Correspondence, manuscripts, documents, photographs, subject files, and printed materials belonging to Russian émigré artist and collector Nikolai Vasil'evich Zaretskii (1876-1959). The collection is a mixture of materials created by or for Zaretskii, and materials collected by him.

Papers of E.I. Zami︠a︡tin. The papers consist of correspondence, manuscripts, notes, and clippings. There are 9 letters by Konstantin Fedin, 3 by Boris Grigorév, and 1 or 2 each by Henri Barbusse, Cecil B. DeMille, Andrʹe Maurois, Alekseĭ Remizov, and Zami︠a︡tin himself. The manuscripts are chiefly brief or fragmentary works, including film scenarios, summaries of plays, essays, lectures, notes, and fragments. Longer works include the "Afrikanskiĭ gost́" lectures on prose given in 1920, and the posthumously published novel "Bich bozhiĭ" and "Lit︠s︡a". Also included are clippings on Zami︠a︡tin, chiefly from Soviet, Czech, French and Russian emigre periodicals, also transcripts of selected correspondence and manuscripts in the collection.

Papers of the American educator, author. Yefroikin also used the name S. Efron. Collection includes correspondence, 1912-1966; memorabilia, 1902-1968; and manuscripts, 1920-1968, relating to Yefroikin's writings and to Jewish secular education, particularly the Workmen's Circle schools. Correspondents include Chaim Grade and Melech Ravitch.

The Shih-hui Hsiung (Shihui Xiong) papers consist of materials documenting Hsiung's life and political career from 1907 to 1974. The highlights of the papers are the manuscripts, which include six volumes of Hsiung's memoir, seven volumes of diaries over 43 years, and approximately 440 original handwritten speech scripts. The photographs and political and military affairs related documents focus on Hsiung's active involvement in the northeast region and abroad from 1930 to 1948. The papers overall consist of correspondence, calligraphy scrolls, diaries, a diploma, documents, letter books, manuscripts of published and unpublished works, maps, newspaper clippings, notes, oversize military notices, poems, photographs, photograph albums, reports, and other materials.

Correspondence, manuscripts, notes, documents, subject files, financial records, course materials, photographs, and printed materials. Woodworth's professional correspondence is with colleagues, scholars, students, the Columbia University Psychology Department, professional organizations, the Archives of Psychology, the National Academy of Sciences, the Psychological Corporation, and publishers. His own set of psychology subject headings include both general and specific topics such as behavior, color, experimental psychology, learning, memory, perception, personality, sensation, etc. These files contain manuscripts, notes, psychological tests, test data, revisions, for his monographs and other research materials. In addition to the subject files, there is some general, personal and family correspondence; manuscripts of his articles, lectures, addresses, curricular materials, biographical files and photographs. The printed materials consist of his personal collection of reprints of psychological literature arranged according to his own subject headings; reprints by colleagues, some inscribed and signed with his annotations; and books from his library, some of which contain his markings and comments

Manuscripts of essays and course notes taken while a student at Amherst College, 1884-1889, and at Berlin University, 1892-1894. Articles, addresses, essays, lectures, lecture notes and reading notes. Also included are diaries for the years 1936-1940 and correspondence concerning Amherst College, Columbia University, and Woodbridge's stay as a visiting scholar in Berlin, 1931-1932. Among his correspondents are: Frederick S. Allis, Secretary of the Amherst Board of Trustees; Stanley King, President of Amherst; and Nicholas Murray Butler, President of Columbia. Some photographs are also included.

Working files of the architectural historians Rudolf and Margot Wittkower, dealing with Baroque and Renaissance painting, sculpture, and architecture. Included are manuscripts, notes, drawings, annotated proofs of articles and books, and some correspondence related to his writings and lectures. The majority of the files document his teaching, research, and writing at the University of London, 1934-1955, and at Columbia University. There are also some manuscript notes from his early years in Italy and Germany. Series I has been divided into six parts: Artists, Subjects, Book Manuscripts, Proofs, Notes, and Printed Materials. Some of the major files are Bernini, Bramante, Carracci, Michelangelo, and Raphael (Artists); Baroque Painting, Patronage, Rome, St. Peter's, Slade Lectures on the history of art (Subjects); ART AND ARCHITECTURE IN ITALY, BORN UNDER SATURN, and MATTHEWS LECTURES: GOTHIC VS. CLASSIC (Book Manuscripts). In addition there are proofs of essays and reviews with manuscript corrections and emmendations, copies of several of his own published works with his manuscript corrections, and typescript insertions for new editions. The Notes consist of eight card file boxes with notes chiefly relating to the Baroque period and Bernini. Materials created by or related to Rudolf Wittkower's wife, the architect and interior designer Margot Holzmann Wittkower, can be found primarily in Series II, IV, V, and VI. Material created or maintained solely by Margot Wittkower is located in Series VI; however, material she shared with Rudolf Wittkower is located in Series II, IV, and V.

Correspondence, subject files, manuscripts and printed materials documenting the work of C. Martin Wilbur, George Sansom Professor Emeritus of Chinese History, Columbia University. Correspondence with non-Columbia organizations includes the Institute of Pacific Relations, Far Eastern Association, INDUSCO, Council on Foreign Relations, Asia Foundation, and American Council of Learned Societies, among others. Subject files relevant to Columbia University include items pertaining to the Department of Chinese and Japanese, later renamed the Department of East Asian Languages and Cultures, as well as teaching files, student files and research projects directed. The manuscript files contain the notes and, in some cases, printed copies of published and unpublished works and public talks. Wilbur's writings and research concentrate on the history and politics of twentieth century China, with emphasis on the Chinese Revolution, 1920-1929, Sun Yat-sen, and communism in China. There are translations of minutes for the first and second Kuomintang Congresses, copies of documents from the Kuomintang Archives, and photographs of members of the Young China Party, Sun Yat-sen and several historical events in the 1920s. Files on fund raising efforts for the Department of East Asian Languages and Cultures and the Wellington Koo Fellowship also contain relevant correspondence. Biographical information includes a curriculum vitae (ca. 1968)

Notes taken by Widenmann of courses and lectures given by H. Parker Willis, Chairman of the Dept. of Banking, Columbia University, 1917-1937. Included are miscellaneous banking and business forms. The notes are in manuscript, typescript, and mimeograph form.

Thomas Whiteside was an American journalist born in 1918. Whiteside wrote for The New Yorker for over 45 years. He covered such topics in his articles and books as cable television, the cigarette industry, the channel tunnel, chemical weapons (notably 2, 4, 5-T, a component of Agent Orange), Ralph Nader, Stig Wennerstrom, and yellow rain. It has been said that Whiteside's work on Agent Orange led directly to the congressional hearings which discussed the dangers of the substance. By the end of the hearings, the Surgeon General of the United States had announced restrictions on the use of the herbicide. The collection contains material related to the articles that Whiteside contributed to The New Yorker. The files include audiocassettes, book reviews, correspondence, drafts, galleys, notebooks and notes, research files, and typescripts. There is a small section of the collection that contains personal papers not tied directly to specific articles or books. The material ranges in date from the 1950s to the 1990s, spanning the time Whiteside worked at The New Yorker.