The collection consists primarily of Underwood's pen-and-ink designs for these articles, with manuscript captions and notes to the printer; and illustrations for children's stories which appeared in THE SUN, ca. 1905-1910, together with typescripts, proofs, and printed copies of the stories, several of which are by Underwood. The collection also includes correspondence relating to a projected series of costume designs for THE LADIES' HOME JOURNAL, a manuscript of a work on geography, and scrapbooks and clippings relating to these projects.

Architectural drawings for buildings designed by Hamlin including proposed alterations for the Charles Dudley Warner House, circa 1885; pumping station Clear Stream (or Clear Stream Station), Long Island, 1886; American Classical School, Athens, Greece, 1886-1888; proposed cottage for Mrs. R. Hoe at Sea Cliff, Long Island, 1887; an addition to Clinton Hall at Blair Presbyterian Academy, Blairstown, New Jersey, circa 1896; Soldier's Monument, Whitinsville, Massachusetts, circa 1904 (Hamlin was the architect and Herman A. MacNeil was the sculptor); and miscellaneous and unidentified structures. Also included are drawings done by Hamlin while a student at the Massachusetts Institute of Technology, 1876-1877; sketches done by Hamlin on travels both in the United States and abroad, 1867-1923; photographs of various unidentified buildings and architectural drawings; manuscripts of "ARCHITECTURAL SHADES AND SHADOWS" with related drawings"History of American Art" (unfinished, in French), circa 1923, and "MODERN ARCHITECTURE AND THE CRITICS" circa 1923. Personal materials included undated photographs of A.D.F. Hamlin; a photograph of an 1835 portrait of Cyrus Hamlin; a volume containing condolences, 1926, on the occasion of A.D.F. Hamlin's death; and a scrapbook"Memoirs of Amherst, Class of '75" containing programs, invitations, clippings, notes, essays, exam questions, steamship passenger lists, and other materials.

Correspondence files of Dr. Adolph S. Oko. The bulk of the correspondence is from Dr. Carl Gebhardt (1881-1934), with a large group also relating to a campaign to raise money for the Domus Spinozana. Present are a number of typescripts of articles and an extensive life of Spinoza. There are a few personal items, but practically all correspondence and manuscripts relate in some measure to Spinoza. Also, nine boxes of clippings relating to Spinoza, a duplicate set of cards for the Spinoza Collection used by G.K. Hall in publishing SPINOZA BIBLIOGRAPHY, the personal cardfiles of Oko and Gebhardt, and one box of Oko bookplates.

The papers of the American cartoonists for The New Yorker (1926-1974) include correspondence (letters from John Taylor Arms, Peggy Bacon, Isabel Bishop, Warren Chappell, Eric Hodgins, and Alan Watts); cartoons and drawings; exhibition catalogs; notebooks; business files and financial records; and memorabilia, including clippings, photographs, and scrapbooks. .

Albert Schweitzer Fellowship Records includes Albert Schweitzer Fellowship Records (office files, board of directors records, financial records, programs and projects, and publications); Albert Schweitzer Hospital records (communications, medical reports, publications, hospital construction including photographs, blueprints, and financial records, U.S. A.I.D. grant, subject files); Association internationale de l'Hôpital Albert Schweitzer (communications, subject files, publications); Albert Schweitzer Center records (communications and publications); Schweitzer Memorabilia (Albert Schweitzer documents, Helene Schweitzer documents, Schweitzer-related materials, material by and about Schweitzer in various languages). Correspondents include Erica Anderson, Theodor Binder, Jorge Bird, Julius Seelye Bixler, E. Gaine Cannon, Frank Catchpool, Norman Cousins, A.R.T. Denues, Lee and Dottie Ellerbrock, Ford Foundation, Maurice Frey, Lawrence Gussman, Hermann Hagedore, Jerome Hill, Homer A. Jack, Charles Joy, George T. Keating, Reinhard N. Lahde, Leif Erikson Foundation, Charles Lowe, Hans Margolius, Emmy Martin, Louis Mayer, William Maul Measey, William Larimer Mellon, Joseph F. Montague, Edouard Nies-Berger, Simon Obame-Bikoro, Leslie Paffrath, Laura Person, R.P. Dominique Pire, Fergus Pope, Thomas D. Rees, Myrta Ross, Ali Silver, Ruth Sloan, Keith Smith, Isaac N.P. Stokes, Margaret S. Tenbrinck, Paul Dudley White, Andre Wick, V. McKinley Wiles, and Elizabeth L. Young.

