The papers consist of correspondence, diaries, journals, interviews, manuscripts, transcripts, and printed material.

Papers of Allen Ginsberg, American poet and one of the founders of the beat generation. The collection contains correspondence, manuscripts, and publications created by Ginsberg and his associates. Note that the main body of Ginsberg's papers is found at Stanford University.

Two boxes of audio and video tapes from the Chair of the Theater Department.

Correspondence files and financial papers. The files include correspondence, contracts, clippings and programs, ledgers and financial accounts, submission books, and calendars and memorandum books. Authors for whom there are extensive files include the following: Truman Capote; Patrick Dennis; John Dos Passos; Lloyd C. Douglas; John Hersey; Alice Tisdale Hobart; Paul Horgan; William Humphrey; Frances Parkinson Keyes; Margaret Mitchell; Alan Paton; Kenneth Roberts; Lillian Smith; John Steinbeck; George R. Stewart; Ben Ames Williams; and Kathleen Winsor

Correspondence, speeches, speech materials, news clippings, subject files, audio and videotapes relating to the professional activity of Arthur Levitt, Jr. The papers and audiovisual material deal primarily with his tenure as the Chairman of the Securities and Exchange Commission (1993-2001), but also contain earlier records, including some materials relating to Levitt's school years at the Polytechnic Preparatory Country Day School and at Williams College, and his work at Hayden Stone, the American Stock Exchange, and the New York Economic Development Corporation, and his advocacy of the National Endowment of the Arts during the 1991-1992 funding controversy. These papers also contain materials relating to his father, Arthur Levitt, Sr., who served for 24 years as New York State Comptroller.

The Chinese oral history project collection (中國口述歷史項目檔案) provides a wealth of information on the development of the project and its interviews with eminent Chinese political figures abroad in the United States and Hong Kong from 1958 to 1980s. The highlights of the collection consist of the administrative subject files, correspondence, interview photographs and reports, transcript drafts, collected autobiographies and manuscripts, audio recordings, and card files of names mentioned in the transcripts.

Working files and tapes.

This collection includes tape recordings and some phonograph records of the numerous conferences, seminars and other events held during 1953 to 1954 in celebration of Columbia University's 200th anniversary. In addition there are 31 tape reels of the CBS Radio Network's series "Man's Right to Knowledge." Also included are Bicentennial press releases, typescript and galley proofs with manuscript corrections for two volumes in the Columbia University Bicentennial Series: RESPONSIBLE FREEDOM IN THE AMERICAS and THE UNITY OF KNOWLEDGE.

The records of the Columbia University Orchestra include 323 reel-to-reel tapes of performances by the Columbia University Orchestra and Composers String Quartet. Also includes print material and photographs relating to the orchestra kept by its conductor Howard Shanet.

Reel to reel tapes (599); cassettes (8); videotapes (3); and some files.

There are letters, photos, manuscripts, fan mail (as well as may of the actual "Dolores Dice" letters from people all over the country), recordings, and music scores of her plays. There is some unpublished work in various genres, including essays, poetry, teleplays, and theater.

Douglas Putnam Haskellan (1899-1979) was an American writer, architecture critic and magazine editor. This collection contains correspondence, memos, articles, speeches, lectures, transcripts, clippings, notes, printed matter, photographs, audiotapes, and memorabilia mainly relating to Douglas Haskell's editorship at Architectural Forum and his professional activities. The collection includes items dating from 1866 to 1979, with the majority of materials dating from the period of 1949 to 1964.

The records include addresses, annual reports, correspondence, memos, minutes, program files, newsclippings, administrative records, photographs, video tape, and film. They include material dating from the decades prior to the establishment of the settlement which shed light on the philosophy and motivation of its founders, and offer a unique view of the first wave of the settlement house movement in America. The records document social conditions, demographic change, political activity and philanthropy in New York City. Addresses by East Side House founder Everett P. Wheeler, included in Series I, document his family history and career as a lawyer and civic reformer prior to the founding of East Side House. Wheeler's correspondence details his role in establishing the settlement and managing it during its first decades.

