Artwork, photographs, and rubbings relating to Pietz’s coin and medal designs.

Mary Adrienne Steckling Coen (1934-2006) graduated from Parsons School of Design's Fashion Design Department in 1958. In 1966, "Adri" --her professional name-- created her own line, designing under her own labels for the rest of her career. The records document Adri's professional life, with items arranged by year and season. Includes clippings and tear sheets, photographs, press kits, sketches, swatches, and video recordings.

Al Jaffee (1921-2023) was a comic artist best known for creating MAD magazine's iconic Fold-In feature. The collection contains extensive original artwork, including sketches, tracings, and proofs documenting Jaffee's creative process. Publishing and commission contracts, correspondence, clippings, and a small amount of programs and ephemera from fan conventions and other public appearances are also included.

Personal and professional correspondence, a geological notebook, and miscellany pertaining to Amos Eaton and members of his family.

Correspondence, manuscripts, diaries, commonplace books, drawings, photographs, and printed materials. The collection is a comprehensive documentation of the dramatist's career and includes manuscripts, typescripts, notes, and costume and scenic design for more than seventy of his plays and related writings; 31 diaries, commonplace books, and scrapbooks containing manuscript and typescript notes, travel sketches, original drawings, and photographs; and correspondence files including letters from Harley Granville-Barker, Sir Herbert Beerbohm-Tree, John Galsworthy, Booth Tarkington, and Thornton Wilder. Austin Strong's mother, Isobel Field, was the step-daughter of Robert Louis Stevenson. Consequently, the collection contains much Stevensoniana, including photographs and Isobel Field's letters from Western Samoa, where she was known as "Teuila." Also, correspondence and photographs relating to Cornwall Park, Auckland, New Zealand, which was designed by Austin Strong.

Bea Feitler (1938-1982) graduated from Parsons School of Design in 1959 with a degree in Graphic Arts and Advertising. She went on to a noted career as a designer of books, magazines, posters and more. Feitler served as art director for Harper's Bazaar and Ms. magazines; consulting art director for Condé Nast; and designer for Rolling Stone magazine. Professional work in this collection includes layouts, dummies, and other pre-press items. The collection also contains photographs and contact sheets by a number of the distinguished photographers with whom Feitler worked. Personal materials include mail art, correspondence, photographs, scrapbooks, ephemera, original drawings and collages.

The collection consists primarily of letters written to Gerua in the 1930s by other emigres who had formerly served as officers, such as Vladimir Kamenskiĭ and Vasiliĭ Gurko. There are also copies of letters by Gerua from the Far East at the time of the Russo-Japanese War. Also included are manuscripts by Gerua and by Nikolaĭ Rotshteĭn; sketches by Gerua of participants in the 1926 Zarubezhnyĭ Sʺezd (Congress Abroad) in Paris; and photographs.

This collection of records document the institutional history of the Center for US-China Arts Exchange, established in 1978. Under the directorship of professor and renowned composer Chou Wen-chung, the Center is a not-for-profit organization that connected arts professionals from the US and China through a spectrum of curated programs, conferences, and research trips. Bulk dated between 1977 and 2003, materials in this collection consist of correspondence, reports, photographs, printed materials, as well as audiovisual items. The collection serves as important material evidence that help to tell the recent history of cultural communications among individuals and organizations across the Pacific.

Charles Le Maire (1897-1985) began his costume design career in vaudeville shows of the 1920s. He later served as executive designer at Twentieth Century-Fox. In the 1950s, Le Maire formed his own business from private commissions and film work, earning thirteen Oscar nominations and three Oscars for Best Costume Design. The collection contains seventeen Le Maire sketches, including work for the Earl Carroll Vanities (1924-1930).

Sketches, sketchbooks, scrapbooks, tearsheets, photographs and printed material. The collection includes more than 900 drawings and watercolors. The material covers much of Charles Saxon's professional career

Claire McCardell (1905-1958) graduated from the New York School of Fine and Applied Art (later, Parsons School of Design) in 1928 and later became a pivotal figure in American ready-to-wear fashion. In 1944, McCardell returned to Parsons as a critic and instructor, a position she held for the rest of her life. The collection contains roughly 9,000 of McCardell's sketches, dated 1931 to 1958; mostly produced for Townley Frocks.

