This collection includes primarily original etchings, engravings, and lithographs, as well as published images from a variety of sources, of individual architectural structures or the built environment. Most of the images are uncolored. The collection is especially strong in images from the United States and England. A significant number of images are plates from Walter Harrison's "A new and universal history, description and survey of the cities of London and Westminister, the borough of Southwark, and their adjacent parts." (London, J. Cooke, 1776). A small portion of the collection depicts decorative arts and interiors. Also included are a few ephemeral items--such as tickets, letterhead, receipts, and bills--that include architectural imagery.

This collection contains primarily 19th-century published prints depicting British and French dramatic theatres, with a small representation of international theatres. Images of sculpture, costumes, and fashion plates are also included. The majority of images are from published sources and are colored. Nearly all the prints are titled and most include artist, printer, and/or publisher information. Many noted printmakers are represented in this collection.

Sketches, sketchbooks, scrapbooks, tearsheets, photographs and printed material. The collection includes more than 900 drawings and watercolors. The material covers much of Charles Saxon's professional career

Artistic, historic, and commercial lithographs arranged in chronological order to show the development of lithographic printing in Germany, France, Great Britain, and the United States. The collection, acquired by the Fuchs & Lang Manufacturing Co., is comprised of examples of the work of every major 19th century lithographer and lithographic printer, including Senefelder, Hullmandel, Lemercier, and Currier & Ives. The lithographs are arranged according to the numbers in the catalogs published by the company. This chronological sequence is supplemented by indexes to the lithographers and lithographic printers. Unidentified prints are arranged at the end of the collection by country, printer, or publisher

The collection consists of work by eighteen artists who worked in the printmaking medium in Great Britain in the 1960s and 70s. Includes work by David Annesley, Patrick Caulfield, Pierre Celice, Bernard Cohen, Elisabeth Frink, Patrick Heron, Gordon House, John Hoyland, Patrick Hughes, Liliane Lijn, Kim Lim, Kenneth Martin, Nicholas Monro, Tom Phillips, Patrick Procktor, William Scott, Colin Self, and William Turnbull.

A collection of autographs of Latin American patriots and Hispanic loyalists living in the Viceroyalty of Perú during the 19th century. The collection provides a valuable look into daily life in the viceroyalty. Documents to and from military leaders on both sides of the War for Independence describe day to day events of the war (requests for supplies, mess, prisoner and hospital lists, etc.). Among the items by patriots represented in the collection are: a decree by Simón Bolivar, dated 1825, setting up a school system that "la debe igualmente a todos..individuos."; a decree by Tomas de Heres creating the coat-of-arms of Perú, and the heraldry and wording for silver and gold coins of the new government; a list by José Medina of the survivors of the "Vendedores" squadron after the battle of Ayachucho; a letter of José de San Martín to Francisco de Paula Otero; a letter by Antonio José de Sucre to Manuel Martínez de Aparicio; and a letter by José de La Mar to Joaquín de la Pezuela. Among the loyalists represented are: José Fernando de Abascal y Souza, Fernando VII, José Antonio de Areche, Jerónimo Marrón de Lombera, José de Mendizábal e Imaz, Joaquín de la Pezuela, José Manuel Goyeneche, and Manuel Quimper. Also in the collection are two letters by Secretary of State William H. Seward, and two 16th century documents signed by the "conquistadores" Francisco Pizarro and Juan de la Torre. A second box, added in 1980, contains printed and miscellaneous materials from the 1950s.

This collection includes nine letters of Ralph Waldo Emerson as well as letters of Louis Agassiz, Amos Bronson Alcott, Oliver Wendell Holmes, Sr., Henry Wadsworth Longfellow, James Russell Lowell, John Lothrop Motley, Charles Sumner, and John Greenleaf Whittier. In addition, there are two incomplete manuscripts by Emerson and one document from the Liverpool Custom-house signed by Nathaniel Hawthorne as Consul for the United States. The collection also includes the corrected typescript, index, and page and galley proofs for Thomas Franklin Currier, A BIBLIOGRAPHY OF OLIVER WENDELL HOLMES (New York, 1953) which was edited by Professor Tilton. Also, some early correspondence and photographs of the Tilton family and friends. There are letters from the actors Annie Louise Ames, Richard J. Dillon, and Hans L. Meery to Tilton's grandfather, Bernard Paul Verne, as well as photographs, tintypes, and daguerreotypes of the Verne family and friends.

This collection contains lithographs of New York City streets, buildings and other structures drawn and printed by Ernest Born during the period 1930-1931. The suite of 15 completed images are New York City subjects originally contracted by a London art house; but, due to the 1930's depression, the transaction was not completed and the project remained in the Born family archives. The original edition was 20 prints of each image, of which five to 13 of each image survive. The lithographs are titled as follows: "Brooklyn Bridge" "Late Afternoon" "Battery Place" "East River Bend" "New York Public Library" "Grand Central Station" "Park Avenue and Lincoln Building" "Trinity Church" "Wall Street" "Garment Center" "Foundation Construction" "6th Avenue Elevation" "Jeannette Park Curve" "Bank of Manhattan and US Treasury" and "Frankfort Street.".

The collection documents the professional life of photographer and journalist Fritz Neugass. The Neugass Papers include published writings, typescripts, clippings, research materials, photographs by Neugass, photographs by others, correspondence, and auction catalogs.

Letters, documents, and printed materials documenting Macy's publishing career, including that relating to the Nonesuch Press, dating from 1941 to 1960. Included also are photographs, awards, and financial papers. The correspondents include many of Macy's close friends including Peter Beilenson, William Rose Benét, Clifton Fadiman, Christopher Fry, Lillian Gish, Alec Guinness, Fritz Kredel, Frederic and Florence March, Francis Meynell, Bruce Rogers, Louis Untermeyer, Carl Van Doren, and Lynd Ward. Also, miscellaneous engravings, lithographs, and drawings.