The collection consists primarily of Gasler's 26-part manuscript memoirs (ca. 1,350 p.), which discuss his family, his military career, World War I, the emigration in France, and interwar Latvia. The collection also includes Gasler's service record and passport, several postcards, and several clippings.
The collection consists mostly of Iskander's memoirs, including a typescript entitled "Videnii︠a︡ proshlogo" (457 p.), which discusses his years in Turkestan during the Civil War. There are also several notebooks containing other memoirs by Iskander. In addition, there are clippings about him, and several photographs, including one of Iskander's father.
The collection includes correspondence, memoirs, organizational records, and printed materials. The correspondence -- which covers the 1923-1963 period -- concerns the activities of a number of emigre Cossack groups, scout groups and anti-Communist organizations throughout Europe, Canada and the United States. There is a two volume memoir written by P.P. Cherepanov, a member of the Tiflis Cadet Corps. The organizational records include accounts, membership lists, poems and songs, protocols and receipts, chiefly for the Tiflis Cadet Corps. Among the printed materials are issues of emigre and Cossack publications (such as "Bodrost,́" "Mikhaĭlovt︠s︡y" and "Rodimyĭ kraĭ") and ten folders of clippings about Cossack events and members. One of the scrapbooks contains guest lists of various events, clippings and photographs (including photographs from the filming of a 1920s production of "Khadzhi Murat"), while the other scrapbook has records of Cossack events and a number of original watercolors.
The papers consist primarily of the Kosatkin-Rostovskiĭ's memoirs. His manuscript memoirs (150 p.) discuss his life up to 1906. Her typescript memoirs (440 p.) discuss her childhood, career as an actress in St. Petersburg, 1917-1918 in Petrograd, and the emigration in France. Also included are his diary for June-July 1940; a few letters written to him; clippings of his newspaper articles (many signed with the pseudonym "Antar"); and a book with his poetry and with essays dedicated to him; "Krestnym putem k voskresenii︠u︡" (Paris, 1948).
The collection consists of correspondence, manuscripts, documents, subject files and printed materials. Although most of the correspondence is among family members (from 1921 to 1946), there are three folders of letters concerning the publication of Shebeko's memoirs. The manuscripts include Shebeko's diary from 1918-1919 as well as English, French and Russian versions of his memoirs which were published in French in 1936: "Souvenirs -- Essai historique sur les origines de la guerre de 1914." There are documents relating to rentals, mortgages and repairs of the Shebeko's homes, estates and apartments, primarily dating from 1910-1914. The subject files include Shebeko's reports on the Balkan situation in 1913 and 1914 and the Russkiĭ soedinennyi klub in Paris. Among the printed materials are clippings and a copy of the published version of Shebko's memoirs.
The collection contains Simonovich's correspondence, manuscripts, doucments, subject files, and printed materials. There are letters to Simonovich from a friend who had settled in Yugoslavia, A. S. Poplavskiĭ, and Belgian postcards from before World War I. Manuscripts deal with Simonovich's experiences in the Imperial army on the Caucasian front and in the White army under general Slashchev. There are also essays devoted to the Russian emigre colonies in Belgium and in France. The subject files concern the Belgian section of the Gallipolian Society (Obʺshchestvo Gallipolit︠s︡ev) and Russian emigre events in Belgium. The printed materials include chiefly miscellaneous journals and clippings, some with articles by Simonovich.
Correspondence, manuscripts, documents, photographs, subject files and printed materials of Simon Lissim. Among the correspondents are Aleksandr Benois, Mikhail Larionov, Georgiĭ Lukomskiĭ and Saveliĭ Sorin. There are many manuscripts by Lissim himself including the tests for a number of lectures and speeches, sections of his memoirs and essays on aesthectics. The documents include passports documenting his emigration from Russia to France and the United States, and several awards and certificates. There are many photographs of Lissim as well as dozens of photographic reproductions of his work, uncluding Lenox and Sèvres porcelain, textile designs, silver work and graphic arts. There are subjecxt files relating to two books for which he did the illustrations, and there are many folders of clippings documenting his career.
Correspondence, manuscripts, documents, photographs and printed materials of Unkovskiĭ. The correspondence includes letters from such individuals as Emile Baës, Vladimir Burt︠s︡ev, Nikolaĭ Evreĭnov, Galina Kuznet︠s︡ova, Boris Lazarevskiĭ, Alekseĭ Remizov, Ivan Shmelov, Boris Zaĭt︠s︡ev, and Leonid Zurov. Nearly all the manuscripts are by Unkovskiĭ, and include essays, stories, and excerpts from his memoirs, many of which were published in emigre journals. There are a number of scrapbooks containing clippings of his articles. In addition, the collection contains galleys of books by Unkovskiĭ, and copies of some of his full-length works, including "Ikary" (1942) and "Andreĭ Klinskiĭ" (1940).
