8 sheets with 16 drawings (drawn recto and verso) of portals, arches, arcades, fireplaces, wall niches and other apertures. Drawings in ink with wash on paper, with some annotations in Italian. The sheets are from a dismembered sketchbook and are housed in a red leather-bound case titled "Architectural Drawings -- Beccafumi" on the spine.

Blue-line print of bronze Subway sidewalk sign post design.

The archive consists of 250 + letters, drawings, invoices, leases, mortgages, bonds, and deeds related to the 516 Broadway, New York, NY, which was owned then by Edward Livingston and his partner. The bulk of the material consists of correspondence from the architects, Hugh Lamb and Charles Rich, who were hired to convert a portion of the building into stores. They worked with Cornell Iron Works, Otis Elevator etc. and approved all work and payment of bills.

Floor plans of the 4th, 5th, and 6th floor on negative photostat; and one pencil and trace floor plan of an unidentified apartment.

Drawings made by Raisman while a student at Columbia University's School of Mines, Engineering and Chemistry from 1894 to 1898. The majority of the drawings are ink on paper or vellum and are studies of various shapes, valves, arches, and bridges.

Aaron Resnick (1914-1986) was an American engineer and architect. Resnick designed for Usonia, a planned community near Pleasantville, New York, which was conceptualized by Frank Lloyd Wright's Broadacre City. The collection documents over 100 projects designed by Aaron Resnick starting from 1947 until his death in 1986. The majority of the projects are residential buildings for the planned community of Usonia, New York. Other creators in the collection include, among others, Frank Lloyd Wright, Franzen Ulrich, Paul Schweikher, and David Henken.

This collection primarily contains architectural drawings, photographs, business records and reference materials related to the projects and designs of architectural and engineering firm Abbott, Merkt and Company. A subsidiary portion of the collection includes drawings, photographs and papers related to the life and career of Richard H. Tatlow, III, president of Abbott Merkt, as well as the firms and agencies for which he also worked.

This collection includes original and reprographic drawings, photographs, project files and office records documenting the professional life of architectural and theatrical lighting designer Abe Feder. Projects represented are primarily in the continental United States, with additional commissions in Canada, Puerto Rico, and Israel. Also included in this collection are substantial correspondence files and "data books" that record essential project information.

This large collection documents in great detail the architectural projects of Abraham Geller and his colleagues throughout the United States and abroad, spanning the 1940s through the 1990s. Types of projects represented include retirement homes, recreational facilities, medical centers, private residences and prototype dwellings for large residential developments, urban renewal projects, and offices.

Plans and elevations for the following projects: Boiler House, College no. 1, and Gymnasium for Bryn Mawr college, Chemistry Lab for Lehigh University, Residence for Professor J.C. Booth at Haverford Station.

Architectural drawings for buildings designed by Hamlin including proposed alterations for the Charles Dudley Warner House, circa 1885; pumping station Clear Stream (or Clear Stream Station), Long Island, 1886; American Classical School, Athens, Greece, 1886-1888; proposed cottage for Mrs. R. Hoe at Sea Cliff, Long Island, 1887; an addition to Clinton Hall at Blair Presbyterian Academy, Blairstown, New Jersey, circa 1896; Soldier's Monument, Whitinsville, Massachusetts, circa 1904 (Hamlin was the architect and Herman A. MacNeil was the sculptor); and miscellaneous and unidentified structures. Also included are drawings done by Hamlin while a student at the Massachusetts Institute of Technology, 1876-1877; sketches done by Hamlin on travels both in the United States and abroad, 1867-1923; photographs of various unidentified buildings and architectural drawings; manuscripts of "ARCHITECTURAL SHADES AND SHADOWS" with related drawings"History of American Art" (unfinished, in French), circa 1923, and "MODERN ARCHITECTURE AND THE CRITICS" circa 1923. Personal materials included undated photographs of A.D.F. Hamlin; a photograph of an 1835 portrait of Cyrus Hamlin; a volume containing condolences, 1926, on the occasion of A.D.F. Hamlin's death; and a scrapbook"Memoirs of Amherst, Class of '75" containing programs, invitations, clippings, notes, essays, exam questions, steamship passenger lists, and other materials.

This collection contains holograph, typescript, and photocopied papers, correspondence, and photographs collected by Adriana Kleiman in the course of her research on the life and work of architect Frank Freeman (1861-1949), as well as many of his clients.