A collection of letters addressed to Russell Potter, Director of the Institute of Arts & Sciences, relating to speaking engagerents and conferences. The correspondence, dated 1930-1945, includes letters from Gertrude Stein, Robert Frost, Edna Ferber, Al Smith, Henry Wallace, Anthony Eden, and Harold Laski. Some of the letters are of a personal nature.

Interior design sketches and detail studies from Daniel Lashen's studies at Parsons School of Design in New York and in Italy. Lashen graduated from Parsons in 1950.

Donald Brooks (1928-2005) was a prominent American fashion designer who, in addition to creating ready-to-wear collections and custom apparel, designed costumes for film, television, and theater. He taught at Parsons School of Design for approximately forty years. The collection includes photographs, publicity materials, and original fashion and costume design sketches.

Dora Mathieu (1909-1980) taught fashion drawing in the Parsons School of Design Fashion Illustration Department, 1964-1966. The Kellen Design Archives holds twenty-nine of Mathieu's sketches, depicting notable designers of the mid-twentieth century. Although the earliest dated portrait is from 1938, the bulk of the collection was created between 1965 and 1968.

Dorothy Haon (1898-1995) attended the New York School of Fine and Applied Art (later, Parsons School of Design) in 1923-1924, and went on to careers in fashion design and merchandising. The collection, which spans the late 1930s through the 1950s, includes working sketches and notes, cloth patterns, fabric samples, and business records. Also included is work by Dorothy's sister, Marion Haon.

Douglas Stuart Moore (1893-1969) was an American composer, educator, and author. His best known works include the operas The Devil and Daniel Webster (1937-1939), The Ballad of Baby Doe (1953-1956), and Giants in the Earth (1949-1950), which won the Pulitzer Prize for Music in 1951. The papers include clippings, correspondence, course and lecture materials, librettos, photographs, programs, publicity materials, recordings, and scores.

Edith d'Errecalde (1905-2002) worked for Mainbocher in the 1940s and started her own sportswear firm, Maxmil, in 1951. Later d'Errecalde worked for Evan-Picone and as fashion director for Cohama (Cohn-Hall-Marx). The collection contains photographs, sketches, clippings, advertisements, press kits, correspondence, and notes for articles and lectures. D'Errecalde was a critic and lecturer at Parsons School of Design, 1969-1970.

Correspondence, manuscripts, documents, photographs and printed material of the English poet and critic, Edmund Blunden, documenting his personal and professional activity. Blunden's letters to his second wife, Sylva Norman, and his secretary, Aki Hayashi, are particularly well represented. Also included are many letters addressed to Blunden by eminent literary figures such as John Betjeman, George Orwell, Siegfried Sassoon, Stephen Spender, and Henry Williamson. Other literary correspondents are Adrian Bell, Joyce Cary, Richard Church, C. Day Lewis, Walter de la Mare, Graham Greene, H.D., William Plomer, Kathleen Raine, and Leonard Woolf. A substantial portion of the cataloged correspondence contains drawings, verse fragments and poems by Blunden which have been analyzed. Also present are eleven of Blunden's diaries, 1936-1967, which contain drafts of a number of poems. In addition, the collection contains a small number of autograph manuscripts of Edmund Blunden's literary works.

Edward Wormley (1907-1995) is often cited as a top designer of American modernist furniture. Starting at the Dunbar Furniture Company at age 23, Wormley eventually became its sole designer and retained a partnership with Dunbar for over thirty years. Wormley taught at Parsons School of Design between 1952 and 1970. The collection includes photographs, slides, subject files, clippings, technical drawings, catalogs, and sketches.

After graduating from the New York School of Fine and Applied Art (later, Parsons School of Design) in 1936, Eleanor Horst (1892-1995) led a long career as an interior decorator. The collection includes photographs and slides of Horst projects, as well as numerous renderings of Horst designs, several by fellow Parsons graduate Lyman Martin.

The collection includes class notes and a clipbook of decorative styles compiled by Ethel Epstein (who later used the surnames Dean and Evans) when she attended the New York School of Fine and Applied Art (later Parsons School of Design) in the Interior Architecture and Decoration Department, around 1925. Also includes textile samples, circa the 1950s, and costume designs for the Broadway play "The Laughing Woman" (1936).