A collection of three albums containing poetry and drawings, many by the Russian poet Mikhail Iur'evich Lermontov.

A collection of three albums containing poetry and drawings, many by the Russian poet Mikhail I. Lermantov. Album 1, 1808-1822, belonged to Elizaveta Arkadievna Annenkova-Vereshchagina. It contains poems by Russian and French poets. Some of the verses by Russian poets are copies; others are autographs. Many poems have penciled annotations identifying the poets who wrote them. These notes were added at a later date and their accuracy can not be trusted. In addition to verses, this album contains numerous drawings, none of which have been attributed to or identified as works of Lermontov. Other poets whose works are identified include N. Vakhrameev, Ivan Dmitriev, Dawidoff, A. Guselnikov, Zhukosky, Popov, Vasily Kapnist, Princess Nadzhda Golitsnya, and S. Martinoff.

Papers of the English occultist and author. Correspondence, incoming and outgoing, with Frieda Harris, Cordelia Sutherland, and others; handwritten and typescript essays, poems, and notes; drawings, and printed advertisements.

Filipino poet, writer, librarian and teacher. Collection contains correspondence, artwork, galleys, manuscripts, printed material.

Alexander McMillan Welch (1869-1943) was a New York City based architect who practiced independently and as a member of Welch, Smith & Provot. His firm was best known for designing New York City townhouses in the Beaux-Arts style. The collection includes 1,641 architectural drawings, 196 student drawings, 14 student notebooks, 99 loose photographs and 3 photo albums of project photography, project specifications and files, and some professional ephemera.

Architectural plans and renderings of Welch's designs, largely New York City residences, circa 1890s-1920s; specifications; photographs; and brochures advertising buildings at 787 Fifth Ave., 628 Fifth Ave., and 71 and 73 Murray Street, in New York City. Drawings and a sketchbook done by Welch while a student; fourteen notebooks containing Welch's notes from Columbia classes in architecture, 1888-1890; licenses to practice in New York and New Jersey, 1904-1923; a certificate, 1937, and related correspondence relating to Welch's appointment as a U.S. delegate to the fourteenth International Congress of Architects, held in Paris, July 18-25, 1937. A list of U.S. delegates is included. Of note are drawings and papers for the restoration of the Dyckman House, an 18th century farmhouse in upper Manhattan (1910-1917); and the Mrs. Rutherford Stuyvesant Estate in Allamuchy, New Jersey, and the Rutherford Stuyvesant Momument in Tranquility Cemetery, Tranquility, New Jersey, designed by sculptor Daniel Chester French.

Papers of the Italian-American painter, muralist.

The collection of D.H. Lawrence material contains two book-length manuscripts, the typescripts of Sea and Sardinia and The Boy in the Bush, both with manuscript corrections in Lawrence's hand. The typescript for The Boy In The Bush is probably the manuscript from which the book was printed. Other Lawrence manuscripts include "The Future of the Novel," and Chapter 13 of Aaron's Rod. Correspondents include Thomas Seltzer, Johathan Cape, Mrs. Nancy Henry, and Lady Ottoline Morrell. The collection also contains three watercolor drawings made by Lawrence for the jacket of the English edition of The Plumed Serpent. Related printed material is also included. The John Steinbeck material is comprised of one letter, and proofs for thirteen of Steinbeck's works, including East Of Eden and Of Mice and Men. Also included are a printed biography and photographs, and printed ephemera relating to many of Steinbeck's works. There are books inscribed to Alfred and Clarisse Hellman. This collection also contains some correspondence of Alfred Hellman and some letters collected by Dr. Morton Pepper.

Correspondence, manuscripts, printed materials, and a photograph concerning his friendship with and scholarly interest in Hart Crane, H.P. Lovecraft, and Samuel Loveman. There are 55 letters from Samuel Loveman, 3 from John Unterecker, and 4 from Brom Weber, and other correspondence about Crane. There are also several Loveman poetry manuscrip]ts and his photograph, as well as printed articles and interviews about Crane

Papers of Allen Ginsberg, American poet and one of the founders of the beat generation. The collection contains correspondence, manuscripts, and publications created by Ginsberg and his associates. Note that the main body of Ginsberg's papers is found at Stanford University.

