Architectural drawings for buildings designed by Hamlin including proposed alterations for the Charles Dudley Warner House, circa 1885; pumping station Clear Stream (or Clear Stream Station), Long Island, 1886; American Classical School, Athens, Greece, 1886-1888; proposed cottage for Mrs. R. Hoe at Sea Cliff, Long Island, 1887; an addition to Clinton Hall at Blair Presbyterian Academy, Blairstown, New Jersey, circa 1896; Soldier's Monument, Whitinsville, Massachusetts, circa 1904 (Hamlin was the architect and Herman A. MacNeil was the sculptor); and miscellaneous and unidentified structures. Also included are drawings done by Hamlin while a student at the Massachusetts Institute of Technology, 1876-1877; sketches done by Hamlin on travels both in the United States and abroad, 1867-1923; photographs of various unidentified buildings and architectural drawings; manuscripts of "ARCHITECTURAL SHADES AND SHADOWS" with related drawings"History of American Art" (unfinished, in French), circa 1923, and "MODERN ARCHITECTURE AND THE CRITICS" circa 1923. Personal materials included undated photographs of A.D.F. Hamlin; a photograph of an 1835 portrait of Cyrus Hamlin; a volume containing condolences, 1926, on the occasion of A.D.F. Hamlin's death; and a scrapbook"Memoirs of Amherst, Class of '75" containing programs, invitations, clippings, notes, essays, exam questions, steamship passenger lists, and other materials.
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Alexander McMillan Welch architectural drawings and papers, 1886-1937 1,838 architectural drawings
Architectural plans and renderings of Welch's designs, largely New York City residences, circa 1890s-1920s; specifications; photographs; and brochures advertising buildings at 787 Fifth Ave., 628 Fifth Ave., and 71 and 73 Murray Street, in New York City. Drawings and a sketchbook done by Welch while a student; fourteen notebooks containing Welch's notes from Columbia classes in architecture, 1888-1890; licenses to practice in New York and New Jersey, 1904-1923; a certificate, 1937, and related correspondence relating to Welch's appointment as a U.S. delegate to the fourteenth International Congress of Architects, held in Paris, July 18-25, 1937. A list of U.S. delegates is included. Of note are drawings and papers for the restoration of the Dyckman House, an 18th century farmhouse in upper Manhattan (1910-1917); and the Mrs. Rutherford Stuyvesant Estate in Allamuchy, New Jersey, and the Rutherford Stuyvesant Momument in Tranquility Cemetery, Tranquility, New Jersey, designed by sculptor Daniel Chester French.
Manuscripts, photographs, drawings, watercolors, and printed materials relating to the mission of the American Relief Administration in Soviet Russia in the early 1920s, during the famine of those years. There are manuscripts by William N. Haskell (chief of the mission) and Alvin E. Blomquist based on their experiences. There are many photographs concerning the mission's work, and the famine; there are also photographs of Communist Party leaders Lev Kamenev, Maksim Litvinov, and Nikolai Semashko. The drawings and watercolors, which are by an undentified artist, are of Simbirsk.
Papers of Lobeck while he was in Paris as Assistant to the Chief Cartographer of the American Commission to Negotiate Peace. Included are memorabilia, some correspondence, several docuements, and some photographs. The correspondence consists of his letters of appointment from Robert Lansing, Secretary of State, and his postcards to his wife, Bertha Merrill Lobeck, who later joined him in Paris. There are official documents such as passports, Commission memoranda, identification cards, and passes. Of particular interest are sixteen photographs of persons and places in France, and one drawing and one caricature of Lobeck that he sketched. The collection, however, is chiefly memorabilia of Lobeck's crossing the Atlantic on the U.S.S. George Washington with the members of the Commission; over 700 picture postcards, with no messages, of the Lobeck's travels in France, Spain, Great Britain, and other European countries; railway, subway, and bus maps, schedules, and tickets; tourist maps; hotel and restaurant receipts and menus; money; ration coupons; and theater programs.
Barry Miles papers, 1958-1990, bulk 1965-1997 16 linear feet
Charles Alonzo Harriman visual materials, 1890-1925 1 cubic feet
Drawings, prints, watercolors, photographs, and reproductions, largely undated (late 19th- through the 20th century) of architectural and other subjects by Harriman, with some by others including Perry Coke Smith, Howard J. Custer, and unidentified artists and architects. Of note is an undated unidentified photograph of late 19th- or early 20th-century art or architecture students.
Additional materials include carbons of typescript correspondence of lectures given by Dean William A. Boring (academic year 1933-1934) and Professor Theodor Karl Rohdenburg (academic year 1946-1947). Also design problems, the earliest of which were given in conjunction with the Beaux-Arts Institute of Design, from academic years 1918-1919, 1926-1927, 1936-1937, 1949-1950, and 1957-1958. Also materials for the Architecture 51 class; correspondence of Joseph Hudnut; course outlines; correspondence relating to the search for a new dean of the school, 1957-1963.
Included are drawings--from preliminary sketches to finished renderings--done by students in the architecture program at the School of Mines at Columbia and, later, at the School of Architecture at Columbia. The bulk of these were done circa 1884-1912, during the tenures of Deans William Robert Ware (1881-1903) and A.D.F. Hamlin (1903-1912). Included in collection are student drawings by William A. Boring, Harry Allan Jacobs, Benjamin Wistar Morris, Jr., Julian Clarence Levi, Arthur Ware, Talbot Faulkner Hamlin, Leopold F. Arnaud, Perry Coke Smith, Theodor Karl Rohdenburg, and Aladar Olgyay. Also, drawings done by architecture students at the Massachusetts Institute of Technology, circa 1880s; a photograph, undated, of William Robert Ware; and one drawing, 1879, by architect Cass Gilbert.
Photographs and architectural drawings of Lienau's work, much of it in New York City and in New Jersey. Projects include the Gardner A. Sage Library for the General Theological Seminary in New Brunswick, N.J.; the Francis Cottenet Villa in Dobbs Ferry, N.Y.; a house for Legrand Lockwood in South Norwalk, Conn., later owned by Mark Twain and now known as the Lockwood-Mathews Mansion; and the Telfair Academy of Arts and Sciences in Savannah, Ga. Also included are drawings of unidentified or unexecuted buildings; student drawings, and early European commissions; lecture notes, 1835-1837, from the Stadtische Gewerbeschule, Berlin; a partial list of of Lienau's work, 1848-1886; specifications; acounts; printed material; photographs, postcards, and prints showing various European buildings; clippings; certificates; typescripts of articles; and correspondence.