The Zhang Fakui papers emphasize General Zhang's military career as a Chinese Nationalist General during the important years of the Sino-Japanese War. The bulk of the papers consist of documents and maps relating to the history of the Fourth War Zone which he commanded during the Sino-Japanese War dating from 1940 to 1947. Also included are documents related to the governance and development of the Hainan dating from 1939 to 1949. Materials include correspondence, documents, maps, photographs, reports, manuscripts, and diaries.

The Shih-hui Hsiung (Shihui Xiong) papers consist of materials documenting Hsiung's life and political career from 1907 to 1974. The highlights of the papers are the manuscripts, which include six volumes of Hsiung's memoir, seven volumes of diaries over 43 years, and approximately 440 original handwritten speech scripts. The photographs and political and military affairs related documents focus on Hsiung's active involvement in the northeast region and abroad from 1930 to 1948. The papers overall consist of correspondence, calligraphy scrolls, diaries, a diploma, documents, letter books, manuscripts of published and unpublished works, maps, newspaper clippings, notes, oversize military notices, poems, photographs, photograph albums, reports, and other materials.

The collection includes mostly drawings for Tudor's furniture designs and are arranged by drawing number. Notable projects include the design of the Interchemical Corporation offices, in collaboration with Robert Meyer, as well as the Vanadium Corporation of America offices. The collection also includes 9 sketchbooks. Sketchbooks #1-7 and #9 consist of drawings made by Tudor while likely an apprentice. Sketchbook #8 contains drawings made while working for White, Allom & Co. Notable clients include "Dr. A", "R.G.L." The scrapbook contains clippings and photographs presumably from his professional practice as some of the photographs are labeled "E.J. Tudor." Notable projects include the Rolling Rock Club (Pennsylvania), Dixon House (unknown location), Hampton Court (England), Whitemarsh Hall (England), Mellon Institute (Pittsburgh) and Henry C. Frick (New York). Other papers include correspondence related to the design of the Interchemical Corporation offices, collected print material, 21 photo negatives depicting various travel sites and 13 color charts arranged by manufacturer. The collection also contains lantern slides, which were used by Tudor to teach interior design at New York University. The slides show architectural views and details particularly English, French and American designs as well as interior views, details and furniture.

The papers include correspondence, subject files, photographs, and printed materials. The majority of the collection concerns the mission of the American Red Cross to Russia in 1917-1918; Thacher served as a secretary of the mission. There are letters and telegrams by W.B. Thompson and Raymond Robins, records of supplies, shipments, and distribution reports and over 600 photographs from Russia, China, and Romania. There is substantial correspondence from 1918-1919 concerning Russia, including letters by Louis Brandeis, Felix Frankfurter, and Lillian Wald. A substantial part of the collection concerns Russian war relief in 1941-1942, an area in which Thacher was active. Printed materials include a pamphlet and an article on Russia prepared by Thacher after his return from that country in early 1918.

The Dan Talbot Papers document the business operation of the New Yorker Films, an independent film acquisition and distribution company, dating from 1960s to 2008, as well as movie theaters in the Upper West Side Manhattan which he operated, dating from 1960 to 2007. It is of particular relevance to New Yorkers as the Talbots operated the New Yorker Theater, Cinema Studio, Metro, and Lincoln Plaza Cinemas, on the Upper West Side, as popular venues to view independent and foreign films.

The records include annual reports, correspondence, memos, minutes, program files, news clippings, administrative records and photographs. They document the agency from its origins in a committee led by the Lenox Hill Neighborhood Association to its work during the 1990s providing social services to thousands of East Side residents. The founding and early history of the Stanley M. Isaacs Neighborhood Center are best documented by minutes in Series II, showing the collaboration between the New York City Housing Authority and the Lenox Hill Neighborhood Association to establish the agency. They also offer the most comprehensive view of administrative, fundraising and program decisions from the early years to the 1990s. This series is supplemented by architectural drawings and plans for the community center in Series VI. Program records in Series V focus on the period 1980-90, with a few items from the 1960s and '70s. The agency's fundraising efforts are documented in Series III, which includes correspondence with foundations and individuals, donor lists and committee files.

Correspondence, manuscripts, playscripts, screenplays, diaries, documents, contracts, financial records, photographs, phonograph records, motion pictures, playbills, posters, sheet music, cartoons, art work, memorabilia, scrapbooks, and printed materials. . The collection consists chiefly of correspondence and production files relating to the creation, production, and performance of their works for stage, screen, radio, and television, such as Leave It To Me and Kiss Me Kate (with music by Cole Porter), Boy Meets Girl, and My Three Angels. Correspondence (with twentieth century authors, playwrights, musicians, political figures, and actors) includes: George Abbott, Jean Arthur, Bennett Cerf, Katharine Cornell, Jo Davidson, George and Ira Gershwin, Alec Guinness, W. Averell Harriman, Lilli Lehmann, Mary Martin, Laurence Olivier, Mary Pickford, Cole Porter, Regina Resnick, Eleanor Roosevelt, Robert E. Sherwood, Lincoln Steffens, Kurt Weill, Rebecca West, and Thornton Wilder. There is also correspondence concerning Bella Spewack's work with the New York Girls' Scholarship, UNRA, and the Sports Center of Israel. In addition to the production files, there are manuscripts and typescript drafts for novels, short stories, and articles by the Spewacks.

The collection consists of Skorino's correspondence, manuscripts, documents, photographs, printed materials and drawings. The correspondence, primarily from the late 1940s through the early 1960s, is chiefly of a personal nature as are the documents. The manuscripts, photographs, and printed materials pertain in large measure to the activities of the Egerskiĭ Polk, its veterans' organization in Belgium, and to other military veterans' organizations in exile. Of particular note are two dozen glass negatives of photographs of Russian military life in the World War I era.

Collection includes James Renwick's sketches, 1813, for the layout of Columbia University's second campus on Park Row (there have been four campuses to date: the first on Wall Street, the third on 49th Street and Madison Avenue, and the current campus in Morningside Heights), and a medal awarded him, 1824, by the Franklin Institute, Philadelphia. James Renwick, Jr. is represented by his architectural drawings of St. Patrick's Cathedral, New York, which he designed. Some of the drawings are signed by Bertram Grosvenor Goodhue. Also, published drawings of the Cathedral, 1886; negatives and photographs, circa 1860s, showing the Cathedral under construction; interior and exterior photographs, circa 1930s-1960s, of the Cathedral; and photographs of Grace Church, New York, also designed by James Renwick, Jr. Renwick family correspondence, 1930s, and typescript copies of 19th century Renwick family correspondence relating to family history and genealogy; photographs of James Renwick, Jr; typescript copies of family Bible records, 1792-1863; Renwick coat of arms.

Photographs of Columbia University campus, students, and events taken by Columbian photographer Frank Pokorny. Photographs, mostly taken for the Columbia College yearbook, document student life at the university in the mid- 1960s.