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Collection
Strong, Austin, 1881-1952

Correspondence, manuscripts, diaries, commonplace books, drawings, photographs, and printed materials. The collection is a comprehensive documentation of the dramatist's career and includes manuscripts, typescripts, notes, and costume and scenic design for more than seventy of his plays and related writings; 31 diaries, commonplace books, and scrapbooks containing manuscript and typescript notes, travel sketches, original drawings, and photographs; and correspondence files including letters from Harley Granville-Barker, Sir Herbert Beerbohm-Tree, John Galsworthy, Booth Tarkington, and Thornton Wilder. Austin Strong's mother, Isobel Field, was the step-daughter of Robert Louis Stevenson. Consequently, the collection contains much Stevensoniana, including photographs and Isobel Field's letters from Western Samoa, where she was known as "Teuila." Also, correspondence and photographs relating to Cornwall Park, Auckland, New Zealand, which was designed by Austin Strong.

Collection
Le Maire, Charles
Charles Le Maire (1897-1985) began his costume design career in vaudeville shows of the 1920s. He later served as executive designer at Twentieth Century-Fox. In the 1950s, Le Maire formed his own business from private commissions and film work, earning thirteen Oscar nominations and three Oscars for Best Costume Design. The collection contains seventeen Le Maire sketches, including work for the Earl Carroll Vanities (1924-1930).
Collection
Brooks, Donald, 1928-
Donald Brooks (1928-2005) was a prominent American fashion designer who, in addition to creating ready-to-wear collections and custom apparel, designed costumes for film, television, and theater. He taught at Parsons School of Design for approximately forty years. The collection includes photographs, publicity materials, and original fashion and costume design sketches.
Collection
Dean, Ethel
The collection includes class notes and a clipbook of decorative styles compiled by Ethel Epstein (who later used the surnames Dean and Evans) when she attended the New York School of Fine and Applied Art (later Parsons School of Design) in the Interior Architecture and Decoration Department, around 1925. Also includes textile samples, circa the 1950s, and costume designs for the Broadway play "The Laughing Woman" (1936).
Collection
Geck, Francis J., 1900-
Francis Geck (1900-2005) graduated from the New York School of Fine and Applied Art (later, Parsons School of Design) in 1924 and taught interior design at the school's Paris Ateliers until 1927. In 1930, Geck became a professor of fine arts at University of Colorado, where he taught for 39 years. The papers contain correspondence with Parsons administrators, design sketches and student work, publications, and course materials.
Collection
Orrick, Mildred
Mildred Orrick (1906-1994) graduated from the New York School of Fine and Applied Art (later, Parsons School for Design) in 1928 and went on to a career as a fashion and costume designer and illustrator, and designed part of the Futurama exhibition at the 1939 New York World's Fair. Orrick was a visiting critic at Parsons from 1947 to 1962. The collection consists of Orrick's fashion and theater costume sketches, 1920s-1950s.
Collection
Cunningham, Bill, 1929-2016
Norman Norell (1900-1972) was the first American fashion designer to compete successfully with French couture. In 1943, he received the first Coty American Fashion Critics Award, and was inducted into the Coty Hall of Fame in 1956. Norell served as a visiting critic at Parsons School of Design from 1943 to 1972. The collection includes biographical material, clippings, sketches, photographs, scrapbooks, and five examples of Norell's clothing.
Collection
Driscoll, Raymond
With a career that spanned the 1930s to the 1960s, Raymond Driscoll (1915-2004) was perhaps most widely known for his annual best and worst-dressed lists. He also gained recognition for his costume designs for Mexican film stars. The collection consists of Driscoll's scrapbook of photographs, clippings, invitations, and greeting cards from celebrities documenting his work in the 1940s and 1950s, as well as original fashion sketches.