Durr Friedley was a staff member of the Department of Decorative Arts of The Metropolitan Museum of Art from 1911 until 1917, serving as an assistant, Assistant Curator and Acting Curator. Records consist primarily of correspondence regarding prospective Museum acquisitions. Items of special interest include letters concerning the Museum’s acquisition of early American colonial furnishings, later displayed in the American Wing.

Joseph Breck (1885–1933) served The Metropolitan Museum of Art as Assistant Curator in the Department of Decorative Arts (1909-1914), Curator of the Department of Decorative Arts (1917-1933), Assistant Director of the Museum (1917-1933) and Director of The Cloisters (1932-1933). He was closely involved with the original building plans and collection arrangement for The Cloisters. Breck was associated with numerous exhibitions, most notably the Industrial Arts Exhibitions (1918-1929). Breck was responsible for many acquisitions primarily in the field of Decorative Arts. A prolific writer, he is credited with over 200 scholarly papers, pamphlets, publications, and lectures in the fields of textiles, sculpture, furniture, as well as exhibition planning, display techniques and presentation. The Joseph Breck Records document his numerous roles within The Metropolitan Museum of Art and includes correspondence and inter-office memos with museum staff, correspondence with collectors, dealers and lenders of objects; article drafts, reports, pamphlets, catalogs and other published materials.

During his tenure at The Metropolitan Museum of Art, Richard F. Bach served as Associate in Industrial Arts (1918-1929), Director of Industrial Relations (1929-1941), Dean of Education and Extension (1941-1949), and Consultant in Industrial Arts (1949-1952). Bach championed the collaboration of museums and the industrial arts, working extensively with manufacturers, industrial designers, and educational institutions. In addition to his work at the Museum, Bach was a member and leader of a number of arts and education organizations as well as a prolific writer and lecturer. The Richard F. Bach Records primarily contain correspondence, meeting minutes, and pamphlets related to Bach’s activities as Director of Industrial Relations, Dean of Education and Extension, and Consultant in Industrial Arts. The majority of the correspondence is professional in nature and concerns Bach’s role as liaison between The Metropolitan Museum of Art and industrial designers, manufacturers, educators, and arts organizations.