Journals kept aboard the U.S.S. Delaware and the U.S.S. Dolphin during tours of the Mediterranean, West Africa, and South America, including drawings and watercolors.

Correspondence, diary, expedition journal, financial material, scientific notebook and sketches, photographs, published material, including articles and newspaper clippings, and scrapbooks. Correspondence (1854-1902) includes that of Alexander Agassiz, Charles E. Beecher, E.D. Cope, James D. Dana, J.S. Diller, G.K. Gilbert, G. Brown Goode, Asa Gray, Robert T. Hill, Anna Hyatt Huntington, Hyatt’s father, Alpheus Hyatt, Audella Beebe Hyatt, Jules Marcou, Harriet Randolph Hyatt Mayor, A.S. Packard, Charles Schuchert, and Charles Walcott.

The American Book Company was formed in 1890 by consolidation of Van Antwerp, Bragg and Co., A.S. Barnes and Co., D. Appleton and Co., and Iveson, Blakeman and Co. The collection includes the records of the company which manufactured books and educational materials in several locations in the United States, with head offices in New York City; the book list embraced all subjects at all educational levels. The collection is primarily textbooks, including several editions as far back as 1840 of the McGuffey readers; also included are business records and illustrations.

Papers of the American Bureau for Medical Aid to China consist of correspondence, memoranda, reports, minutes, committee files, membership records, financial records, fund raising records, motion pictures, audio tapes, phonograph records, photographs, posters, publications of ABMAC and other printed materials. Also included are the files of related Chinese relief organizations: Aid Refugee Chinese Intellectuals, 1954-1969; American Emergency Relief, 1941-1946; United Services to China, 1941-1977. Of particular interest are approximately 6,000 photographs of Chinese medical colleges, hospitals, laboratories and personnel and 45 phonograph records including speeches by such ABMAC supporters as Mme. Chiang Kai-Shek, Pearl S. Buck, Wendell Willkie, Fiorello LaGuardia and a number of movie stars

Manuscripts, photographs, drawings, watercolors, and printed materials relating to the mission of the American Relief Administration in Soviet Russia in the early 1920s, during the famine of those years. There are manuscripts by William N. Haskell (chief of the mission) and Alvin E. Blomquist based on their experiences. There are many photographs concerning the mission's work, and the famine; there are also photographs of Communist Party leaders Lev Kamenev, Maksim Litvinov, and Nikolai Semashko. The drawings and watercolors, which are by an undentified artist, are of Simbirsk.

Collection contains pencil drawings of comb designs presumably drawn by George and/or Samuel Amorosi; bound volume of photopies of sketches; and 2 photographs, of George Amorosi and Samuel Amorosi.

Manuscripts, proofs, and printed editions of Scheinfeld's books on human heredity, YOU AND HEREDITY, WOMEN AND MEN, and THE NEW YOU AND HEREDITY. Sketches and line drawings used as illustrations in the books are included. Also, manuscripts and clippings of his magazine articles; many examples of his comic strips, including "Dixie Dugan;" and correspondence and financial documents about his works.

The collection consists of manuscripts, documents, correspondence, and printed materials.

Collection of paintings, drawings, collages, and other mixed media work made by Andrew C. Johnstone

This collection contains papers, documents, publications, ephemera, sound and video recordings, photographs, and artwork primarily created by, given to, or related to Angus MacLise and Hetty MacLise.

Papers of the American painter. Collection includes correspondence (1932-1969); artwork, and printed material, including articles, clippings, and exhibition catalogs.

The Archimedes Russell Collection comprises architectural drawings and other materials related to his professional life as an architect.

The Arlington T. Hardell Papers contains notes from his high school and college years.

