This collection primarily contains architectural drawings, photographs, business records and reference materials related to the projects and designs of architectural and engineering firm Abbott, Merkt and Company. A subsidiary portion of the collection includes drawings, photographs and papers related to the life and career of Richard H. Tatlow, III, president of Abbott Merkt, as well as the firms and agencies for which he also worked.

This large collection documents in great detail the architectural projects of Abraham Geller and his colleagues throughout the United States and abroad, spanning the 1940s through the 1990s. Types of projects represented include retirement homes, recreational facilities, medical centers, private residences and prototype dwellings for large residential developments, urban renewal projects, and offices.

Architectural drawings for buildings designed by Hamlin including proposed alterations for the Charles Dudley Warner House, circa 1885; pumping station Clear Stream (or Clear Stream Station), Long Island, 1886; American Classical School, Athens, Greece, 1886-1888; proposed cottage for Mrs. R. Hoe at Sea Cliff, Long Island, 1887; an addition to Clinton Hall at Blair Presbyterian Academy, Blairstown, New Jersey, circa 1896; Soldier's Monument, Whitinsville, Massachusetts, circa 1904 (Hamlin was the architect and Herman A. MacNeil was the sculptor); and miscellaneous and unidentified structures. Also included are drawings done by Hamlin while a student at the Massachusetts Institute of Technology, 1876-1877; sketches done by Hamlin on travels both in the United States and abroad, 1867-1923; photographs of various unidentified buildings and architectural drawings; manuscripts of "ARCHITECTURAL SHADES AND SHADOWS" with related drawings"History of American Art" (unfinished, in French), circa 1923, and "MODERN ARCHITECTURE AND THE CRITICS" circa 1923. Personal materials included undated photographs of A.D.F. Hamlin; a photograph of an 1835 portrait of Cyrus Hamlin; a volume containing condolences, 1926, on the occasion of A.D.F. Hamlin's death; and a scrapbook"Memoirs of Amherst, Class of '75" containing programs, invitations, clippings, notes, essays, exam questions, steamship passenger lists, and other materials.

Also, biographical manuscripts, illustrations of coats of arms, pedigree, and lists of his drawings and his library, to circa 1900, much of it done by Joseph B. Davis.

Alexander McMillan Welch (1869-1943) was a New York City based architect who practiced independently and as a member of Welch, Smith & Provot. His firm was best known for designing New York City townhouses in the Beaux-Arts style. The collection includes 1,641 architectural drawings, 196 student drawings, 14 student notebooks, 99 loose photographs and 3 photo albums of project photography, project specifications and files, and some professional ephemera.

Architectural plans and renderings of Welch's designs, largely New York City residences, circa 1890s-1920s; specifications; photographs; and brochures advertising buildings at 787 Fifth Ave., 628 Fifth Ave., and 71 and 73 Murray Street, in New York City. Drawings and a sketchbook done by Welch while a student; fourteen notebooks containing Welch's notes from Columbia classes in architecture, 1888-1890; licenses to practice in New York and New Jersey, 1904-1923; a certificate, 1937, and related correspondence relating to Welch's appointment as a U.S. delegate to the fourteenth International Congress of Architects, held in Paris, July 18-25, 1937. A list of U.S. delegates is included. Of note are drawings and papers for the restoration of the Dyckman House, an 18th century farmhouse in upper Manhattan (1910-1917); and the Mrs. Rutherford Stuyvesant Estate in Allamuchy, New Jersey, and the Rutherford Stuyvesant Momument in Tranquility Cemetery, Tranquility, New Jersey, designed by sculptor Daniel Chester French.

Undated photographs taken circa 1940s-1960s show interiors and exteriors of eighteenth and nineteenth century buildings in Kentucky. Buildings include The Grange, near Paris, built 1818; the Old Capitol, Frankfort, built 1827-1829; Adam Childers House, Versailles, built circa 1845; Betty Bryan Place, Harrodsburg Pike, built circa 1843; Holloway House, Richmond, built circa 1838; Castlelawn, near Lexington, undated; Junius Ward Place, near Georgetown, built 1859; Warwick, at Danville, built circa 1845; and others.

