Correspondence, manuscripts, and miscellany relating to the presentation of poems at a Shakespeare's Birthday Concert on 23 April 1972, by a number of British poets including W.H. Auden, C. Day Lewis, Robert Graves, and Stephen Spender. The collection consists primarily of correspondence with the poets involved; several manuscripts of poems both presented at and eliminated from the program; some business correspondence of the Globe Playhouse Trust and Calder and Boyars, Ltd., Publishers; and Hampton's notes.

The files of Curtis Brown, Ltd. literary agency include correspondence with authors, publishers, and other agents and deal with the editing and publishing of trade and textbooks, serial rights, reprints, dramatic rights, translations and foreign rights, promotion and copyright registration. For each author there are contracts, royalty statements, tax statements, and other financial materials. There is also a contract file, including cancellations and related cortrespondence, from 1914 to 1988. Among the cataloged correspondents are: Louis S. Auchincloss, W.H. Auden, Erle Stanley Gardner, Robert Graves, Ogden Nash, Ayn Rand, and Sloan Wilson.

The Elisabeth Sifton Papers span much of Mrs. Sifton's working life. General correspondence is filed alphabetically by last name and includes correspondence related to the day-to-day business of publising, as well as correspondence related to projects ultimately not realized by Mrs. Sifton. Author-specific files deal with projects that Mrs. Sifton worked extensively on. Some files lack information that remains in the archives of the publishing house where the project was completed. Work life files deal with involvement in various professional associations, classes taught by Mrs. Sifton, and some of Mrs. Sifton's own published writing.

Correspondence, scripts, manuscripts, and reports regarding his activities in the American radio and film industries. Included are papers regarding projects for the United State Government, the Indian film industry, various television and radio networks, and private ventures. Also included is material regarding the Center for Mass Communications of Columbia University, in which Barnouw figured prominently and files for the books he has written.

Correspondence and manuscripts of many authors who were asked to contribute to the proposed anthology, as well as letters from publishers to whom the project had been offered. Among the cataloged correspondents are: John Ashbery, W.H. Auden, Lawrence Ferlinghetti, David Ignatow, W.S. Merwin, Ron Padgett, and May Sarton.

Correspondence, manuscripts, papers, essays, etc. relating to Berlioz, and 19th century arts and literature. The correspondence includes original Berlioz letters and over 200 copies of letters relating to Berlioz and the romantic era, written by musicians, critics, historians, and literateurs of the past century. There are many photostats of letters and manuscripts obtained from the principal libraries of the world which hold original Berlioz material. The collection includes much printed material in the form of music scores, published letters, essays, clippings, biographies, music and book catalogues, program notes, and playbills.

Correspondence, manuscripts, and documents gathered by Carpenter in writing his W.H. AUDEN: A BIOGRAPHY, including correspondence and recollections of Auden from friends and acquaintances, and the typescript of Carpenter's first draft of the book. Correspondents include Sir Cecil Beaton, Sir Isaiah Berlin, Christopher Isherwood, Sir Peter Pears, Frederick Prokosch, Sir Sacheverell Sitwell, and Stephen Spender.

The correspondence, research, and teaching files of French-American cultural historian and Columbia University professor emeritus Jacques Barzun (1907-2012).

This is a collection of letters, manuscripts, notes, cards, etc. removed from books in Josph Brodsky's working library. There are no letters by Brodsky. The books have been cataloged.

Letters, manuscripts, and books, including four letters from MacNeice to the poet and editor, Geoffrey Grigson. The manuscripts, either by or about MacNeice, include ten of his last poems. Five of these have been published in SOLSTICE, 1961, and four in THE BURNING PERCH, 1963. Drafts of the first group of poems were written in a personal notebook used by the poet while he worked for the British Broadcasting Corporation. In another similar notebook is a partial draft of his play "The Administrator." Both notebooks are in the collection. Also, an untitled, unpublished poem of seven stanzas"Tingling [born] the burning island" written on the reverse of a map. Works about NacNeice include manuscripts of a memoir and a radio portrait by Robert Pocock. The portrait has poignant comments and personal reminiscences by twenty of the poet's contemporaries, including John Betjeman, Anthony Blunt, W.H. Auden, E.R. Dodds, Stephen Spender, and others. Both Auden and a literary coterie of Spender, Betjeman, William Empson, and Cyril Connoly taped disucssions of MacNeice and his poetry. Also, thirty-eight books that were in MacNeice's personal library. Most are autographed by him, and many have marked passages and marginal notes. One of the books, Euripides' ALCESTIS AND OTHER PLAYS, is heavily annotated, apparently for a broadcast production.

