook-adjacent items, and supporting documents. Hornbooks and battledores were used from the 14th through the 19th centuries for the earliest steps of training in literacy: learning to recognize letterforms, and sometimes to read syllables and/or short texts.