Eugene Paul Ullman (1877-1953), was an American painter of landscapes, portraits, and still lifes. Ullman studied and later taught with artist William Merritt Chase during the earliest years of the Chase School, predecessor school to what became Parsons School of Design. The collection consists of artwork in the form of sketches and photographs of paintings, correspondence, exhibition catalogs, a scrapbook, and unpublished essay manuscripts. Much of the material is annotated by Ullman's youngest son, Pierre L. Ullman. Also included are files documenting the life of an older son, Paul Ullman, who was killed in France during the Second World War.

Francis Geck (1900-2005) graduated from the New York School of Fine and Applied Art (later, Parsons School of Design) in 1924 and taught interior design at the school's Paris Ateliers until 1927. In 1930, Geck became a professor of fine arts at University of Colorado, where he taught for 39 years. The papers contain correspondence with Parsons administrators, design sketches and student work, publications, and course materials.

Primarily oil portraits of 18th century literary figures. There are also engravings, and pen and ink and pencil sketches. Among the literary figures are portraits of Samuel Butler, Lord Byron, Thomas Carlyle; Colley Cibber; Charles Dickens; John Evelyn; John Foxe; David Garrick; Thomas Gray; Charles Lamb; Sir Thomas More; Sir Walter Raleigh; Samuel Richardson; Richard B. Sheridan; Alfred, Lord Tennyson; William M. Thackeray; and others. There is also a portrait by Blanche Ames of George A. Plimpton. Among the artists represented in the collection are James Maubert, Frederick Sandys, and William Hogarth (attrib.)

Letters, documents, and printed materials documenting Macy's publishing career, including that relating to the Nonesuch Press, dating from 1941 to 1960. Included also are photographs, awards, and financial papers. The correspondents include many of Macy's close friends including Peter Beilenson, William Rose Benét, Clifton Fadiman, Christopher Fry, Lillian Gish, Alec Guinness, Fritz Kredel, Frederic and Florence March, Francis Meynell, Bruce Rogers, Louis Untermeyer, Carl Van Doren, and Lynd Ward. Also, miscellaneous engravings, lithographs, and drawings.

Letters from Agustin Ruiz de Santayana have typescript carbon English translations. The translations are not on microfilm.

Giuseppe Zambonini (1942-1990) was an Italian-born and New York-based architect, interior designer, theater director, and teacher. This collection contains materials pertaining to Zambonini's architectural and design career, as well as items related to his tenure as dean of the New York School of Interior Design, founder and head of the Open Atelier of Design, and director of the architecture program at the Georgia Institute of Technology. Dating primarily from the 1960s through the late-1980s, materials in the collection include sketches, drawings, plans, and blueprints of Zambonini's architecture and interior design projects, as well as photographs of the building sites and finished work. Also included are correspondence, photographs, and printed material related to his teaching and administrative career. Zambonini's work as a theater producer and director in Italy is represented by photographs, scripts, audio, and a variety of posters and programs. Finally, the collection contains a small selection of Zambonini's writings and lectures.

This collection is made up of architectural drawings, correspondence, specifications, contracts, invoices, minutes, financial statements, patents, advertisements, photographs, photograph album, test results and reports, memoranda, tile samples, factory order cards, and other materials pertaining to The Guastavino Fireproof Construction Company's projects. The dates of the materials span 1866-1985, with bulk dates 1890-1942. The architectural records include structural, decorative, and acoustical sample products and fragments. Also included are materials added to the files by George Collins (1917-1993), Professor of Art History at Columbia University. Prof. Collins secured the donation of this archive in 1963, and remained its custodian until it was transferred to the Drawings and Archives Collection at the Avery Architectural and Fine Arts Library in 1988. The records document Prof. Collins' research efforts, as well as the Company's projects in forty states (including District of Columbia), four Canadian provinces, and eleven other foreign countries.

Harry B. Baker (1868-1941) was an illustrator who taught at the New York School of Fine and Applied Art (which became Parsons School of Design) in the early 20th century. Before moving to New York, Baker traveled the American West. He illustrated bar fights, cowboys, Native Americans, and street scenes. The collection includes photographs of Baker and his students, a letter from Frank Alvah Parsons, and illustrations by Baker.

