Collection consists of Adele Mowton DuBreuil's diploma from the New York School of Fine and Applied Art (now, Parsons School of Design) in advertising display, a black and white photographic portrait of her after graduation, and 24 small, black and white photographic prints depicting her student graphic design work, 1917-1919. Most of the designs are advertisements for consumer goods; two are World War One propaganda posters.

Arthur J. Vidich (1922-2006) was a long-term member of the faculty at the New School for Social Research as a professor of Sociology (1960-1991). He published dozens of books, papers, and edited anthologies, notably Small Town in Mass Society: Class, Power, and Religion in a Rural Community (1958). This collection contains material documenting his teaching, writing, lectures, and other academic and professional work spanning his entire career. Included are correspondence with colleagues, friends, and presses; manuscript and typescript drafts of his writings; conference and lecture materials; subject files relating to his colleagues and personal life; and items pertaining to his teaching at the New School and other institutions, as well as his role as chair of the New School Sociology Department; photographs; and audio and video recordings of lectures, talks, and courses.

Bea Feitler (1938-1982) graduated from Parsons School of Design in 1959 with a degree in Graphic Arts and Advertising. She went on to a noted career as a designer of books, magazines, posters and more. Feitler served as art director for Harper's Bazaar and Ms. magazines; consulting art director for Condé Nast; and designer for Rolling Stone magazine. Professional work in this collection includes layouts, dummies, and other pre-press items. The collection also contains photographs and contact sheets by a number of the distinguished photographers with whom Feitler worked. Personal materials include mail art, correspondence, photographs, scrapbooks, ephemera, original drawings and collages.

Bob Adelman (1930-2016) studied photography with Alexey Brodovitch at The New School in the 1950s and became one of the photographers regularly documenting the life of the New School in the 1970s and 1980s. Adelman also taught at the school and was one of the most well-known photographers of the Civil Rights Movement. This collection consists largely of black and white photographic prints taken for the New School for Social Research. The collection also includes a small group of prints representing Adelman's work in documentary journalism, including photographs of Malcolm X and Martin Luther King, Jr., as well as photographs documenting life in New Orleans and Moscow, and the New York City Housing Authority.

Interior decorator Bruce Buttfield (1897-1969) made his mark in the 1930s by creating distinctive furniture and rooms. In 1931, he designed the interior of the original Whitney Museum building on Eighth Street in New York City. The collection includes photographs and color renderings of Buttfield interiors.

The collection consists primarily of course assignments in the form of a collage, presentation boards, photographs, and a watercolor rendering by interior designer Catherine Minkiewicz (1966) during her studies in Parsons School of Design's Interior Design Department.

Dan Arje (1923-1993) was a designer and display director for Bonwit Teller. The collection primarily consists of albums of photographs and news clippings about Arje's displays, and correspondence regarding his decorating work for the White House during the Kennedy and Johnson administrations, including decoration of the White House Christmas tree. Also present are materials about Bonwit Teller and Tiffany's designer Gene Moore.

Edith d'Errecalde (1905-2002) worked for Mainbocher in the 1940s and started her own sportswear firm, Maxmil, in 1951. Later d'Errecalde worked for Evan-Picone and as fashion director for Cohama (Cohn-Hall-Marx). The collection contains photographs, sketches, clippings, advertisements, press kits, correspondence, and notes for articles and lectures. D'Errecalde was a critic and lecturer at Parsons School of Design, 1969-1970.

Edward Wormley (1907-1995) is often cited as a top designer of American modernist furniture. Starting at the Dunbar Furniture Company at age 23, Wormley eventually became its sole designer and retained a partnership with Dunbar for over thirty years. Wormley taught at Parsons School of Design between 1952 and 1970. The collection includes photographs, slides, subject files, clippings, technical drawings, catalogs, and sketches.

After graduating from the New York School of Fine and Applied Art (later, Parsons School of Design) in 1936, Eleanor Horst (1892-1995) led a long career as an interior decorator. The collection includes photographs and slides of Horst projects, as well as numerous renderings of Horst designs, several by fellow Parsons graduate Lyman Martin.