Contains photos, slides, still images, and associated correspondence or memoranda documenting conferences, workshops, annual reports, people, balls, galas, and other events as well a limited volume of biographical files and alumni profiles.

From an early age, Laurance S. Rockefeller (LSR) was an avid photographer, and his photograph collection reflects this appreciation, along with the broad range of his activities and interests. The LSR Photographs collection is sorted into several component groupings, loosely based on format, storage location (home or office), or use (e.g., Photo Reference files), at the time his collection was arranged and catalogued.

LSR Photographs, RG 1, Photo Files contains the bulk of LSR's loose photographic prints from his home and his office, along with some albums and slides. RG 1 is a composite collection. It contains LSR's loose or "flat" photo files, but also materials that for various reasons were not included in the other collection components at the time the collection was organized. RG 1 encompasses personal and family photos, as well as photographic documentation of LSR's business and civic activities. The Rockefeller Family Office's Public Relations files on Laurance and Mary French Rockefeller have also been included as a series in RG 1. Similarly, the photographs and albums from the former Series 1009 Photos (LSR Family) are now interfiled with RG 1.

LSR's Slide Notebooks, contains slides from the late 1940s to the early 1980s, taken mainly by LSR. The slides consist primarily of travel photos, from Mary and Laurance's trips to the Caribbean, Africa, Europe, and the U. S., in the 1950s; as well as various images of family travel, activities, and homes (including Woodstock, VT; Pocantico; and, especially, Wyoming).

RG 4, LSR's Snapshot Files, contains LSR's personal photos, relating especially to his family, houses, friends and activities, travel, and resort developments. The Snapshot Files label reflects the smaller format of the prints (up to 5" x 7") and their grouping into discrete sets of prints and negatives, which are housed together in individual (and sometimes in their original) photo envelopes.

This record group consists of photographic records created, commissioned and compiled by The New School's Communications and External Affairs office. The prints, negatives, and digital image files largely cover the 1980s through the early 2000s. Includes images of campus facilities, faculty and administrators, Parsons School of Design classes, the Parsons fashion critics awards, commencement ceremonies, and guests on Inside the Actors Studio.

This record group documents the activities of the New School's Communications and External Affairs (CEA) office, one of the university's largest administrative units. CEA was the successor administrative unit to the New School Publicity Office, and the New School Communications Office, respectively. The bulk of materials here date from the late 1990s through 2013, and includes digital photographs, printed publicity samples, posters, and project files consisting of analog and digital records from the Design and Publications Office of CEA. Access is being provided to this partially processed record group. In the absence of a collection guide, please consult with an archivist for further details. Please note that requests for files stored on digital media will require extra time to access.

The School of Media Studies began as the Center for Understanding Media. Accredited through Antioch College, the program offered courses through the New School for Social Research. The New School formally absorbed Media Studies in 1975, after a four-year partnership. The records consist of curricula vitae, files, reports, syllabi, posters and other printed publicity materials, and student work.

The Parsons School of Design Alumni Association was incorporated in 1952 and continued until Parsons School of Design merged into the New School for Social Research in 1970. Records contain correspondence, financial records, minutes, photographic materials, printed materials, scrapbooks of clippings and subject files. Also includes documents generated by earlier alumni associations that the Alumni Association incorporated into its working files.

A collection of 4 x 5 inch color transparencies of work probably created 1970 through 1975 by Parsons School of Design students in the Communication Design, Environmental Design, Fashion Design, Fashion Illustration, General Illustration, and Graphic Design departments, including work that was exhibited in end of year shows and annual Society of Illustrators Scholarship Competitions.