Herbert Sondheim (1895-1966), who lectured at Parsons School of Design in 1946, ran a dressmaking firm that produced affordable versions of Parisian high-end fashion. The collection consists of nineteen Herbert Sondheim, Inc. scrapbooks, most of which contain fashion sketches. Some books include sketches depicting work of other couture houses. Two books contain news clippings, photographs and correspondence from the mid-1940s.

The two fashion sketches, rendered in colored marker, were created by Hubert de Givenchy for Anna-Maria Kellen during the 1980s.

The collection consists of student work and related documents kept by Ina Dell Marvin (1893-1991) while studying in the Paris Ateliers of the New York School of Fine and Applied Art (now, Parsons School of Design). Includes class reference materials, clip books, correspondence, diploma, London itinerary, lecture notes, photographs and renderings of furniture, decorative pieces, and interiors.

This collection includes records from the Chinese Industrial Cooperatives (CIC, 工業合作社/工业合作社), China Aid Council (CAC, 美國援華會/美国援华会), and United Service to China (USC, formerly United Relief to China/URC, 美國援華聯合會/美国援华联合会/美國援華救濟聯合會/美国援华救济联合会). The records contain correspondence of individuals who participated in the cooperative and those associated with it; typewritten reports of sub-units to the parent organization; periodicals and other publications issued in Chinese by the three regional headquarters (the early ones are probably quite rare); publications in English by these headquarters and by American committees formed to aid in the movement; mounted photographs showing the work of the cooperatives and their leaders; albums of newspaper clippings on the movement, emanating from the U.S. and abroad; maps showing locations of cooperatives; pencil sketches and watercolors of cooperatives at work; and other material concerning this important organization which was largely responsible for China's ability to feed and clothe, and care for the people during the war.

In 1950, fashion designer James Galanos (1924- ) started Jimi Originals with Mary Scourby. The company only existed for a short time, but it was the first company to market Galanos' creations under his name. The collection consists of twelve Jimi Originals fashion sketches as well as invoices and notes. Galanos was a critic at Parsons School of Design from 1962 to 1968.

James Vinton Stowell graduated from the New York School of Fine and Applied Art (later, Parsons The New School for Design) in 1917 with an Advertising Design degree, and was employed by the school as a trade representive through the 1918-1919 academic year. The subject of the pencil sketch, titled "Portrait of 'Our Mr. Baker'," is Harry B. Baker, who taught life drawing at the school from 1915 until his death in 1941.

Ranging from the 1920s through the 1960s, this collection consists of files Jessica Rummel kept for her New York City-based interior decoration business, which operated during at least part of this period as Harding & Rummel, Inc. The files, which Rummel arranged, include small drawings, watercolors, site plans, and tracings of decorative elements, furniture, textiles, and interior layouts produced by Rummel in the course of her business. The collection also includes vendor literature, magazine and catalog clippings, postcards, price lists, and business correspondence. Rummel was on the faculty of the New York School of Fine and Applied Art (later, Parsons The New School for Design) in the Interior Architecture and Decoration Department from 1921 through 1934.

61 original drawings in various media on paper.

A leading figure in the development of American ready-to-wear clothing, John Weitz (1923-2002) created one of the first American signature menswear lines. Weitz was a visiting lecturer at Parsons School of Design from 1975 to 1995. The collection includes design drawings, exhibition files, scrapbooks, clippings, photographs, and audiovisual recordings of promotional campaigns, fashion shows and television commercials.

The collection consists of student work and records created or received by Joseph Marcella while studying in the Design Correlations Department (now Product Design) of Parsons School of Design from 1968 to 1970. In addition to project files for portable structures, underwater and outer space habitations, and a one-piece plastic chair, the collection includes materials documenting the first Earth Day observances at Parsons.

Collection contains watercolor renderings, sketches, technical drawings (ground plans, elevations and details), photographs, glass plate and acetate negatives, scrapbooks, set models and some related papers covering Urban's career in Vienna and New York as an architect, set designer, decorator and illustrator. There is a thorough representation of his New York career including his set designs for Florenz Ziegfeld (1915-1932) and the Metropolitan Opera (1917-1933). The collection also contains information on Urban's work for William Randolph Hearst as art director for Cosmopolitan Studios, his exhibitions including his 1921 Wiener Werkstätte store, and his many architectural projects. Biographical information and research gathered by Richard Cole and Randolph Carter including contributions from his daughter,Gretl Urban, and biographical notes and some letters from his widow, Mary Urban, are also present.