Collection contains large-scale black and white photographic prints taken by G.E. Kidder Smith of historic and contemporary buildings in 32 states.

This collection contains architectural drawings, photographs, business records and reference materials related to the projects and designs of Bertram Grosvenor Goodhue and his successor firm, Mayers, Murray & Philips, primarily in the New York City region. A large portion of the collection consists of personal and professional correspondence to and from Goodhue from the early 1900s until his death in 1926. Relatively few architectural drawings from his professional practice survive.

Architectural drawings and photographs of architectural drawings with some related correspondence of residential and public buildings, churches, libraries, theaters, monuments, and bridges including: the Henry Hudson Bridge, Triborough Bridge, and the Manhattan Bridge in New York; Edward Henry Harriman's Arden House in Harriman, N.Y.; the Alfred I. Dupont mansion in Roslyn, N.Y.; the David A. Reed house in Washington, D.C.; the reconstruction of the Grand Army Plaza in New York City; the Memorial Amphitheater for Arlington National Cemetery; and various bicentennial buildings for Yale University. Of note are drawings of the grounds, details of buildings, and furniture for the New York Public Library, 1908-1909.

Four photographs of the International Exhibition in Philadelphia, 1876, showing Horticultural Hall, Main Hall (also called Industrial Hall), Memorial Hall, and the Michigan Building with the Detroit Light Guard posed in front of it. Also included are seven photographs of clouds (at the time cameras were not able to expose both buildings and clouds at the same time so the negatives of the clouds were combined with the negatives of the photographs of the International Exhibition to create one print). Also, two photographs of the sculptures "The Forced Prayer" by Pietro Guarnerio and "Religious Liberty" by Moses Ezekiel.

Drawings, prints, watercolors, photographs, and reproductions, largely undated (late 19th- through the 20th century) of architectural and other subjects by Harriman, with some by others including Perry Coke Smith, Howard J. Custer, and unidentified artists and architects. Of note is an undated unidentified photograph of late 19th- or early 20th-century art or architecture students.

Charles Adam Platt (1861-1933) was an American architect and landscape designer. Although best remembered today for his landscape and country house designs, he was also nationally known for his etchings, landscape paintings, commercial architecture, and institutional projects. He was largely self-taught in each of these disciplines, building his success on his ability to reconceive the classical tradition in architecture for the needs and desires of his wealthy, powerful clients. This collection contains materials related to Platt's personal and professional lives, the bulk originating from Platt's office in the form of project drawings, photographs, and records documenting architectural projects from 1901-1933.

This collection contains architectural drawings by various delineators and photographs of completed buildings designed by Charles Coolidge Haight. These projects include General Theological Seminary; the School of Mines at Columbia University; Christ Church, built in 1860; St. Ignatius Chapel, built in 1902; and Trinity School--all in New York City. Also included are the Chapel of Saint Cornelius the Centurion on Governors Island, New York; buildings at Yale University; and miscellaneous and unidentified projects. Additionally found in the collection are a contract and specifications from 1881 for a hospital for contagious diseases to be built for the New York City Health Department on North Brother Island in New York City, as well as reproductions of architectural drawings for this hospital.

Architectural drawings with miscellaneous photographs, prints, and reproductions executed by Charles Stoughton, or by the architectural firm Stoughton & Stoughton, formed by the partnership of Charles and Arthur Stoughton. Projects include bridge designs for the estates of John D. Rockefeller, Jr. at Mount Desert Island, Maine, 1930-1934, and Pocantico Hills, Tarrytown, N.Y., 1929-1931; buildings at the Canton Christian College at Hong Lok, Canton, China, 1905-1913; a residence for secretaries, Young Women's Christian Association, Pak Hok Tong, Canton, China, 1915; and buildings at the Polytechnic Institute at San German, Puerto Rico, 1918-1937. Also, a plan and elevations of the grounds, with the location of the house, of the Jumel Mansion, New York, n.d.; a general plan of a hospital, 1919; a photograph of the Soldiers and Sailors Monument, New York; and miscellaneous maps of various sections of New York City, undated except for one dated 1796.

