Architectural historian Sarah Bradford Landau is a scholar, advocate, and public servant in New York City, active from the late 1970s into the second decade of the 21st century. Landau's research includes a focus on the architecture of William Appleton Potter and Edward Tuckerman Potter (on whom she wrote her dissertation), the gothic revival (especially its influence on American church architecture), and the skyscraper. The bulk of the collection is made up of research and lecture files. Additionally, the collection includes a number of personal effects, including portraits of Landau as well as her ephemera files, which include clippings, correspondence, and other mementos from the colorful and celebrated career of a public intellectual beloved in many circles in New York City and beyond.

An American architect and urban planner, Shadrach Woods was a student of Le Corbusier and worked extensively throughout North Africa, France, Germany and New York City on projects ranging from low-cost housing developments to university campuses. Also highly regarded as a critic and theorist, Woods taught at Harvard and Yale and lectured and published widely. The collection represents the span of Woods' life and career through papers, photographs, architectural drawings, writings, and published materials. A small group of materials documents his childhood and education through personal papers and photographs. However, the bulk of the collections relates to his professional work and collaborations.

This collection includes original and reprographic presentation, working, and rental drawings for projects in the New York City area, including the Ferris Booth Hall and Dormitory at Columbia University; the Empire State Building; Hunter College; the Johns-Manville Sales Corporation exhibit at the 1939 World's Fair; the Julliard School of Music; New York City Hall additions and renovations; National City Bank of New York; P.S. 302 and P.S. 307 in Brooklyn; and the United Engineering Center at the United Nations Plaza.

The Significant Interiors Survey (1984-1985) was conducted by The Junior League of the City of New York, Inc. in an effort to document interior spaces of significant buildings in New York City. The collection contains the surveys conducted by The Junior League as well as colored slides of the 14 buildings. The buildings represented include American Telephone & Telegraph Company Building, Carnegie Hill School, Charles Scribner Residence, The Cloisters, Hotel Plaza. The Jewish Museum, Manhattan Country School, Moran's Chelsea, New York Public Library's Main Branch Building, Saks Fifth Avenue, Salmagundi Club, St. Bartholomew's Episcopal Church, Sunar Hauserman Showroom, and the Trump Tower. The collection also contains a copy of "Preserving a Fragile Art: A Manual for Surveying Significant Interiors" published by the American Society of Interior Designers and the New York Landmarks Preservation Commission.

Blue-line prints of The Museum of Broadcasting located at 25 West 52nd Street, New York, NY. The drawing set (which is 108 sheets including the cover) includes mechincal drawings, structural drawings, and architectural drawings.

This collection includes original and reprographic architectural drawings, black and white photographic prints, typescript specifications, and other papers relating to the architectural practice of Thomas W. Lamb, as well as his colleague and successor, John J. McNamara.

Collection consists of 51 reprographic architectural working drawings for the TWA Terminal A at John F. Kennedy International Airport in Queens, N.Y., drawn between 1958 and 1961. All sheets are diazo print on paper, with a very few bearing graphite and/or colored pencil annotations. Earlier drawings note Eero Saarinen as the architect of record; later drawings note Eero Saarinen and Associates. Architectural working drawings are stored in numerical order, sheets 2 through 121, with some sheets lacking.

This collection contains original drawings for thirty-nine architectural commissions, dated from 1913 to 1946. The majority of projects were located in New York City; other locations include the District of Columbia, Pennsylvania, South Carolina, and Virginia. Projects with the greatest number of extant drawings include River House in New York City (1930-1931); the Ernest P. Davies residence in Roslyn, New York (1916); the William Goadby Loew residence in Old Westbury, New York (1931-1932); and the Robert Goelet residence in Georgetown, South Carolina (1935). Drawings are primarily done in graphite on tracing paper, with some in ink on drafting linen.

The Woodlawn Cemetery archive documents the history of the grounds, mausolea, monuments, and operations of Woodlawn Cemetery, founded in 1863 in The Bronx, New York, and one of the largest in the United States. The collection includes architectural designs records, maps, photographs, correspondence, construction and maintenance records, and other historical documents, spanning 140 years of the cemetery's operations.