Alan Burnham (1913–1984) was an American architect and architectural historian who served as the Executive Director of the New York City Landmarks Preservation Commission from 1965 to 1973 as well as the Commission's Director of Research. This collection consists mainly of reference materials related to architectural history and New York City architectural history, as well as professional papers and papers relating to Richard Morris Hunt and the history of New York City apartment buildings.

This collection is composed primarily of correspondence, memoranda, course material, photographs, drawings and slides. The collection is broken down into personal and academic papers. The academic papers pertain mainly to Colquhoun's career as a writer and theoretician and professor at Princeton University's School of Architecture. The personal papers consist mainly of correspondences with friends and family, as well as notebooks, which Colquhoun kept from the 1940s. The visual materials (photographs and drawings) straddle the two categories. Many of the photographs were taken by Colquhoun himself, to be used later in his teaching, while the drawings consist of both student work and reproductions of works from his practice with John Miller. For the majority of the collection, Colquhoun's folder titles have been maintained and the material has been arranged chronologically. The collection is arranged into four series.

New York City architectural renderer, artist, and printmaker. Born 1884 in Newark, New Jersey, Flanagan graduated from the School of Architecture at Columbia University in 1910. Flanagan taught drawing at Columbia from 1911 to 1912 and returned as an associate professor of design from 1920 to 1925. Flanagan also worked for several architectural firms, often as a renderer, including Trowbridge & Livingston, McKim, Mead & White, and Harvey Corbett. In 1927, Flanagan left Corbett's office and began full time work as a fine artist. From January 1928 until August 1929, Flanagan travelled in Europe, studying with painter Edouard Léon Cortès in Paris from the fall of 1928 through the spring of 1929. Flanagan was also one of the original members of the Society of American Etchers. Flanagan eventually returned to practicing architecture, associating with various firms until he retired in the mid-1960s. He died in New York City in 1969.

The letters are between convicted war criminal Albert Speer and one of Speer's former prison guards Richard N. Gookins. The correspondence concerns Speer's interest in continuing his architectural career after being released from prison. The guard, who was no longer part of the US Army, sent American architectural magazines to Speer in prison under his name so that Speer would avoid unwanted attention about these inquiries.

Letters are primarily to White's mother, Alexina Black Mease White, his father, Richard Grant White, and his wife, Bessie Springs Smith White. The volume of White's letters from Mexico documents an extended trip he took with his elder brother, Richard Mansfield White, to prospect. Also included in the last volume is a letter to White from H. H. Richardson, dated February 22 1878, acknowledging White's resignation from Richardson's firm. Each original manuscript letter is followed by a typed transcription by Lawrence White, unless otherwise noted.

1 presentation book

Also, biographical manuscripts, illustrations of coats of arms, pedigree, and lists of his drawings and his library, to circa 1900, much of it done by Joseph B. Davis.

Alexander McMillan Welch (1869-1943) was a New York City based architect who practiced independently and as a member of Welch, Smith & Provot. His firm was best known for designing New York City townhouses in the Beaux-Arts style. The collection includes 1,641 architectural drawings, 196 student drawings, 14 student notebooks, 99 loose photographs and 3 photo albums of project photography, project specifications and files, and some professional ephemera.

Architectural plans and renderings of Welch's designs, largely New York City residences, circa 1890s-1920s; specifications; photographs; and brochures advertising buildings at 787 Fifth Ave., 628 Fifth Ave., and 71 and 73 Murray Street, in New York City. Drawings and a sketchbook done by Welch while a student; fourteen notebooks containing Welch's notes from Columbia classes in architecture, 1888-1890; licenses to practice in New York and New Jersey, 1904-1923; a certificate, 1937, and related correspondence relating to Welch's appointment as a U.S. delegate to the fourteenth International Congress of Architects, held in Paris, July 18-25, 1937. A list of U.S. delegates is included. Of note are drawings and papers for the restoration of the Dyckman House, an 18th century farmhouse in upper Manhattan (1910-1917); and the Mrs. Rutherford Stuyvesant Estate in Allamuchy, New Jersey, and the Rutherford Stuyvesant Momument in Tranquility Cemetery, Tranquility, New Jersey, designed by sculptor Daniel Chester French.

Undated photographs taken circa 1940s-1960s show interiors and exteriors of eighteenth and nineteenth century buildings in Kentucky. Buildings include The Grange, near Paris, built 1818; the Old Capitol, Frankfort, built 1827-1829; Adam Childers House, Versailles, built circa 1845; Betty Bryan Place, Harrodsburg Pike, built circa 1843; Holloway House, Richmond, built circa 1838; Castlelawn, near Lexington, undated; Junius Ward Place, near Georgetown, built 1859; Warwick, at Danville, built circa 1845; and others.

