Herbert Sondheim (1895-1966), who lectured at Parsons School of Design in 1946, ran a dressmaking firm that produced affordable versions of Parisian high-end fashion. The collection consists of nineteen Herbert Sondheim, Inc. scrapbooks, most of which contain fashion sketches. Some books include sketches depicting work of other couture houses. Two books contain news clippings, photographs and correspondence from the mid-1940s.

The two fashion sketches, rendered in colored marker, were created by Hubert de Givenchy for Anna-Maria Kellen during the 1980s.

The collection consists of student work and related documents kept by Ina Dell Marvin (1893-1991) while studying in the Paris Ateliers of the New York School of Fine and Applied Art (now, Parsons School of Design). Includes class reference materials, clip books, correspondence, diploma, London itinerary, lecture notes, photographs and renderings of furniture, decorative pieces, and interiors.

This collection includes records from the Chinese Industrial Cooperatives (CIC, 工業合作社/工业合作社), China Aid Council (CAC, 美國援華會/美国援华会), and United Service to China (USC, formerly United Relief to China/URC, 美國援華聯合會/美国援华联合会/美國援華救濟聯合會/美国援华救济联合会). The records contain correspondence of individuals who participated in the cooperative and those associated with it; typewritten reports of sub-units to the parent organization; periodicals and other publications issued in Chinese by the three regional headquarters (the early ones are probably quite rare); publications in English by these headquarters and by American committees formed to aid in the movement; mounted photographs showing the work of the cooperatives and their leaders; albums of newspaper clippings on the movement, emanating from the U.S. and abroad; maps showing locations of cooperatives; pencil sketches and watercolors of cooperatives at work; and other material concerning this important organization which was largely responsible for China's ability to feed and clothe, and care for the people during the war.

In 1950, fashion designer James Galanos (1924- ) started Jimi Originals with Mary Scourby. The company only existed for a short time, but it was the first company to market Galanos' creations under his name. The collection consists of twelve Jimi Originals fashion sketches as well as invoices and notes. Galanos was a critic at Parsons School of Design from 1962 to 1968.

James Vinton Stowell graduated from the New York School of Fine and Applied Art (later, Parsons The New School for Design) in 1917 with an Advertising Design degree, and was employed by the school as a trade representive through the 1918-1919 academic year. The subject of the pencil sketch, titled "Portrait of 'Our Mr. Baker'," is Harry B. Baker, who taught life drawing at the school from 1915 until his death in 1941.

Ranging from the 1920s through the 1960s, this collection consists of files Jessica Rummel kept for her New York City-based interior decoration business, which operated during at least part of this period as Harding & Rummel, Inc. The files, which Rummel arranged, include small drawings, watercolors, site plans, and tracings of decorative elements, furniture, textiles, and interior layouts produced by Rummel in the course of her business. The collection also includes vendor literature, magazine and catalog clippings, postcards, price lists, and business correspondence. Rummel was on the faculty of the New York School of Fine and Applied Art (later, Parsons The New School for Design) in the Interior Architecture and Decoration Department from 1921 through 1934.

61 original drawings in various media on paper.

A leading figure in the development of American ready-to-wear clothing, John Weitz (1923-2002) created one of the first American signature menswear lines. Weitz was a visiting lecturer at Parsons School of Design from 1975 to 1995. The collection includes design drawings, exhibition files, scrapbooks, clippings, photographs, and audiovisual recordings of promotional campaigns, fashion shows and television commercials.

The collection consists of student work and records created or received by Joseph Marcella while studying in the Design Correlations Department (now Product Design) of Parsons School of Design from 1968 to 1970. In addition to project files for portable structures, underwater and outer space habitations, and a one-piece plastic chair, the collection includes materials documenting the first Earth Day observances at Parsons.