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Collection
Chou, Wen-Chung, 1923-2019
This collection of records document the institutional history of the Center for US-China Arts Exchange, established in 1978. Under the directorship of professor and renowned composer Chou Wen-chung, the Center is a not-for-profit organization that connected arts professionals from the US and China through a spectrum of curated programs, conferences, and research trips. Bulk dated between 1977 and 2003, materials in this collection consist of correspondence, reports, photographs, printed materials, as well as audiovisual items. The collection serves as important material evidence that help to tell the recent history of cultural communications among individuals and organizations across the Pacific.
Collection
Online
Columbia University. Chinese Oral History Project
The Chinese oral history project collection (中國口述歷史項目檔案) provides a wealth of information on the development of the project and its interviews with eminent Chinese political figures abroad in the United States and Hong Kong from 1958 to 1980s. The highlights of the collection consist of the administrative subject files, correspondence, interview photographs and reports, transcript drafts, collected autobiographies and manuscripts, audio recordings, and card files of names mentioned in the transcripts.
Collection
Columbia Daily Spectator (Organization)

This collection contains approximately 5,500 photographic prints and 12,400 negatives taken and used by the Spectator. The photographs consist of black and white, silver gelatin prints and 35mm negatives. The bulk of the images are portraits, with many press photographs provided to the newspaper by outside sources. Not all prints have corresponding negatives. Photographs were filed together by name so that several views can be found in one folder. The original folder-level description was maintained.

Collection
Talbot, Daniel, 1926-2017
The Dan Talbot Papers document the business operation of the New Yorker Films, an independent film acquisition and distribution company, dating from 1960s to 2008, as well as movie theaters in the Upper West Side Manhattan which he operated, dating from 1960 to 2007. It is of particular relevance to New Yorkers as the Talbots operated the New Yorker Theater, Cinema Studio, Metro, and Lincoln Plaza Cinemas, on the Upper West Side, as popular venues to view independent and foreign films.
Collection
Columbia University. Department of Physics
This collection of various historical materials collected by the Columbia University Physics Department includes photographs and negatives of faculty members, faculty biographical information, images of related buildings and grounds, correspondence between faculty members and others, publications, information concerning guest lecturers in the department, as well as materials used in exhibitions and presentations depicting the department's history.
Collection
East Side House Settlement

The records include addresses, annual reports, correspondence, memos, minutes, program files, newsclippings, administrative records, photographs, video tape, and film. They include material dating from the decades prior to the establishment of the settlement which shed light on the philosophy and motivation of its founders, and offer a unique view of the first wave of the settlement house movement in America. The records document social conditions, demographic change, political activity and philanthropy in New York City. Addresses by East Side House founder Everett P. Wheeler, included in Series I, document his family history and career as a lawyer and civic reformer prior to the founding of East Side House. Wheeler's correspondence details his role in establishing the settlement and managing it during its first decades.

Collection
Benguiat, Ed
The Ed Benguiat Collection contains original sketches, phototypesetting materials such as photographic prints and negatives, and printed materials relating to the design, production, and promotion of typefaces generated or accumulated during the life and career of type designer, Ed Benguiat. The collection contains objects dating from 1953 to 2001. The collection is organized into two series: I. Graphic Work, and II. Typefaces. The first series contains printed and design work for logos and newspapers, promotional materials such as posters and booklets, or in-progress work such as sketches and paste-ups. The second series contains materials related to the designing and production of specific typefaces, predominately photographic negatives and transparencies, paste-ups, and type specimens.
Collection
Mammen, Edward W. (Edward William), 1907-1990

Correspondence, manuscripts, notecards, tabulation sheets, microfilms, photographs, and photostats. The bulk of the collection is made up of his Columbia University doctoral dissertation, THE OLD STOCK COMPANY SCHOOL OF ACTING; A STUDY OF THE BOSTON MUSEUM, and related research materials. The dissertation, published in 1945, uses the Bostom Museum Stock Company to exemplify the nature of American dramatic arts in the nineteenth century vis-a-vis professional theater organizations and their dual purpose of producing shows and training actors. The research materials appear in a variety of formats: chronological lists on notecards recording the actors that performed in particular plays; tabulation sheets that fulfill many purposes, such as recording each actor's experience, the roles the actors played, and the years that they were active with the company. Photographs include those taken of theater sets, actors in costume, and pictures of the Museum building. Photostats and microfilms are almost entirely reproductions of advertisements and flyers

Collection
Armstrong, Edwin H (Edwin Howard), 1890-1954

Professional and personal files including Armstrong's correspondence with professional associations, other engineers, and friends, his research notes, circuit diagrams, lectures, articles, legal papers, and other related materials. Of his many inventions and developments, the most important are: 1) the regenerative or feedback circuit, 1912, the first amplified radio reception, 2) the superheterodyne circuit, 1918, the basis of modern radio and radar, 3) superregeneration, 1922, a very simple, high-power receiver now used in emergency mobile service, and 4) frequency modulation - FM, 1933, static-free radio reception of high fidelity. More than half the files concern his many lawsuits, primarily with Radio Corporation of America, over infringement of the Armstrong patents. Litigation continued until 1967. Other files deal with his work in the Marcellus Hartley Research Laboratory at Columbia University, 1913-1935, and with the American Expeditionary Forces in France during World War I, his Air Force contracts for communications development, Army research during World War II, the Radio Club of America, the Institute of Radio Engineers, FM development at his radio station at Alpine, N.J., the use of FM in television, his involvement in Federal Communications Commission hearings and legislation, and his work with the Zenith Radio Corporation. Also, letters to H.J. Round

Collection
Diario, la prensa
El Diario/La Prensa is the largest and oldest Spanish-language daily newspaper in New York City, and the oldest Spanish-language daily in the United States. The El Diario/La Prensa Photograph Morgue contains photographs and associated materials kept as reference, or morgue, files by the newspaper's staff. It documents events and personalities significant to New York City's Spanish-speaking communities between approximately 1970 and 2006.