Includes professional papers, photographs, slides, art, and architectural drawings.

Alfred Neumann (1900-1968) was a Czech architect with an international career. Most of his major projects were executed in Israel; his earlier work consisted mainly of private residences for Czech clients, as well as commercial and residential architecture undertaken with various firms or government bodies in Paris, Berlin, Algiers, and South Africa. Neumann devoted a substantial portion of his career to teaching and to research into architectural morphology, theories of proportion, polyhedral structures, and architectural space as pattern. He taught at both the Technion (Israel Institute of Technology) in Haifa, and the Université Laval in Quebec. He participated in CIAM (Congrès International d'Architecture Moderne), Groupe Espace, and other architectural groups throughout his career. This collection consists mainly of project drawings and photographs, personal and professional correspondence, Neumann's writings and research, papers related to Neumann's membership in CIAM, and publications related to his projects. The bulk of the material dates from Neumann's later career and concerns projects and research undertaken while Neumann was in Israel.

Drawings show plans, elevations, and sections for the Southwest Apartment on the 11th and 12th story of 1 Lexington Avenue.

This collection includes primarily original etchings, engravings, and lithographs, as well as published images from a variety of sources, of individual architectural structures or the built environment. Most of the images are uncolored. The collection is especially strong in images from the United States and England. A significant number of images are plates from Walter Harrison's "A new and universal history, description and survey of the cities of London and Westminister, the borough of Southwark, and their adjacent parts." (London, J. Cooke, 1776). A small portion of the collection depicts decorative arts and interiors. Also included are a few ephemeral items--such as tickets, letterhead, receipts, and bills--that include architectural imagery.

This collection primarily contains 177 groups of English, Continental and American drafting sets and individual instruments dating from circa 1700 to 2004. These instruments were used to create technical drawings, typically by architects, draftsmen, engineers, surveyors, and students. Complementing the instruments are a small group of miscellaneous items, including medals, a model, a necktie, and a charm bracelet, and a large group of published materials, including trade catalogs and other technical, biographical, historical, and scholarly writings about drafting and scientific instruments and related subjects.

Angelo Monaco (CC '87) studied architecture as an undergraduate at Columbia University. Included in this small collection is a 1-page reminiscence on Douglas Darden who was a studio critic while Monaco was an architecture student (2016); a pencil, color pencil, and ink sketch by Darden titled "The Three Temptations" drawn on the verso of a floor plan of Avery Hall's Wood Auditorium (1985); and a signed 10-page lecture "The Diagram as a Space of Difference" by Peter Eisenman (2005).

The collection consists of research papers complied by Annice Alt in preparation for the book Boak & Paris / Boak & Raad: New York Architects (2014), and includes newspaper clippings, notes, contemporary photographs of buildings, real estate advertisements, and building information reports created by Alt. The collection also inclues 10 original ink on linen drawings for the Boak & Raad limited profit housing project, Leland House (Bronx, NY); one perspective rendering by Rowe Langston for the David Rose 1945 commissioned apartment, The Thornley, at 215 E. 79th Street (New York, NY); and reproduction of two drawings for the Boak & Paris apartment house 331-345 West 57th Street (New York, NY).

Collection contains large-scale black and white photographic prints taken by G.E. Kidder Smith of historic and contemporary buildings in 32 states.

The Arthur Cort Holden Collection consists chiefly of glass plate negatives that primarily deal with the explication of New York City housing and real estate. Other subjects include diagrammatic maps of New York City, exterior and interior views of unidentified domestic architecture, and a limited amount of projects by Holden himself. The collection also contains drawings related to the economic and housing surveys and studies concerning New York City completed during the 1930s. Both Cornell University and Princeton University hold other extensive collections related to Holden.

This collection contains the photographs, negatives, contact sheets, correspondence, printed material, and research files of and about American photographer Arthur Rothstein (1915-1985).

The collection documents the life and activities of architect Arthur T. Sutcliffe. The collection is made up of four series: Personal Papers, Project Records, George L. Sutcliffe Papers, and Family Papers.

