Also, a variety of professional and personal miscellany, such as correspondence, clippings, pamphlets, flyers, postcards, invitations, menus, receipts, a diploma, caricatures of colleagues, and Sawyer's monocle

The collection includes Drix Duryea and Mattie E. Hewitt photographs of the Kathrin Samstag Hochschild and Walter Hochschild residence designed by Pleasance Pennington (architect) on the 16-18th floors of Emory Roth's 1200 Fifth Avenue apartment building. Built by Joseph Ravitch (developer), the triplex penthouse included a particularly notable outdoor playhouse/gazebo and dance floor.

Architectural drawings for three projects; photographs of architectural drawings and models; photographs of sites before construction, buildings under construction, and interiors and exteriors of completed buildings; and related clippings. The three projects, with original drawings, arethe McGraw-Hill building, New York, 1929-1934, by Raymond Hood, Godley & Fouilhoux, and alterations, 1942-1944, by Harrison, Fouilhoux, and Abramovitz; Hood's first studies for Rockefeller Center, drawn by Walter Kilham, Jr. in 1929; and the Daily News Building, New York, 1929-1947, by Hood and John M. Howells. Also included are the Chicago Tribune Tower, Chicago (Hood won the competition for the project in 1922 - a photograph of the drawing submitted to the competition by architect Eliel Saarinen is included); photographs of models for Rockefeller Center buildings; and miscellaneous and unrealized projects. Also, two albums containing interior and exterior photographs of completed buildings designed by Hood including his American Radiator building, New York, the Chicago Tribune Tower, and others. Biographical material on Hood includes clippings of obituaries, 1934; photographs of Hood and his family, ca. 1890s-1930s, and travel photographs, early 20th century; clippings of articles by and about Hood; and biographical notes on Hood. Of interest is a photograph by Berenice Abbott of the McGraw-Hill building showing the Sixth Avenue El, demolished in 1940.

This small collection of Bach's professional papers contains primarily correspondence and papers related to his consulting work for the American Institute of Interior Designers and his correspondence with UNESCO and other organizations regarding laws against design piracy. The collection also contains correspondence, notes, and clippings concerning his research on industrial design topics, including the value of better design in industry, an ideal industrial design school, and specialized museums serving industries. Also included in the collection are typescripts and published copies of some of Bach's writings and lectures.

This collection contains lectures, notes, photographs, correspondence, and architectural drawings documenting the work of Russell Sturgis, and, secondarily, his son, Lyman Sturgis. The materials were created between 1874 and 1932.

Approximately 30,000 negatives and prints of buildings primarily on the East Coast, designed by various architects, including the Baltimore Museum of Art, Constitution Hall and the National Archives Building in Washington, D.C., and several churches and houses, all designed by John Pope Russell; four houses by Electus D. Litchfield; houses and other projects by Grosvenor Atterbury; houses by Peabody, Wilson & Brown; the John Ringling mansion in Sarasota, Florida, among other houses, churches, and office buildings designed by Dwight James Baum; numerous houses and apartment buildings in Miami Beach, Florida, especially those by Russell T. Pancoast and Robert Law Weed; many other houses throughout Florida by architects such as John L. Volk and Treanor and Fatio; and many houses and estates located in suburbs of New York City, particulary Greenwich, Conn., Montclair, N.J., and Mt. Kisco, Locust Valley, Oyster Bay, and South Hampton, N.Y.

This collections contains the professional research, writing, publications, and correspondence produced and collected by Rattner through her study of the architect James Renwick, Jr. The bulk of Rattner's research addresses the life and works of Renwick, but other research topics represented in her papers range from the Renwick family genealogy to the institutional architecture of New York City. Types of research material include personal research notes (in notecard format, both typed and holograph), correspondence (1963-2001), newspaper and magazine clippings, Xerox copies of archival material and secondary sources, transcribed articles and correspondence, brochures from historic sites, photographs and slides of buildings and sites, sketches, historic structure inventory forms, landmark nomination forms, landmark designation reports, and postcards.

This collection contains materials related to Chermayeff's personal, professional, and academic lives, the bulk originating during his residency in the United States, beginning in the late 1930s. Project records document the full range of his work, including many records from his British period. The collection also contains extensive correspondence with personal friends, clients, and professional and academic colleagues.

An American architect and urban planner, Shadrach Woods was a student of Le Corbusier and worked extensively throughout North Africa, France, Germany and New York City on projects ranging from low-cost housing developments to university campuses. Also highly regarded as a critic and theorist, Woods taught at Harvard and Yale and lectured and published widely. The collection represents the span of Woods' life and career through papers, photographs, architectural drawings, writings, and published materials. A small group of materials documents his childhood and education through personal papers and photographs. However, the bulk of the collections relates to his professional work and collaborations.

This collection contains professional and personal writings, published papers, correspondence, photographs, architectural records, student work, and research materials related to the academic and architectural practice of Talbot Faulkner Hamlin.