Two volumes of papers and documents relating to the activities, history, and genealogy of the Gonzalez-Prada family, containing over 500 manuscript leaves, ca. 1750-1850. Many of the papers are official in nature, consisting of reports from lower provincial officials to the Captains General and to the Royal Governors. There are a number of royal communiques from Spain, some of which bear the seal of Charles IV or Ferdinand VII. In addition to these manuscripts there is a typescript and some printed material containing an account of the Gonzalez-Prada family and its origins with biographical notations.
Correspondence, manuscripts, journals, documents, subject files, photographs, memorabilia, and printed matter. The collection includes Pillionnel's routine correspondence, manuscripts in French and English of his poems, plays and prose works, many of which are unpublished, and his "Journal Intime" which covers the period 1932-1972. Included is an oil portrait of Pillionnel by his friend Peter Hayward. One document folder contains Pillionnel family records (birth certificates, baptismal records, passports) from the late eighteenth and nineteenth centuries
Correspondence, manuscripts, documents and printed materials of Tomilin. There are several letters from Georgiĭ D. Grebenshchikov. The manuscripts--all of which are by Tomilin--include essays, stories and autobiographical writings chiefly devoted to his career as a teacher in Russian and Soviet institutions as well as in DP camps following his emigration to Germany in 1945. The collection also includes his birth certificate and such printed materials as poems by Tomilin, an essay by his wife and a copy of "Luch" (Salzburg, 1954).
Correspondence, playscripts, screenplays, scenarios, short stories, and other manuscripts, drafts, photocopies, contracts and other documents, tearsheets, clippings, and other materials relating to his career as a screenwriter, playwright, and author of short stories. Correspondence with friends, students, admirers, and professional colleagues concern his teaching, playwriting, films, articles, photography, and literary topics. There are also two groups of letters from students and readers about his textbook, "The Human Nature of Playwriting" (1949). Among the cataloged correspondence are William Gibson, MacKinlay Kantor, Anna Louise Strong, Louis Untermeyer, and Carl Van Doren. Included are manuscripts, drafts, or photocopies of almost all his films, plays, and short stories, such as playscripts and drafts of his plays, "The Jazz Singer" (1922), "Skylark" (1939), "Jason" (1942), and others; screenplays and scenarios, many in photocopy, of "Trouble in Paradise" (1932), "The Merry Widow" (1934), "The Shop Aroung the Corner" (1940), "Suspicion" (1941), "Heaven Can Wait" (1943), and many other films; and manuscripts, drafts, tearsheets, and printed copies of his short stories and articles of film and television criticism. There are also many clippings and reviews, programs, and other printed materials about his plays and films.