Price's renderings, circa 1930s until his death in 1962, of designs by Warren and Wetmore, Benjamin Wistar Morris, III, and others; for the Hartford National Bank, Hartford, Conn. and the General Motors Building, New York City, designed by Shreve & Lamb; and other buildings. Also, eight photographs, undated, circa 1930s-1940s, showing the interior and exterior of Union Square Station, Toronto, Ontario (Price's relation to these is unclear).

Additional materials include carbons of typescript correspondence of lectures given by Dean William A. Boring (academic year 1933-1934) and Professor Theodor Karl Rohdenburg (academic year 1946-1947). Also design problems, the earliest of which were given in conjunction with the Beaux-Arts Institute of Design, from academic years 1918-1919, 1926-1927, 1936-1937, 1949-1950, and 1957-1958. Also materials for the Architecture 51 class; correspondence of Joseph Hudnut; course outlines; correspondence relating to the search for a new dean of the school, 1957-1963.

Included are drawings--from preliminary sketches to finished renderings--done by students in the architecture program at the School of Mines at Columbia and, later, at the School of Architecture at Columbia. The bulk of these were done circa 1884-1912, during the tenures of Deans William Robert Ware (1881-1903) and A.D.F. Hamlin (1903-1912). Included in collection are student drawings by William A. Boring, Harry Allan Jacobs, Benjamin Wistar Morris, Jr., Julian Clarence Levi, Arthur Ware, Talbot Faulkner Hamlin, Leopold F. Arnaud, Perry Coke Smith, Theodor Karl Rohdenburg, and Aladar Olgyay. Also, drawings done by architecture students at the Massachusetts Institute of Technology, circa 1880s; a photograph, undated, of William Robert Ware; and one drawing, 1879, by architect Cass Gilbert.

Included are approx. 7,000 architectural drawings, circa 1910s-1940s, for projects designed by Delano & Aldrich, including La Guardia Airport in New York; several buildings at Yale University; Willard Straight Hall at Cornell University; various buildings at United States Military Academy at West Point; the National Gallery of Art in Washington, D.C.; alterations to the White House; numerous residences throughout the New York City metropolitan area, particulary the Dwight W. Morrow house in Englewood, N.J., the J.A. Burden house in Syosset, N.Y., and the Willard D. Straight house on East 92nd Street in New York City; and various schools, churches, and residential structures throughout the United States. Rendered competition drawings are included. Drawings made by William Adams Delano while a student at the Ecole des Beaux-Arts, Paris, circa 1900. Also, 6 boxes of photographs of Delano & Aldrich completed projects, chiefly residential structures.

Photographs and architectural drawings of Lienau's work, much of it in New York City and in New Jersey. Projects include the Gardner A. Sage Library for the General Theological Seminary in New Brunswick, N.J.; the Francis Cottenet Villa in Dobbs Ferry, N.Y.; a house for Legrand Lockwood in South Norwalk, Conn., later owned by Mark Twain and now known as the Lockwood-Mathews Mansion; and the Telfair Academy of Arts and Sciences in Savannah, Ga. Also included are drawings of unidentified or unexecuted buildings; student drawings, and early European commissions; lecture notes, 1835-1837, from the Stadtische Gewerbeschule, Berlin; a partial list of of Lienau's work, 1848-1886; specifications; acounts; printed material; photographs, postcards, and prints showing various European buildings; clippings; certificates; typescripts of articles; and correspondence.

Edith Elmer Wood (1871-1945) was a US housing reformer. As lobbyist, writer, and government consultant, she helped define New Deal housing policy. After graduating from Smith College in 1890, she wrote fiction and undertook settlement house work before launching her influential, life-long career in housing reforms. The bulk of the collection is letters but other kinds of material is included, such as drawings, blueprints, manuscripts, maps, photographs, pamphlets, news clippings and hotel receipts.