Professional and personal files including Armstrong's correspondence with professional associations, other engineers, and friends, his research notes, circuit diagrams, lectures, articles, legal papers, and other related materials. Of his many inventions and developments, the most important are: 1) the regenerative or feedback circuit, 1912, the first amplified radio reception, 2) the superheterodyne circuit, 1918, the basis of modern radio and radar, 3) superregeneration, 1922, a very simple, high-power receiver now used in emergency mobile service, and 4) frequency modulation - FM, 1933, static-free radio reception of high fidelity. More than half the files concern his many lawsuits, primarily with Radio Corporation of America, over infringement of the Armstrong patents. Litigation continued until 1967. Other files deal with his work in the Marcellus Hartley Research Laboratory at Columbia University, 1913-1935, and with the American Expeditionary Forces in France during World War I, his Air Force contracts for communications development, Army research during World War II, the Radio Club of America, the Institute of Radio Engineers, FM development at his radio station at Alpine, N.J., the use of FM in television, his involvement in Federal Communications Commission hearings and legislation, and his work with the Zenith Radio Corporation. Also, letters to H.J. Round

The Elizabeth Dribben collection on Katharine Cornell contains papers and physical ephemera associated with Cornell's career and life, and Dribben's production of the documentary "Katharine Cornell: A Lady of the Theater."

Collection of materials from Elizabeth Lapovsky Kennedy, professor of Women's Studies. Includes her teachings, publications, political activism, resource material, and her work in the UB Women's Studies and American Studies departments.

Included are Sanger's personal diaries (1936-1967) relating to WQXR. Also included is a complete bound file of the WQXR PROGRAM GUIDE (June 1936-December 1963) containing a record of the broadcasting of classical music in New York City, the daily schedule, and essays on composers, music festivals, individual compositions and music in general by such writers as Irwin Edman, Will Durant, M. Lincoln Schuster, Edward Johnson, John Barbirolli, as well as by Sanger and his co-founder, John V. L. Hogan. The collection includes business letters, congratulatory and testimonial letters from listeners and advertisers, reports on the station's history, samples of newspaper clippings containing WQXR advertisements and program listings, market surveys of listeners, and promotional brochures prepared for prospective advertisers. There is a corrected typescript and galley proofs for Sanger's book Rebel In Radio (New York, Hasting House, 1972) and 6 volumes of documents in support of the station's application for "clear channel" status filed with the FCC. Also included are 49 photographs of the station's staff and musical personalities, 4 audiotapes of 1973 interviews with Sanger, and 4 audio cassettes celebrating WQXR's 50th Anniversary.

Notes and books from the library of Frances Elizabeth Henne, including some of her own books from her childhood, and others on children's literature inscribed to her by the authors; material for her class on illustration in children's literature, 1952-1979; and memorabilia. Also, a 3,000 card bibliography of children's books cited in book dealer catalogs as well as a small group of entries for monographs and serials with references to children's literature; printed ephemera collected by Phyllis Yuill Marquart (Columbia M.L.S., 1973) relating to her collecting of and research on Helen Bannerman's LITTLE BLACK SAMBO. Included are photocopies of Bannerman's out-of-print books, a folder on commercial spinoffs, such as Sambo's Restaurants, photocopies of various editions of STRUWELPETER, which contains the Sambo story and a 1971 BBC audio tape recording and transcript of a radio program on the topic.

Personal correspondence, speeches, subject files, photographs, and printed and miscellaneous material of Hogan. The correspondence, speeches, and other material relate primarily to his activities as District Attorney, and to his unsuccessful campaign for the U.S. Senate, 1958. The papers also reflect Hogan's deep concern for Columbia University, as a Trustee and a member of numerous alumni committees. Among the major correspondents are Harry J. Carman, Dwight David Eisenhower, Robert F. Kennedy, Arthur Hays Sulzburger, and Herbert Bayard Swope.

Personal and professional papers of the notable literary critic. The collection includes correspondence, manuscripts, notes, journals, photographs, drawings and films, and a collection of signed and annotated books and magazines from Dupee's library.

This collection consists of correspondence, manuscripts, documents, photographs, video and tape recordings, and printed materials relating to Economou's poetry manuscripts, to publications and performances to which he contributed, and to his teaching career as a professor of medieval literature.

George Edwards (1943-2011) was an American composer, critic, and teacher. He taught in Columbia University's Music Department from 1977 to 2006 and was named an Edward MacDowell Emeritus Professor of Music by Columbia's Board of Trustees. This collection includes scores, teaching materials, audio recordings, programs, clippings, correspondence, and biographical materials, including medical records and information surrounding Edwards' death from Alzheimer's disease.

The records include annual reports, board minutes, budgets, by-laws, correspondence, memos, publications, reports, scrapbooks, photographs and printed material. They document the settlement and its antecedent institutions from 1854 to 1994, offering a unique view of the first wave of the settlement house movement in America, as well as related philanthropy and social welfare activities in New York City over a 140 year period. The origins of Goddard-Riverside Community Center are documented in Series I, which includes eight institutional subseries. These records provide a wealth of information on philanthropic, social welfare and settlement work from the mid-19th century through the 1950s. Series II - IV document the activities of the settlement from 1959 to the 1990s, with a particular emphasis on the urban renewal period of the 1960s. Items in Series VII include photographs of staff, activities, facilities of Goddard-Riverside Community Center, as well as several of its predecessor institutions.