Papers of Lobeck while he was in Paris as Assistant to the Chief Cartographer of the American Commission to Negotiate Peace. Included are memorabilia, some correspondence, several docuements, and some photographs. The correspondence consists of his letters of appointment from Robert Lansing, Secretary of State, and his postcards to his wife, Bertha Merrill Lobeck, who later joined him in Paris. There are official documents such as passports, Commission memoranda, identification cards, and passes. Of particular interest are sixteen photographs of persons and places in France, and one drawing and one caricature of Lobeck that he sketched. The collection, however, is chiefly memorabilia of Lobeck's crossing the Atlantic on the U.S.S. George Washington with the members of the Commission; over 700 picture postcards, with no messages, of the Lobeck's travels in France, Spain, Great Britain, and other European countries; railway, subway, and bus maps, schedules, and tickets; tourist maps; hotel and restaurant receipts and menus; money; ration coupons; and theater programs.

Papers of the American industrial designer; professor, Syracuse University. Office records for Pulos Design Associates, Inc., including correspondence, drawings, photographs and slides for jobs for various clients.

The collection contains 26 letters by Rackham and nine Christmas cards either specially designed by him or incorporating designs made for his books. Letters to Rackham's biographer, Derek Hudson, from Winifred Wheeler, daughter of Walter Freeman, a friend who started Rackham on his commercial career. The manuscript notebooks, galley proofs, and a printed copy of Hudson's ARTHUR RACKHAM: HIS LIFE AND WORK are included. Also, notes, drafts, and miscellaneous material relating to the Arthur Rackham catalog published by the Friends of Columbia University Libraries in 1967. In addition, the library has a collection of 413 Rackham drawings, watercolors, and oil paintings, 30 sketch books, and about 400 printed books and ephemera.

Correspondence, manuscripts, diaries, commonplace books, drawings, photographs, and printed materials. The collection is a comprehensive documentation of the dramatist's career and includes manuscripts, typescripts, notes, and costume and scenic design for more than seventy of his plays and related writings; 31 diaries, commonplace books, and scrapbooks containing manuscript and typescript notes, travel sketches, original drawings, and photographs; and correspondence files including letters from Harley Granville-Barker, Sir Herbert Beerbohm-Tree, John Galsworthy, Booth Tarkington, and Thornton Wilder. Austin Strong's mother, Isobel Field, was the step-daughter of Robert Louis Stevenson. Consequently, the collection contains much Stevensoniana, including photographs and Isobel Field's letters from Western Samoa, where she was known as "Teuila." Also, correspondence and photographs relating to Cornwall Park, Auckland, New Zealand, which was designed by Austin Strong.

Papers of the American architect. Died 1966. Architectural drawings and designs, photographs and slides, material relating to bridge design, articles by and about Embury.

pen and ink sketch of women with babies

The Barry Miles Papers contains correspondence, manuscripts, photographs, and printed materials concerned with Miles' literary activities in the London counterculture. Included are letters and manuscripts from William S. Burroughs and Allen Ginsberg, among numerous others. This collection also includes material used by Miles in the research and writing of his work Ginsberg: A Biography as well as from his editorship of the annotated edition of Ginsberg's Howl.

Papers of the American Jewish painter, lithographer, etcher, illustrator, sculptor.Born in Russia. Correspondence (1911-1962), including a series of letters (1936-1958), some in scrapbook form, by Kopman to his art dealer, G.D. Thompson; manuscript poems, and prose, some in Yiddish; legal and financial papers; sketches; and photographs of Kopman's work and his family. Incoming letters, arranged alphabetically, include those from the Art Institute of Chicago, David Burliuk, the Federal Art Project, Rockwell Kent, Katharine Kuh, the Metropolitan Museum of Art, the Museum of Modern Art, Clifford Odets, the Pennsylvania Academy of the Fine Arts, the Phillips Memorial Gallery, Hugo Robus, Frederic F. Sherman, Raphael Soyer, the Whitney Museum of American Art, and Carl Zigrosser.

Three sketchbooks; the first, 1893-1894, containing sketches from his student years at the Columbia School of Mines, Department of Architecture (he received his degree in 1894); the second, 1894-1896, containing sketches made as a student at the Ecole des Beaux-Arts in Paris; and the third, circa 1896-circa 1905, containing sketches for a variety of projects and designs. Buildings and other structures depicted include the Academy of Music on 14th Street, New York City (a seating plan); Wells Fargo Bank Building, Portland, Oregon, 1910; Reunion Hall, Princeton University, 1902; lantern for the Aetna Building, Hartford, Connecticut; Woodland Street entrance to Kinney Park, Hartford, Connecticut, 1905 (some drawings are by others). Program notes from the classes of Paul Blondel and J. Gaudet at the Ecole des Beaux Arts are included. Also, designs (some done in partnership with Joseph Urban) for proposals for the Metropolitan Opera Company on various sites in New York City, circa 1920s; and designs for shopping and music centers in New York City, to 1936.