Architectural drawings and photographs of Litchfield's designs for Yorkship village (housing for ship workers during World War I near Camden, N.J.); Public Library, St. Paul, Minn.; memorial to Theodore Roosevelt at Oyster Bay, Long Island, N.Y.; 800 Park Avenue and other New York City apartment houses; Albany Post Office, Albany, N.Y. (designed by Gander, Gander & Gander, with Litchfield as consulting architect); and other projects.

This collection primarily contains architectural drawings, correspondence, business records, and a small number of photographs related to the projects of Emery Roth & Sons and its subsidiary entities. A large portion of the entities are represented only in the Office Records series and are identified as such. Some projects on which Emery Roth & Sons acted as architect of record are not represented in this collection, most notably the Twin Towers of the World Trade Center.

This collection contains reprographic architectural drawings for the Empire State Building; photographs of the demolition of the original Waldorf-Astoria Hotel, which occupied the Fifth Avenue site; photographs of the Empire State Building under construction, circa 1930-1931 (one photograph shows former governor Alfred E. Smith standing in the building during construction), including 232 photographs by photographer Lewis Hine; photographs showing the building after completion, circa 1931-1956; scrapbooks of clippings of articles about the building, 1930-1957; and illustrations of the Empire State Building, circa 1930s-1960s. These subgroups of materials also have records in CLIO with more detailed descriptions of items; for these records, please search under "Empire State Building" or "Shreve, Lamb & Harmon" or "Hine, Lewis Wickes".

Approximately 1,000 architectural drawings, circa 1880-1959, with related correspondence, clippings, announcements, specifications, legal documents, and photographs. Major projects represented include Auldbrass Plantation, Yemasee, S.C; the Guggenheim Museum, New York City; Fallingwater (the Edgar J. Kaufmann residence), Bear Run, Pa.; and Wright's own home and studio in Oak Park, Ill. Also, Wright's correspondence relating to exhibits and publication of his work; other professional matters; and correspondence with his son, John Lloyd Wright, 1920s-1950s; manuscript, typescript, and printed versions of articles and addresses by Wright; photographs, programs, invitations, issues of SQUARE-PAPERS, and other materials, circa 1920s-1940s, relating to Taliesin; and miscellaneous invitations, programs, announcements, honors, appreciations, memorials, clippings, and other documents relating to various aspects of Wright's career.

Included are 19 original architectural drawings and photographs and prints of drawings by Withers. Among these are designs for the Van Schaick Free Reading Room (now the Huntington Free Library and Reading Room), Bronx, N.Y.; reredos proposed for the Church of the Transfiguration, New York City; Chapel of the Good Shepherd on Blackwells Island (now Roosevelt Island), N.Y.; a competition design for the Cathedral of St. John the Divine, New York City; St. Thomas Episcopal Church in Hanover, N.H.); and drawings by others, including Sullivan Jones and Rowland Plumbe. This collection also includes manuscript copies of three letters from Withers to his mother written at sea in 1852 and describing his trip to America.

This collections includes architectural drawings, files and photographs of projects designed by Woodbridge and his various firms, circa 1928-1960s. These include buildings at Presbyterian Church, Savoonga, St. Lawrence Island, Ala.; Cole Memorial Chapel, Wheaton College, Wheaton, IL; Amherst College, Mass.; Smith College, Mass.; St. Mary the Virgin Church, Chappaqua, N.Y.; St. John's Chapel and Library, Hobart College, Geneva, N.Y.; the Keene Valley Congregational Church, Keene Valley, N.Y.; and the Brick Presbyterian Church and the Episcopal Church Center, both in New York City; as well as other churches, residences, and miscellaneous projects. Also, included are drawings done by Woodbridge while a student at the Columbia School of Architecture, early 1920s; photographs of some of Woodbridge's buildings taken mostly by the architectural photographer Samuel H. Gottscho; a small sample of Woodbridge's correspondence, 1941-1942, documenting his role as chairman of the American Institute of Architects Committee on Architectural Services, relating to the role architects could play in the war effort; sketchbooks of various international locations; and photographs and documents relating to archaeological excavations at Antioch in Pisidia, Turkey.