Correspondence, manuscripts, and books of Melville H. Cane. Among the correspondents are Van Wyck Brooks, Carl Jung, Lewis Mumford, William Saroyan, Upton Sinclair, Felix Frankfurter, Jessamyn West, and W.H.Auden. Included is a scrapbook of newspaper articles by Cane, written chiefly for the "New York Evening Post". He served as the Columbia University correspondent during 1901 and 1902, when he was studying for his degree at the School of Law

Correspondence with authors and other well-known figures, and also manuscripts of her own writings.

The papers of the historian, poet, and conservative political theorist Peter Viereck (1916-2006), his father, George Sylvester Viereck (1884–1962), and other family members.

The collection consists of the editorial and production archives of Random House, Inc. from its founding in 1925 to the 1990s. The correspondence and editorial files include many of the prominent novelists and short story writers from 20th-century American and European literature: Saul Bellow; Erskine Caldwell; Truman Capote; William Faulkner; Sinclair Lewis; André Malraux; Gertrude Stein and Thornton Wilder. Among the poets there are files for W. H. Auden; Allen Ginsberg; Robinson Jeffers; Robert Lowell; and Stephen Spender. In the area of theater there are files for Maxwell Anderson; Moss Hart; Lillian Hellman; Eugene O'Neill; and Tennessee Williams. Random House transacted business with many fine presses and noted typographers and the archives contain files for Nonesuch Press, Grabhorn Press and Golden Cockerel Press, as wll as for Bruce Rogers, Valenti Angelo, and Edwin, Jane, and Robert Grabhorn.

A group of poetry manuscripts written during the 1960's. Also, a manuscript notebook containing at least 55 pieces including articles, talks, and book reviews, mostly with titles. These are carefully corrected first drafts and include a long essay on Graves' "White Goddess" an introduction to Edgell Rickword, and essays on J.R. Ackerley, Ruth Pitter "My Kind of Poetry", "Auden at Sixty", George Orwell, A.E. Housman, and F.R. Leavis.

The collection includes correspondence with publishers and literary figures; Yanovskii's diaries; drafts, manuscripts and typescripts of literary works by Yanovsky and others, subject files, photographs, records of interviews, and printed materials.

Letters, manuscripts, galley proofs, page proofs, art works, and printed materials of Auden, including three postcards to Geoffrey Grigson, one of which relates to galley proofs for Auden's poems included in THE YEAR'S POETRY, 1937. There are manuscripts, galley proofs, and page proofs of COLLECTED SHORTER POEMS 1927-1957 (Faber and Faber, 1966) all of which contain his corrections in ink. The manuscript of the book is comprised of typewritten and printed pages, which taken together are a mock-up of the entire book. Also, a pencil sketch of Auden by Terry Durham, a silkscreen portrait by Meyer F. Lieberman, and a portrait head cast by Olaf de Wett. There is also the manuscript and proofs of MARKINGS by Dag Hammarskjöld, translated from the Swedish by Leif Sjöberg and W.H. Auden; the libretto and score of PAUL BUNYAN by Auden and Britten; five letters from Auden to Norman Loftis criticizing Loftis' poetry; two letters from Auden to Patrick Anthony Lawlor; and four letters from Auden to Olive Mangeot.

Manuscripts, galley proofs, and page proofs of W.H. Auden's COLLECTED SHORTER POEMS 1927-1957 (Faber and Faber, 1966) all of which contain his corrections in ink. The manuscript of the book is comprised of typewritten and printed pages, which taken together are a mock-up of the entire book. There are also galley proofs and page proofs.

Correspondence, manuscripts, audio cassettes, photographs, and printed materials. The correspondence covers the years 1934 through 1999 and consists mostly of letters to and from James L. Weil, whose Elizabeth Press was Bronk's publisher from 1969 to 1981, from Eugene Canadé, an artist who illustrated many of Bronk's books, from Bronk's sisters, and from many friends. There are also letters from W.H. Auden; Paul Auster, Cid Corman (Bronk's first publisher and founder of ORIGIN, the magazine in which many of Bronk's early poems first appeared), Robert Creeley, Samuel French Morse, Gilbert Sorrentino, and many other well-known authors. The manuscripts include notebooks and binders containing handwritten and typed drafts of poems and essays. They document nearly all of Bronk's published writings including the collection of essays he completed in the 1940s which was published in 1980 as THE BROTHER IN ELYSIUM as well as the collection of poems published in 1981 as LIFE SUPPORTS: NEW AND COLLECTED POEMS for which Bronk won the American Books Award in 1982. There are also page proofs, photographs of Bronk, many audio cassettes of Bronk reading his work in the 1970s and the 1980s and printed materials