The Benson John Lossing Collection is an assortment of correspondence, drawings, writings, and memorabilia relating to the 19th century historian, illustrator, and editor of The American Historical Review (1813-1891). Predominantly correspondence, the collection centers around Lossing's information gathering for his popularizations of American history, while it also illuminates the early publishing industry in the United States.

Papers, photographs, and media related to Bettye Caldwell's research and professional work in the field of childhood development

709 editorial cartoons drawn for the Newark News and the Newspaper Enterprise Association and 5 magazine illustrations.

Correspondence regarding the production of the plays INTIMATE STRANGERS and MAGNOLIA by Tarkington. There are twelve holograph letters, one detail sketch for a costume, and one page of manuscript and one page of typescript notes by Tarkington as well as thirteen telegrams sent by him. The letters and telegrams are all addressed to Mr. Ira A. Hards, director of the plays. In addition, there are copies of seven telegrams by Hards and one by the producer, A.L. Erlanger, all but one of which are addressed to Tarkington. Also, carbon copies of four letters from Hards and Erlanger to Tarkington, two items concerned with book production and dramatic rights of THE INTIMATE STRANGERS and one theatre program.

Collection contains six original pen and ink illustrations by American sculptor Brenda Putnam, done for an edition of John Bunyan's Pilgrim's Progress adapted for children by Edgar White Burrill.

Papers of the American sculptor and medalist. Died 1975.

Sketches, drawings, notes, galleys and a set of limited-edition lithographs related to the production of Buckminter Fuller's TETRASCROLL: Goldilocks and the Three Bears, A Cosmic Fairy Tale.

Pollard's architectural drawings for churches, and residential and commercial buildings, located largely in New York and New Jersey, many undated, circa 1830s. Included are drawings for St. Paul's Protestant Episcopal Church, Petersburgh, Va., built, 1838, and destroyed in a fire, 1854; a prison, probably submitted by Pollard to the 1835 competition for the New York Hall of Justice. Also, a broadside, undated, describing the projected Washington Monument, New York City; a letter Pollard from Charles C. Taber, 1850, describing his plans for four houses on three adjacent lots on 25th Street, with sketched plans on verso; and two trade cards of C. Pollard's Ohio Fire Proof Mineral Paint attached.

This collection contains correspondence, manuscripts, notes, research materials, theses, course materials, subject files, printed matter and photographs, 1957-1985, pertaining to American economist, Carlos Federico Diaz Alejandro.

Drawings, prints, watercolors, photographs, and reproductions, largely undated (late 19th- through the 20th century) of architectural and other subjects by Harriman, with some by others including Perry Coke Smith, Howard J. Custer, and unidentified artists and architects. Of note is an undated unidentified photograph of late 19th- or early 20th-century art or architecture students.

Original daily and Sunday cartoons from the newspaper comic strip The Lone Ranger (1966), correspondence (1935-1967), original drawings and sketches, published material, and original typed continuity script from Fran Striker.

Papers of the American author, illustrator, novelist, painter, poet. Correspondence (1916-1963); manuscript drafts of writings and poetry with original drawings by Shaw; exhibition catalogs; photographs; and scrapbooks of magazine articles and clippings compiled by Shaw of his and his friends' work (1921-1935). Incoming correspondence includes that of Josef Albers, Ruth Chatterton, George Gershwin, Sinclair Lewis, H.L. Mencken, George Jean Nathan, The New Yorker, Maxwell Perkins, Smart Set, Deems Taylor, and Monty Woolley.

Drawings and maps, with related clippings, showing proposals for traffic routes; railway and ship terminals; boulevards and streets; buildings; public spaces; bridges; and other projects, located mostly in Manhattan, with some in Brooklyn. Also, a rendering by Jacob Wrey Mould of the Church of the Pilgrims, Brooklyn, New York, is included.