Also, correspondence with Norman Bel Geddes, Monroe Biddle, John M. Blair, Harry T. Carman, Carolyn K. Christenson, Joseph S. Clarke, Jr., Thomas H. Creighton, Paul Cret, C.C. Cunningham, F.G. Fassett, Jr., Loring Dowst, John E. Harbeson, Oliver Hall, Jared C. Ingersoll, Gaylord P. Harnwell, William Fontaine Jones, Joseph Judge, William Lescaze, John D. Morse, William F. Paris, Charles E. Peterson, Ruth C. Roberts, Henry Shapiro, Oscar Stonorov, J.J. Sweeney, James M. Willcox, Owen J. Wister, Frank Lloyd Wright, Bruno Zevi, and others. This relates to proposed development of air rights over New York City's Pennsylvania Railroad Station, 1955; architectural projects in Pennsylvania relating to mental health, 1955; proposed new Independence Mall Building in Philadelphia, 1955; the 1954 Boston Art Festival Architectural Exhibit; sculpture committee on the design of the Ella Butt McManus monument, Connecticut, 1954-1955; the Philadelphia Saving Fund Society, building designed by Howe & Lescaze (with related memoranda, manuscripts of articles and talks, press releases, and architectural analyses), 1930-1939; and the Jefferson National Expansion Memorial, St. Louis (with related printed material, clippings, and photograph)

Sketchbooks, 1895-1903; sketches, 1894-1896, made while Magonigle was travelling in Europe on Rotch Travelling Scholarship; graphic designs, 1902-1919; rendered competition drawings for government buildings, circa 1907-1920, and memorial structures, circa 1910-1930; photographs of Magonigle's architectural drawings, memorial structures, monuments, and other architectural work, much of it located in New York City, circa 1900s-1930s. Among projects represented in the collection are the Gates Avenue Courthouse, Brooklyn, N.Y.; the Firemen's Memorial, the Robert Fulller Memorial, and the National Watergate Memorial in New York City's Riverside Park; the Liberty Memorial in Kansas City, Mo.; the Isaac Guggenheim house in Port Washington, N.Y.; numerous additions and alterations for the Franklin Murphy mansion in Mendham, N.J.; and the United States Embassy compound in Tokyo, Japan. Also, drawings by other architects including Hugh Ferriss, Thomas Rogers Kimball, Hubert George Ripley, and I.W. Taber, that were presented to Magonigle. Also included are drawings, circa 1910s-1940s, by Magonigle's wife, painter and designer Edith Marion Day; photographs of Day and Magonigle; manuscripts of lectures, literary works, and other writings by Magonigle; and ephemera.

Harold Van Buren Magonigle was a New York-based architect, graphic designer, painter and sculptor. Magonigle married artist Edith Marion Day in 1900. Edith Magonigle was a painter and muralist who served as President of the Society of Women Painters and Sculptors. Edith was a primary collaborator of Harold Van Buren Magonigle in both the decoration and creation of buildings designed by his practice. He was widely known as an architect of memorial structures including the Firemen's Memorial on Riverside Drive and the Liberty Memorial in Kansas City. Other prominent commissions include the Isaac Guggenheim house in Port Washington, New York and the United States Embassy in Tokyo, Japan.

Photographs of buildings and of architectural drawings of buildings, residences, schools, clubs, and other projects (undated and circa 1910s-1920s), designed by Jacobs, many of which are located in New York City.