More than 120 architects from the United States and abroad contributed original drawings to this collection. Most are hand-drawn; some are printed through traditional etching or lithography techniques; a few others are computer-generated prints. Images are primarily related to the architects' projects, although some drawings are travel sketches of other structures. Drawings in this archive were exhibited at the Miriam & Ira D. Wallach Art Gallery and the Arthur Ross Gallery at Columbia University, Apr. 3-May 4, 1991. At least one drawing from each contributor was published in the accompanying exhibition catalog, CONTEMPORARY ARCHITECTURAL DRAWINGS (San Francisco: Pomegranate Artbooks, 1991).

The materials that comprise the Vertical File have been collected and added to from a variety of sources by former Avery Librarians. The vertical file contains clippings, pamphlets, reprints, and other miscellaneous materials relating to persons, places, organizations, and topical subjects relating to architecture, housing, and city planning. The purpose of the vertical file was to arrange and store small items, memorabilia, and ephemeral material on a variety of topics to facilitate access by researchers. For the most part, the vertical file contains printed items only. Manuscript material and other unique items were, generally, not placed in the vertical file. In some cases, manuscript material has been removed from the Vertical File and placed in its corresponding collection.

Included are five preliminary drawings, eighteen working drawings, and nine full-scale details for Bryant & Gilman's residence for the Honorable Benjamin J. Stark in New London, Connecticut.

Three sketchbooks; the first, 1893-1894, containing sketches from his student years at the Columbia School of Mines, Department of Architecture (he received his degree in 1894); the second, 1894-1896, containing sketches made as a student at the Ecole des Beaux-Arts in Paris; and the third, circa 1896-circa 1905, containing sketches for a variety of projects and designs. Buildings and other structures depicted include the Academy of Music on 14th Street, New York City (a seating plan); Wells Fargo Bank Building, Portland, Oregon, 1910; Reunion Hall, Princeton University, 1902; lantern for the Aetna Building, Hartford, Connecticut; Woodland Street entrance to Kinney Park, Hartford, Connecticut, 1905 (some drawings are by others). Program notes from the classes of Paul Blondel and J. Gaudet at the Ecole des Beaux Arts are included. Also, designs (some done in partnership with Joseph Urban) for proposals for the Metropolitan Opera Company on various sites in New York City, circa 1920s; and designs for shopping and music centers in New York City, to 1936.

This collection contains architectural drawings, photographs, business records and reference materials related to the projects and designs of Bertram Grosvenor Goodhue and his successor firm, Mayers, Murray & Philips, primarily in the New York City region. A large portion of the collection consists of personal and professional correspondence to and from Goodhue from the early 1900s until his death in 1926. Relatively few architectural drawings from his professional practice survive.

This collection primarily contains architectural renderings executed by Long in 1906 for a memorial issue of BUILDINGS magazine dedicated to New York architect Stanford White. These drawings represent White's most famous structures designed while he was a partner with McKim, Mead & White. Buildings depicted include Madison Square Garden, the New York Herald Building, and the Washington Memorial Arch, all in New York City, among others. Also included in this collection are miscellaneous architectural drawings by Long, Chester B. Price, and others, circa 1920s-1930s; and printed material.

The collection is made up of three separate Boak & Raad projects commissioned by Rose Associates, Inc., which are as followed: 17 pencil and ink on drafting cloth drawings for Apartment Building, S.E. corner of 22nd street and Lexington Avenue, New York, NY (May 20, 1949) ; 8 pencil on drafting cloth drawings for Apartment Building, west side of Broadway, between E. 9th and E. 10th Street, New York, NY (Feb.-June 1955) ; 9 pencil on drawing cloth drawings for 209 to 223 East 53rd Street, New York, NY (1958).

The collection consists of architectural drawings, photographs, and some personal papers.

This collection contains primarily 19th-century published prints depicting British and French dramatic theatres, with a small representation of international theatres. Images of sculpture, costumes, and fashion plates are also included. The majority of images are from published sources and are colored. Nearly all the prints are titled and most include artist, printer, and/or publisher information. Many noted printmakers are represented in this collection.

This collection includes black and white and color photographic prints of construction sites in and around New York City. Notable projects represented in this collection include the American Bible Society headquarters, the CBS headquarters, the United Nations, Port Authority, and the Parking Garage next to the Brooklyn and Battery Tunnel and Washignton Street El, all in New York City; the Northwest Airlines Terminal at Idlewild Airport in Queens, N.Y; Highbridge House in Bronx, N.Y.; and the Gateway Center in Pittsburgh, Pa.

This small collection consists of 11 drawings, work receipts, bills, specifications, printed material, and a some correspondence and legal papers related to the erection of The Buckingham Hotel.

Columbia University student project.