Manuscripts and correspondence of Schneider, including numerous manuscripts of short stories and poems, many of which are unpublished, and several full-length manuscripts of unpublished critical works. The collection also contains an extensive file of typescript reports on books for The Book Find Club, clippings of reviews written by Schneider and about his books, photographs and drawings of Schneider, and a file of correspondence relating to his writings. The literary correspondence includes letters from many of the important novelists, poets, and literary critics from the 1920s to the 1950s. They include Conrad Aiken, Sherwood Anderson, Kenneth Burke, Malcolm Cowley, Theodore Dreiser, Waldo Frank, Lillian Hellman, Robert Hillyer, Alfred Kreymborg, Thomas Mann, Arthur Miller, Marianne Moore, Lewis Mumford, Laura Riding, Muriel Rukeyser, Karl Shapiro, Stephen Spender, Mark Van Doren, and Yvor Winters.

Correspondence, manuscripts, notes, documents, book typescripts, photographs, and printed materials covering the time from Dorfman's early interest, as a graduate student, in the economic thought of Thorstein Veblen until his retirement. There is correspondence with his academic colleagues, students, publishers, and the family and students of Thorstein Veblen, as well as manuscripts, typescripts, drafts, revisions, notes, photographs, pamphlets, and related materials for his articles and books which include: THORSTEIN VEBLEN AND HIS AMERICA, 1934; THE ECONOMIC MIND IN AMERICAN CIVILIZATION, 1946-1959; EARLY AMERICAN POLICY, 1960; INSTITUTIONAL ECONOMICS, 1963; TYPES OF ECONOMIC THEORY, 1967; and NEW LIGHT ON VEBLEN, 1973

Correspondence, manuscripts, documents, memorabilia and printed materials. The correspondence deals with literary and political topics, from such people as Hayden Carruth, Irwin Edman, Lola Ridge and Norman Thomas; numerous manuscripts of Mrs. Marshall's writings, including the notes, drafts, manuscripts and proofs of her last novel THE HILL IS LEVEL and various manuscripts of the stories published in THE CONFRONTATION AND OTHER STORIES, and numerous manuscripts of poetry and short stories. Also included is material on the World War II draft of 19-year-olds, economic aid for Western Europe, the Vietnam War, the origin of SANE, the Committee for Nuclear Responsibility, the Amchitka Islands nuclear tests, the Task Force against Nuclear Pollution, and personal correspondence from her own and her husband's families

Correspondence and manuscripts of Van Doren, consisting of letters, poems, short stories, novels, plays, radio broadcast transcripts ("Invitation to Learning"), diaries, critical works, proofs, and printed works. Correspondents include Louise Bogan, Philip Booth, Babette Deutsch, Richard Eberhart, T.S. Eliot, John Gould Fletcher, Herbert Gorman, E.W. Howe, Robinson Jeffers, Archibald MacLeish, Louis MacNeice, Edgar Lee Masters, Lewis Mumford, Hyam Plutzik, Allen Tate, and Louis Zukovsky. Also, extensive correspondence with Robert Lax and Thomas Merton, as well as manuscripts by these two authors.

Correspondence, documents and manuscripts from late seventeenth and eighteenth century France, especially from the French Revolution, collected by Sam Schaefler. Authors include J.B. Colbert Torcy and the Duchesse Du Lude. Many of the items from the French Revolution represent the work of the Committee of Public Safety and the Committee of General Security. French Revolutionary leaders represented in the collection include François-Antoine Boissy D'Anglas, Jean-Baptiste-Noel Bouchotte, Pierre Joseph Cambon, Lazare Carnot, Jean-Marie Collot D'Herbois, l'Abbʹe de Fauchet, Philippe-Antoine Merlin de Douai, Jean Victor Moreau. C.A. Prieur-Duvernois, and Antoine Joseph Santerre. In addition, the collection includes a letter from the Danish physicist Hans Christian Oersted to Sir John Herschel, a letter by the French poet Romain Rolland, a document of the Philadelphia Artists' Fund Society of 1846 with signatures of its officers, and an autograph letter and a photograph of Henry Wadsworth Longfellow.

Correspondence, manuscripts, audio cassettes, photographs, and printed materials. The correspondence covers the years 1934 through 1999 and consists mostly of letters to and from James L. Weil, whose Elizabeth Press was Bronk's publisher from 1969 to 1981, from Eugene Canadé, an artist who illustrated many of Bronk's books, from Bronk's sisters, and from many friends. There are also letters from W.H. Auden; Paul Auster, Cid Corman (Bronk's first publisher and founder of ORIGIN, the magazine in which many of Bronk's early poems first appeared), Robert Creeley, Samuel French Morse, Gilbert Sorrentino, and many other well-known authors. The manuscripts include notebooks and binders containing handwritten and typed drafts of poems and essays. They document nearly all of Bronk's published writings including the collection of essays he completed in the 1940s which was published in 1980 as THE BROTHER IN ELYSIUM as well as the collection of poems published in 1981 as LIFE SUPPORTS: NEW AND COLLECTED POEMS for which Bronk won the American Books Award in 1982. There are also page proofs, photographs of Bronk, many audio cassettes of Bronk reading his work in the 1970s and the 1980s and printed materials