Correspondence, scripts, manuscripts, and reports regarding his activities in the American radio and film industries. Included are papers regarding projects for the United State Government, the Indian film industry, various television and radio networks, and private ventures. Also included is material regarding the Center for Mass Communications of Columbia University, in which Barnouw figured prominently and files for the books he has written.

Correspondence and manuscripts of many authors who were asked to contribute to the proposed anthology, as well as letters from publishers to whom the project had been offered. Among the cataloged correspondents are: John Ashbery, W.H. Auden, Lawrence Ferlinghetti, David Ignatow, W.S. Merwin, Ron Padgett, and May Sarton.

Correspondence, manuscripts, and documents gathered by Carpenter in writing his W.H. AUDEN: A BIOGRAPHY, including correspondence and recollections of Auden from friends and acquaintances, and the typescript of Carpenter's first draft of the book. Correspondents include Sir Cecil Beaton, Sir Isaiah Berlin, Christopher Isherwood, Sir Peter Pears, Frederick Prokosch, Sir Sacheverell Sitwell, and Stephen Spender.

The correspondence, research, and teaching files of French-American cultural historian and Columbia University professor emeritus Jacques Barzun (1907-2012).

The collection consists of the editorial and production archives of Random House, Inc. from its founding in 1925 to the 1990s. The correspondence and editorial files include many of the prominent novelists and short story writers from 20th-century American and European literature: Saul Bellow; Erskine Caldwell; Truman Capote; William Faulkner; Sinclair Lewis; André Malraux; Gertrude Stein and Thornton Wilder. Among the poets there are files for W. H. Auden; Allen Ginsberg; Robinson Jeffers; Robert Lowell; and Stephen Spender. In the area of theater there are files for Maxwell Anderson; Moss Hart; Lillian Hellman; Eugene O'Neill; and Tennessee Williams. Random House transacted business with many fine presses and noted typographers and the archives contain files for Nonesuch Press, Grabhorn Press and Golden Cockerel Press, as wll as for Bruce Rogers, Valenti Angelo, and Edwin, Jane, and Robert Grabhorn.

Correspondence, manuscripts, audio cassettes, photographs, and printed materials. The correspondence covers the years 1934 through 1999 and consists mostly of letters to and from James L. Weil, whose Elizabeth Press was Bronk's publisher from 1969 to 1981, from Eugene Canadé, an artist who illustrated many of Bronk's books, from Bronk's sisters, and from many friends. There are also letters from W.H. Auden; Paul Auster, Cid Corman (Bronk's first publisher and founder of ORIGIN, the magazine in which many of Bronk's early poems first appeared), Robert Creeley, Samuel French Morse, Gilbert Sorrentino, and many other well-known authors. The manuscripts include notebooks and binders containing handwritten and typed drafts of poems and essays. They document nearly all of Bronk's published writings including the collection of essays he completed in the 1940s which was published in 1980 as THE BROTHER IN ELYSIUM as well as the collection of poems published in 1981 as LIFE SUPPORTS: NEW AND COLLECTED POEMS for which Bronk won the American Books Award in 1982. There are also page proofs, photographs of Bronk, many audio cassettes of Bronk reading his work in the 1970s and the 1980s and printed materials