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Collection
Plimpton, George A. (George Arthur), 1855-1936

Primarily oil portraits of 18th century literary figures. There are also engravings, and pen and ink and pencil sketches. Among the literary figures are portraits of Samuel Butler, Lord Byron, Thomas Carlyle; Colley Cibber; Charles Dickens; John Evelyn; John Foxe; David Garrick; Thomas Gray; Charles Lamb; Sir Thomas More; Sir Walter Raleigh; Samuel Richardson; Richard B. Sheridan; Alfred, Lord Tennyson; William M. Thackeray; and others. There is also a portrait by Blanche Ames of George A. Plimpton. Among the artists represented in the collection are James Maubert, Frederick Sandys, and William Hogarth (attrib.)

Collection
Phoenix, S. Whitney (Stephen Whitney), 1836-1881

Personal letters written by Phoenix to friends and associates, and letters which Phoenix collected as autograph specimens, ranging in date from 1554 (Melanchthon) to 1933 (Franklin D. Roosevelt). Over half of Phoenix's own letters are addressed to Josiah Collins Pumpelly (1839-1920), many others are to Henry Thayer Drowne (1822-1897). The material is dated from various places in the United States and Europe and contains accounts of Phoenix's travels and comments on yachting, books, the theater, and friends. There is a series of Presidential letters ranging from Washington to Franklin D. Roosevelt. Also, an engraved portrait of Phoenix.

Collection
Typographic Library

A collection of letters, manuscripts, and documents relating to the history of printing and the graphic arts. The collection is in six parts. Cataloged Correspondence and manuscripts, including cataloged letters to and from Henry Lewis Bullen, the librarian of American Typefounders Company Library. Uncataloged letters of the Typographic Library, including routine correspondence, letters of inquiry to Bullen, the Library's order file, and library correspondence of Columbia University, 1941-1946, pertaining to the collection. Correspondence, manuscripts, documents and printed material by and relating to Henry L. Bullen. Letter books, ledgers, daybooks, and journals of the early American typefounders, Binney and Ronaldson. A collection of over 200 typographical patents for the design of printing types (19th and 20th centuries). Archives of the Companía Real de Impresores, Madrid, relating to its operations and business.

Collection
Schaefler, Sam, 1920-

The collection consists of several sub-divisions, such as bookplates with a printed date (over 300 bookplates, 1587-1800), ecclesiastical bookplates of the 17th and 18th centuries, and a large group relating to Cambridge and Oxford Universities (mostly 18th century). Well represented are bookplates of libraries, starting with a German bookplate, ca. 1580. Among the library bookplates of some significance are large dated German bookplates of the Royal Library, Munich, the earliest being dated 1614, the bookplate of the medical library, Frankfort, 1676, representing the view of a 17th century library, and a large collection of early American library bookplates.

Collection
Franklin, Benjamin, 1706-1790

These documents were printed by Franklin at the press he established in Passy, France, while representing the new United States government in Paris. Franklin went all out to create forms which would represent the new American nation as a respectable power. For these forms, he used a sloped Roman type and fancy capitals which were unique to his press, and had the paper made to order (in England!) in the smooth wove style still little known of in France, with a strip of marbling down the center of the sheet. The sheet would have originally been twice the size you see here; it held the promissory note in duplicate. The document is "indentured," or cut apart in a wavy line through the marbling, making each copy of the promissory note (for the very large sums of money the US was borrowing from France) unique — so it would be impossible for either side to substitute a different document with, perhaps, a different sum owed.

Collection
Bard Family

Correspondence, documents, and genealogical records of the Bard and related Muirson, Prime, and Sands families of New York and New Jersey. Prominent among the papers is the correspondence of William Bard, 1778-1853, to his daughter, Susan Sands, his son-in-law, Ferdinand Sands, and his grandson, Joseph Sands. Includes 18 letters from Samuel Bard, 1742-1821, physician and professor of medicine at Columbia College, to his grandson, Francis Upton Johnston, medical student at Columbia and house doctor at New York Hospital. The letters deal with personal affairs, Francis' scholastic progress and topics of interest to the medical profession. Thereis also a pastel portrait of John Bard by James Sharples.

Collection
Plimpton, George A. (George Arthur), 1855-1936

This collection includes hornbooks, battledores, and facsimiles of hornbooks, a few hornbook-adjacent items, and supporting documents. Hornbooks and battledores were used from the 14th through the 19th centuries for the earliest steps of training in literacy: learning to recognize letterforms, and sometimes to read syllables and/or short texts.