Harvey Wiley Corbett (1873-1954) was an American architect primarily active in New York City but also completed projects across the United States and in London. While known for his work on early skyscraper architecture, his work also includes banks, churches, educational campuses, government buildings, housing projects, and large memorial projects like the George Washington Masonic National Memorial (Alexandria, VA). His most well-known projects include Rockefeller Center (Corbett served as a senior architect on the project), the Criminal Courts Building (Centre Street, NY), and Bush Tower (East 42nd Street, NY). Alongside his prolific career, Corbett was also engaged in the theoretical elements of the evolving American city. This can been seen through his commissioning of Hugh Ferriss for the creation of the set of drawings now known as the "Metropolis of Tomorrow," which questioned the results of the contemporary zoning laws of New York City. This collection reflects the breadth of Corbett's work and interests and while it primarily consists of photographs of his many projects, the collection also encompasses a small portion of professional papers and reference material. Beyond the bulk of photographs, there are drawings, correspondence, notes, clippings, postcards, daily calendar entries, a portfolio, photo albums, publications, and financial and legal records.

The architectural drawings in the collection represent 20 projects dated from the 1900s to the 1920s. Each project was catalogued separately in the online catalog. This finding aid provides a link to each project's associated record. Sheet level description can be found in these project-level records. Each sheet is individually accessioned with numbers ranging from 1000.006.00001 through .00111.

Included are drawings made by Avery while studying under Jules Andre at the Ecole des Beaux-Arts, Paris, and sketchbooks containing sketches made in Paris and on excursions, 1872-1879. Architectural drawings and photographs of architectural drawings for proposed or executed residential and commercial buildings, churches, art galleries, monuments, and other structures, 1880s; competition drawings for public monuments, 1883-1887; experimental studies, 1885, for the pedestal of Frederic-Auguste Bartholdi's Statue of Liberty; and 39 studies and finished drawings, 1888-1890, made for a competition for a memorial for Ulysses S. Grant which he did not win. Also, magazine articles by or about Avery and his work, 1883-1890; obituaries and death announcements, 1890; miscellaneous photographs, certificates, and papers; and invitations, clippings, illustrations, and photographs, circa 1892-1894, relating to the founding of the Avery Architectural Library at Columbia University.

Architectural drawings, specifications, manuscripts, printed materials, photographs, ephemera, collected by Hitchcock, and relating to the work of architects Henry Hobson Richardson and Frank Lloyd Wright, including a letter, 1940, from Wright to Hitchcock suggesting the writing of IN THE NATURE OF MATERIALS; the architectural firm Shepley, Rutan, and Coolidge; furniture designer Charles Rennie Macintosh; and miscellaneous and unidentified architects dating from the sixteenth century to the twentieth century, with the bulk dating from the nineteenth century.

Architectural drawings and photographs of Hoppin and Koen designs including alterations to the residence of R.T. Wilson, Jr., 15 East 57th Street, New York, 1905; Albany County Courthouse, Albany, New York, 1913-1915; Mount Morris Theater at Fifth Avenue and 116th Street, New York, 1911-1912; New York City Fire Department building, East 111th Street and Second Avenue, 1911; Manhattan terminal of the Brooklyn Bridge, undated, not constructed; residences of George B. McClellan at Princeton, New Jersey, and Washington, D.C., 1922; Edith Wharton and Edward Wharton's Lenox, Massachusetts, home, the Mount; New York City Police Headquarters, 240 Centre St., New York; and others.

Hugh Ferriss (1889-1962) was an architectural renderer known for his vision of the modern city and his ability to translate vast projects into dramatic but clear-cut images. Ferriss published two books: The Metropolis of Tomorrow (1929) and Power of Buildings (1953). The collection was donated to Avery Library by Ferriss' family after his death, and has been supplemented by several later additions from other sources. 363 original drawings in the collection have been photographed and digitized and can be viewed via links in the finding aid's container listing.

