The papers of Alexander F. Osborn, founder of Batten, Barton, Burstine and Osborn, and the Creative Education Foundation consist primarily of his professional activities.

Arthur Waldeck (1899-1965) was a New York-based voice teacher. The collection consists of Waldeck's letters to and from renowned music theorist Heinrich Schenker (1868-1935), as well as Waldeck's translations into English and heavily annotated copies of Schenker's works, written and published in German.

This collection of records document the institutional history of the Center for US-China Arts Exchange, established in 1978. Under the directorship of professor and renowned composer Chou Wen-chung, the Center is a not-for-profit organization that connected arts professionals from the US and China through a spectrum of curated programs, conferences, and research trips. Bulk dated between 1977 and 2003, materials in this collection consist of correspondence, reports, photographs, printed materials, as well as audiovisual items. The collection serves as important material evidence that help to tell the recent history of cultural communications among individuals and organizations across the Pacific.

The Chen Lifu papers (陳立夫檔案) mainly document his involvement in Chinese politics during the Republican era, dating from 1926 to 1989, with the bulk dates from 1926 to 1951. The papers consist of correspondence, portrait, meeting documents, reports, plans, speeches, writings, memoir, and printed materials. The papers focus on Chen Lifu's political career as the Head of the Central Bureau of Investigation and Statistics and the Minister of Education, as well as his general involvement in politics dating from 1926 to 1949.

The Dalkey Archive Press publishes Review of Contemporary Fiction, Context, and a wide range of contemporary fiction by both American and foreign writers. While the records consist primarily of editorial and production files, they also include correspondence, financial reports, strategic plans, and printed materials such as the Press' books, brochures, catalogs, and literary journals. Digital materials are currently being processed and are not yet available to researchers.

The Dan Talbot Papers document the business operation of the New Yorker Films, an independent film acquisition and distribution company, dating from 1960s to 2008, as well as movie theaters in the Upper West Side Manhattan which he operated, dating from 1960 to 2007. It is of particular relevance to New Yorkers as the Talbots operated the New Yorker Theater, Cinema Studio, Metro, and Lincoln Plaza Cinemas, on the Upper West Side, as popular venues to view independent and foreign films.

Emil Antonucci (1929-2006) was a New York-based artist, graphic artist, book designer, illustrator, publisher, and teacher. This collection contains artwork and design project materials relating to his freelance design and artistic career. Dating from the 1950s through the 2000s, materials in the collection include original artwork; design proofs and layouts; book and magazine interiors, illustrations, mechanicals, and Antonucci's writings. Included in this collection are items pertaining to the poetry of Robert Lax, whose poetry Antonucci published on his letterpresses, The Hand Press and Journeyman Press. Finally, a number of audio recordings of Antonucci's sound art and Lax's poetry readings are contained herein.

For over six decades, Eugene G. Wanger created or collected the materials about capital punishment that comprise the Eugene G. Wanger and Marilyn M. Wanger Death Penalty Collection. The collection includes a wide range of materials on the death penalty documenting its history, efforts to abolish or reinstate the practice, its psychological impact, compatibility on religious, moral or ethical grounds, and its operation.

Correspondence with fellow coin collectors, coin dealers, friends, family members, and numismatic groups, and notes on coin sales.

The Lawrence A. Cremin Papers document the career and personal life of Lawrence Arthur Cremin, educational historian and seventh president of Teachers College, Columbia University (1974-1984). Cremin was an acclaimed historian of American education whose work framed the formal school as one of many institutions responsible for educating children. The collection includes records of his teaching and administrative work at Teachers College, manuscripts and published works by Cremin, and personal and professional correspondence.