The Lucie Porges fashion design papers include biographical materials, fashion sketches, fashion illustrations and fashion photographs, and teaching records. It is of a primarily professional nature, with little documentation of Porges's personal life. The primary activities documented are Porges's fashion design work for Pauline Trigère and her teaching activities at Parsons School of Design.

Lyman Martin (1908-2003) graduated from Parsons School of Design in 1939 and joined Thedlow, an interior decoration firm. At Thedlow, Martin created interiors and watercolor renderings, and designed rugs and murals. In 1969, Martin became president of Thedlow, remaining until its closure in 1979. The collection includes student work, interior drawings, a travel diary, floorplans, photographs, clippings, and exhibition files.

A collection of more than 300 drawings and sketches. Notable are the 60 sheets of drawings made during his trip to Russia in the company of other western journalists. The major portion of the collection comprises the file of sketches and caricatures of leading personalities in public life and the arts made by Rosenberg from the 1920s to the 1950s, including those of Jane Addams; George Arliss; Max Baer; Theda Bara; Enrico Caruso; Feodor Chaliapin; Ina Claire; Walter Damrosch; Jack Dempsey; Elsie Janis; Beatrice Lillie; Groucho Marx; Mae Murray; Ezio Pinza; William Howard Taft; Peggy Wood; Israel Zangwill; and numerous other entertainers, sportsmen, politicians, and writers

The collection consists of eight notebooks kept by Mariette Cassels (1905-1993) while studying in the Paris Ateliers of the New York School of Fine and Applied Art (now, Parsons The New School for Design) in 1930-1931. Includes lecture notes, photographs, postcards, clippings and sketches of furniture and decorative moldings.

Eighteen original fashion illustrations donated by the menswear fashion magazine, DNR(Daily News Record). Sketches in the collection are executed in colored pencil, marker, and watercolors. Designers represented include John Rocha, Tommy Hilfiger, Nina Ricci, Claude Montana, Jose Levy, Paco Rabanne, Gilles Rosier, Joseph Abboud, and Olivier Strelli.

Michael Kalil (1943-1991) was an interior architect, philosopher, educator and artist, known for his innovative work with new materials and for humanizing digital technologies. From 1981 to 1991, he was the principal of Kalil Designs/Kalil Studio, a firm that specialized in high-profile commercial, prototype and theoretical, and residential design commissions. Kalil also served as an adjunct faculty member at the Parsons School of Design. The collection includes Kalil's personal and professional papers, including original artwork, sketchbooks, journals, photographs, project records, architectural drawings, photoprints and sketches, design prototypes, and posthumous materials.

Manuscripts of Mikhail I. Nilśkiĭ (probably a pseudonym), include a typescript memoir"Pobeg" (266 p.), which describes the author's experiences in Soviet labor camps. Also included are 40 short sketches, paginated consecutively, covering political prisons and camps and episodes from the lives of Soviet citizens, such as encounters with the NKVD, escape from the Nazis during World War II, and court trials.

Mildred Orrick (1906-1994) graduated from the New York School of Fine and Applied Art (later, Parsons School for Design) in 1928 and went on to a career as a fashion and costume designer and illustrator, and designed part of the Futurama exhibition at the 1939 New York World's Fair. Orrick was a visiting critic at Parsons from 1947 to 1962. The collection consists of Orrick's fashion and theater costume sketches, 1920s-1950s.

Contemporary engravings, lithographs, carte-de-visite photographs, and memorabilia; 20th century drawings and reproductions of portraits of Lincoln, his family, and his contemporaries. Among the portraits of Lincoln are a charcoal sketch by the sculptor Gutzon Borglum, lithographs by Currier and Ives, photographs by Mathew Brady and his studio. Memorabilia in the collection include bookends and sculptures, a dinner plate, a carved plaque, a reproduction of a death mask, a mourning ribbon, silk commemorative badges, and a hair ornament worn by Mrs Lincoln, in a leather-covered trinket box with the President's initials on it.