Architectural drawings for projects designed by Howells & Stokes, and by Stokes working independently, particularly, residence for Stokes' father, financier and philanthropist Anson Phelps Stokes (1838-1913) at Collender's Point, Darien, Conn., 1902-1905; a house for himself"High-Low House" Greenwich, Conn., 1901-1917; house for his wife at Indian Harbor, Greenwich, Conn., 1927, undated; outdoor pulpit for the Cathedral of St. John the Divine, New York, 1912-1915 (built in 1916); proposal for an apartment house at 953 Fifth Ave., New York, 1924-1926; competition entry for the Chicago Tribune Tower, undated (the competition, 1922, was won by Raymond Hood); and St. Paul's Chapel, Columbia University, New York, 1904-1930. Also, miscellaneous designs; competition entries; designs for unidentified buildings; designs for apartment buildings and housing projects; photographs of buildings by Stokes; landscape designs done by the Olmsted Brothers firm for Stokes for an unidentified project or projects. Also included are documents relating to the planning, construction, and, later, repairs and the addition of memorial tablets to St. Paul's Chapel, Columbia University, which was designed by Howells & Stokes and built in 1907. Correspondence, with related memoranda, estimates, specifications, accounts, contracts between Howells and Stokes or Stokes with Columbia University officials, and contractors and suppliers date from 1903 to the 1930s.

Largely architectural drawings, photographs, and furniture designs for Butler Library and the College of Physicians and Surgeons, Columbia University, New York City. Also, architectural drawings and photographs for other buildings at Columbia, including Bard Hall, Kent Hall, National Hall, South Hall, and Low Library; as well as drawings for buildings elsewhere in the United States and El Salvador.

This small collection contains primarily correspondence, itineraries, and papers related to Fitch's publications, travel, and the administration of Columbia University's Historic Preservation program. There are copies and drafts of several articles and reports generated for various organizations authored by Fitch and others (all reports are noted in italics in the spreadsheet). Also included is the unfinished manuscript of Fitch's final book project on American architecture. Of particular note among the reference materials are fifty-two photographs of Richard Neutra's VDL Research House in Los Angeles, some taken by architectural photographer Julius Shulman.

Collection includes James Renwick's sketches, 1813, for the layout of Columbia University's second campus on Park Row (there have been four campuses to date: the first on Wall Street, the third on 49th Street and Madison Avenue, and the current campus in Morningside Heights), and a medal awarded him, 1824, by the Franklin Institute, Philadelphia. James Renwick, Jr. is represented by his architectural drawings of St. Patrick's Cathedral, New York, which he designed. Some of the drawings are signed by Bertram Grosvenor Goodhue. Also, published drawings of the Cathedral, 1886; negatives and photographs, circa 1860s, showing the Cathedral under construction; interior and exterior photographs, circa 1930s-1960s, of the Cathedral; and photographs of Grace Church, New York, also designed by James Renwick, Jr. Renwick family correspondence, 1930s, and typescript copies of 19th century Renwick family correspondence relating to family history and genealogy; photographs of James Renwick, Jr; typescript copies of family Bible records, 1792-1863; Renwick coat of arms.

Architectural drawings for residence, public and commercial buildings, churches, university buildings, and other structures, ca. 1880s-1925, many of which are located in Maine. These were done by Stevens while working independently, in partnership with his son John Howard Stevens, and while a member of architectural firms Fassett and Stevens (with offices in Portland, Maine and Boston, Mass.) and Stevens and Cobb. One unidentified photograph of a house is included. Also included are drawings Stevens did for the book EXAMPLES OF AMERICAN DOMESTIC ARCHITECTURE.

The bulk of this collection consists of more than 22,000 black and white photographic negatives and more than 10,600 black and white photographic prints documenting commercial, institutional, religious, and residential architecture throughout the United States, with particular emphasis on sites in the mid-Atlantic region. These images date from the mid-1930s to Molitor's retirement in the mid-1980s, with the great majority of images created between 1946 and 1980. Also included in the collection are images of landscapes, industrial design, portraits, and events of personal significance to Molitor. In some select cases, color prints, color negatives, color transparencies, and 35mm slides are also available in addition to or instead of the black and white negatives and prints. Researchers are also advised that documents in this collection indicate that when faced with a lack of storage space in 1973, Molitor contacted clients to return inactive negatives that they had comissioned before 1955. In at least some cases, those clients declined to accept their negatives and Molitor subsequently destroyed the images. Thus, this collection has lacunae in the negatives series.

