Susanne Schall née Oliven (1916-1999) was the daughter of librettist Fritz Oliven (“Ridemaus”). She left Berlin, Germany with her family in 1939 for Porto Alegre, Brazil and later immigrated to the United States. This collection consists of the personal papers of the Oliven, Schall, and Meyer families. Personal correspondence makes up the bulk of the collection. Other materials include biographical and autobiographical writings, wedding invitations and poems, obituaries, genealogical tables, notes, a few balance sheets, and a drawing.

Autograph manuscript poem "An Inscription On A Groto of Shells".

Thomas Tiplady (1882-1967), British Methodist hymnwriter and director of Lambeth Mission, London (circa 1922-1955). Annotated four volume manuscript of "Hymns from Lambeth" (1930) as presented to the Hymn Society of America in 1938; one volume of "Hymns and Prose," and one photograph of Tiplady in Lambeth.

Letters, manuscripts, printed ephemera and photoreproductions collected by Saffron. The collection reflects Dr. Saffron's two avocations: book collecting and the history of medicine. Of particular importance are three reels of microfilms of Hunterian manuscripts at the University of Glasgow Library. William Hunter (1718-1783) was a Scottish physician. In addition, there is an autograph signed manuscript by John Martyn titled "To the Author of the Grubstreet Journal" 1731-32; letters published in "The Grub-Street Journal" concerning Richard Bentley's edition of Milton; a letter from Stephen Phillips to [Sir Sidney Colvin]; and poetry of Emily Winthrop Miles

Records from the UB Student Poetry Prizes, which include the Academy of American Poets Prize, Friends of the University Libraries Undergraduate Poetry Prize, and the Dan Liberthson Poetry Prize.

These records contain the editorial, production and correspondence files of Grand Street, a New York literary quarterly founded by Ben Sonnenberg Jr. in 1981 and published through 2004. Throughout its two decades, Grand Street prided itself on nurturing authors and presenting a smart and eclectic mix of contemporary poetry, fiction, art and journalism. The bulk of this collection consists of annotated manuscripts, proofs and correspondence related to the magazine: featured writers include Anne Carson, Arthur Coleman Danto, Jonathan Franzen, Dennis Hopper, Ted Hughes, Norman Mailer, Susan Minot, Toni Morrison, Alice Munro, Orhan Pamuk, Salman Rushide, Edward Said and David Foster Wallace. Production files related to the magazine's operation are also housed within these records and these files include contracts, press and publicity files, design ideas and materials pertaining to Grand Street's attempts to rebrand itself as an online only magazine in the 2000s.

Letters from William Burroughs, Robert Creeley, Allen Ginsberg, and others concerning his poetry and translations and about their own lives. There are also a few poems and photographs.

Correspondence, manuscripts, memoranda, contracts, and miscellaneous material from the files of Don Congdon Associates, Inc., literary agency, dealing with the editing and publishing of American and English books, serial rights, reprints, dramatic rights, translations, foreign rights, promotion, and copyright restrictions. Select files pre-date the firm's establishment because some clients of Harold Matson Company, Inc. became clients of Don Congdon Associates, Inc. The cataloged correspondence include: Ray Bradbury, Lillian Hellman, William Manchester, William Shirer, William Styron, and Francois Truffaut.

American poet, translator and graphic designer. Haberman was instrumental in founding the American Poets' Corner at the Cathedral of St. John the Divine in New York City and was the Cathedral's first Poet-in-Residence (1983-1986).

Correspondence, manuscripts, and miscellany relating to the presentation of poems at a Shakespeare's Birthday Concert on 23 April 1972, by a number of British poets including W.H. Auden, C. Day Lewis, Robert Graves, and Stephen Spender. The collection consists primarily of correspondence with the poets involved; several manuscripts of poems both presented at and eliminated from the program; some business correspondence of the Globe Playhouse Trust and Calder and Boyars, Ltd., Publishers; and Hampton's notes.