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Collection
Ermolov, Boris Nikolaevich

Correspondence, manuscripts, photographs, a subject file, and printed materials collected by Ermolov. The collection almost exclusively concerns the 1917 Revolution and the Civil War. Correspondence includes items by Isabel Hapgood and Konstantin Nabokov. The manuscripts include English-language translations of Russian materials from the period. There are 2 photographs: 1 of Grigoriĭ Rasputin at a tea party in 1916, and the other of the State Duma in 1917. The subject file concerns the Orthodox Patriarch Tikhon in 1917-19. Printed materials include Russian, English, and American clippings, pamphlets, journals, posters, and fliers.

Collection
Vysheslavt︠s︡ev, B. P. (Boris Petrovich), 1877-1954

Correspondence, manuscripts and printed materials of Boris Petrovich Vysheslavtsev. There are letters from Nikolai Berdiaev, Carl Jung, Anton Kartashev, Konstantin Korovin, Jacques Maritain, Aleksei Remizov, Grigol Robakidze, Theodore Strawinsky, and Ariadna Tyrkova-Williams. The manuscripts include essays and lectures on various topics including the Orthodox church, Russian literature and culture, philosophy, and the hereafter. There are numerous diaries, primarily from the 1930's and 1940's. The printed materials include clippings, off-prints, and various journals and books.

Collection
Cooper, Brenda Miller
Brenda Miller Cooper was an American operatic soprano who was a regular performer at New York City Opera from 1947 to the early 1960s. The materials in this collection were compiled by Brenda Miller Cooper during the premiere of Douglas Moore's Pulitzer Prize-winning opera, Giants in the Earth, in 1951 at Columbia University, in which she created the role of Beret.
Collection
Chou, Wen-Chung, 1923-2019
This collection of records document the institutional history of the Center for US-China Arts Exchange, established in 1978. Under the directorship of professor and renowned composer Chou Wen-chung, the Center is a not-for-profit organization that connected arts professionals from the US and China through a spectrum of curated programs, conferences, and research trips. Bulk dated between 1977 and 2003, materials in this collection consist of correspondence, reports, photographs, printed materials, as well as audiovisual items. The collection serves as important material evidence that help to tell the recent history of cultural communications among individuals and organizations across the Pacific.
Collection
Aldrich, Chester Holmes, 1871-1940

This collection primarily contains original correspondence--including letters, telegrams, and postcards-- to California architect Robert D. Farquhar from Chester A. Aldrich. Also included is a small group of letters from Amey Owen Aldrich to Farquhar. Most letters are accompanied by envelopes; a very few contain photographs, clippings and other ephemera. Matters discussed in the correspondence vary widely from intimate personal subjects to observations and reports on the work of Carrère & Hastings and Delano & Aldrich, the American Red Cross and its work with soldiers in Italy during World War I, the rise of Fasicsm in Italy, economic hardships during the Depression, and the state of American and European architecture.

Collection
Online
Columbia University. Chinese Oral History Project
The Chinese oral history project collection (中國口述歷史項目檔案) provides a wealth of information on the development of the project and its interviews with eminent Chinese political figures abroad in the United States and Hong Kong from 1958 to 1980s. The highlights of the collection consist of the administrative subject files, correspondence, interview photographs and reports, transcript drafts, collected autobiographies and manuscripts, audio recordings, and card files of names mentioned in the transcripts.
Collection
Bulliet, C. J (Clarence Joseph), 1883-1952
These papers contain the correspondence, photographs, press releases, programs and manuscripts of Clarence Joseph Bulliet (1883-1952) who was a prominent art and dramatic critic for the Indianapolis Star,Louisville Herald and Chicago Evening Press. The bulk of this collection is comprised of materials from the 1910s and early 1920s, when Bulliet was business manager for the touring company of Shakespearean actor Robert Bruce Mantell. Production photographs, press releases, production diaries and notes and drafts for Robert Mantell's Romance, the biography of Mantell written by Bulliet, are included in this collection. This collection also contains photographs and souvenir programs from other productions; drafts of Bulliet's literary works; printed materials and correspondence with Edward Albee, Julian Eltinge, Genevieve Hamper, Robert B. Mantell and Vera Zorina.
Collection
Online
Wagner, Marsha L.

The Collection of China's spring 1989 democracy movement (六四前后中国民主运动资料汇集) documents the legacy of the democracy movement in China during 1989 as well as events leading up to the Tiananmen Square Incident and its aftermath, dating from 1988 to 1997, and with the bulk of the materials dating from 1989 to 1990. The collection holds the originals and the photocopies of over 300 ephemeral posters, leaflet/handbills, newsletters, open letters, and petitions created and distributed in 1989, including those issued by the Peking Workers Autonomous Association (北京工人自治联合会), student groups from various universities, the "Hunger Strike Newsletter" and other unofficial news bulletins, intellectuals' petitions to the government, cartoons, and poetry. The collection also comprises over 200 photographs depicting demonstration banners, big character posters, petitions and letters to the leaders. The collection also contains 15 eye-witness reports by Asians and Westerners, reports of human rights organizations, as well as books, miscellaneous news magazine articles and newspaper clippings. Related materials in the collection also include Spring 1989 issues of the banned intellectuals' journal "Eastern Record"; 147 slides of work shown at the Peking National Gallery's avant-garde exhibition; and a video tape of interviews with artists and performance art at the February 5, 1989 opening of that exhibition. Other items are several VHS, audiocassettes, floppy disks, fragments of wall posters, a T-shirt, and commemorative envelopes. A large fabric banner prepared by Chinese students at the University of Michigan which was sent to Peking where it was displayed at Tiananmen Square in May 1989 and later returned to the U.S., is also included in the collection.