The Julian Clarence Levi collection documents the life and activities of a twentieth century American architect and philanthropist. The collection consists of watercolor study drawings developed while Levi was a student at Columbia University and the École des Beaux Arts; architectural drawings, photographs and records for architectural projects designed and developed in association with his partner Alfred S. Taylor from 1907 until 1962; professional papers from various committees and societies Levi was associated with; personal papers and photographs, including documentation on his family and office, his academic and professional recognitions, public events, travels and social gatherings as a former Columbia alumnus; and various prints and photographs of buildings and European artists collected by Levi throughout his life.

Photographs of buildings located in Germany that were designed by Schneider. Miscellaneous architectural drawings, some done for architectural competitions, are also included.

The collection is made up of Katherine C. Moore's research files on the careers of Trowbridge and Livingston. The files include Moore's notes, clippings, and sometimes photographs of the buildings designed by the firm. Projects that have photographs include, among others, Bankers Trust Company Building, the Banking House for J.P. Morgan & Co., Chemical National Bank, Empire City Savings Bank, Bank of America (Wall Street), Equitable Trust Building, Gulf Refining Building (Pittsburg, PA), Mellon National Bank (Pittsburg, PA), Nagoya Branch of the Mitsui Bank (Tokyo, Japan), Red Cross Memorial to the Women of the Civil War, and the John B. Trevor Residence (11 East 91st Street, NYC). The collection also includes certificates and diplomas of Goodhue Livingston, as well as a 1994 certificate of commendation from BELCA (Building and Equipment Life Cycle Association) for the Mitsui Bank in Tokyo, Japan; an issue of "The Architects and their Works" (Vol. 1, No. 4) on Trowbridge & Livingston dated 7 Nov 1908; and 10 architectural drawings for the Residence of Orme Wilson, Jr. Esq. on 11 East 64th Street (New York, NY).

This small collection contains primarily project records--including drawings, files, reports, correspondence, and photographs--related to the architectural practice of Kenneth Coles. The majority of projects, including commercial, institutional, and residential, are located in New York State, with a few commissions for Citibank and Grindlay's Bank and for private residences located overseas.

Included are 60 photographs, approximately half of which show architectural drawings and models of the New York State Capitol at Albany, and views of the Capitol under construction, circa 1860s-1880s. These primarily show the work of Eidlitz, Richardson and Company, who designed the Capitol. Projects of Fuller and Laver and I. G. Perry for the Capitol are also depicted. The rest of the photographs show other projects by Leopold Eidlitz and his firm including the American Exchange Bank, New York City, 1857; Broadway Tabernacle, New York City, 1859; the Continental Bank, New York City, 1856; the Cooper Union, New York City, circa 1886; Dry Dock Savings Bank, New York City, 1875; and Temple Emanu-El, New York City, 1868. Also, unidentified buildings, and buildings by other architects, including Cyrus W. Eidlitz (Association of the Bar of New York, Main Library, New York City, 1895), and Robert H. Robertson (Phillips Presbyterian Church, New York City, 1874). Two original drawings by Eidlitz of Christ Church, St. Louis, Missouri, circa 1859, and a competition design for the New York City Crystal Palace, circa 1852.

This collection contains photographs, printed and typescript papers, and other documents collected by Leslie O. Merrill in the course of his research on Greek Revival architecture in Syracuse, New York and minor historic preservation efforts. The collection also includes files of examples of Greek Revival architecture in other locations in the United States and Europe.

Photographs, lantern slides, and illustrations of numerous library buildings in the United States and throughout the world, circa late 19th through early 20th centuries. Of particular note are photographs, undated, of people (possibly faculty and students) at New York Public Library's library school.