The G. Thomas Pagnotta collection on Katharine Cornell contains items related to Katharine Cornell's career and legacy, including playbills, clippings, photographs, and audiovisual materials.

Correspondence, manuscripts, papers, essays, etc. relating to Berlioz, and 19th century arts and literature. The correspondence includes original Berlioz letters and over 200 copies of letters relating to Berlioz and the romantic era, written by musicians, critics, historians, and literateurs of the past century. There are many photostats of letters and manuscripts obtained from the principal libraries of the world which hold original Berlioz material. The collection includes much printed material in the form of music scores, published letters, essays, clippings, biographies, music and book catalogues, program notes, and playbills.

Collection contains correspondence, notes, working papers, and audiotapes from Particularism: An Interdisciplinary Conference.

Correrspondence, manuscripts, notes, memoranda, documents, photographs and printed materials. In addition to personal correspondence and documents, there are files of Amnesty International, the human rights organization of which Morris was American Section chairman. Also included are notes and manuscripts of Morris' studies in Japanese literature and culture, particularly relating to his many books and translations. His interest in puzzles, and compilations of several volumes of them, are reflected in notes and correspondence. Among the major correspondence are Donald Keene, Anthony Powell, Sacheverell Sitwell and Arthur Waley

Correspondence, manuscript music scores, copies of scores, playscripts, scenarios, watercolor drawings and other stage designs, contracts, legal papers, programs, clippings and other printed materials, microfilms, records, tape recordings, and photographs. Among Moross's work are the musical play, "The Golden Apple"(1954), dance music for "Ballet Ballads"(1945) and for "Frankie and Johnny"(1938), the film score for "The Big Country"(1958) and for "The Cardinal"(1963), and his Symphony No. 1 (1943). There are some financial papers and production records for the staging of his works. Among the cataloged correspondents are Aaron Copland, Agnes George De Mille, Ned Rorem, Virgil Thomson, and Thornton Wilder.

Professional papers pertaining primarily to Thorn's work on speech disorders at the Speech Clinic and in the Department of Speech Communication. Collection includes tape recordings of speech disorders used for class instruction and Thorn's papers as a member of the Committee on the Evaluation of the Student Constitution at the University of Buffalo.

The collection contains Lejaren Hiller's personal collections of reel to reel tapes pertaining to his compositional output. It includes recordings of live performances of works as well as recordings of some of the electronic source materials used in other compositions.

The Lionel Trilling Papers document the life of author, professor, and literary critic, Lionel Trilling. This collection contains his writings, extensive correspondence with other New York intellectuals, personal documents, and other records concerning his professional activities.

Manuel Ramos Otero (1948-1990) is considered the first openly gay writer from Puerto Rico. He resided in New York City for much of his adult life. In 1990, he returned to his hometown of Manatí, Puerto Rico, where he died of complications from HIV/AIDS. The collection includes personal and professional correspondence, manuscripts, notebooks and notes, reviews, photographs, and newspaper clippings. These materials range in date from Otero's infancy to his death, 1948-1990. There is also a small section of the collection that contains material related to Otero posthumously, which dates from 1990 to 2007.

The collection contains drafts of papers and articles as well as other materials relating to Marian White's work on the prehistory and ethnohistory of the Iroquois and other Native American groups in New York State. Also included are detailed course notes from graduate work at the University of Michigan and personal memorabilia.

Correspondence and manuscripts of Van Doren, consisting of letters, poems, short stories, novels, plays, radio broadcast transcripts ("Invitation to Learning"), diaries, critical works, proofs, and printed works. Correspondents include Louise Bogan, Philip Booth, Babette Deutsch, Richard Eberhart, T.S. Eliot, John Gould Fletcher, Herbert Gorman, E.W. Howe, Robinson Jeffers, Archibald MacLeish, Louis MacNeice, Edgar Lee Masters, Lewis Mumford, Hyam Plutzik, Allen Tate, and Louis Zukovsky. Also, extensive correspondence with Robert Lax and Thomas Merton, as well as manuscripts by these two authors.

Research materials relating to the creation and installation of sound sculptures by Max Neuhaus.

Correspondence, manuscripts, documents, photographs, article, essays, exhibition catalogs, printed material, and 9 floppy disks of her research on artsits and art in Vichy France, as well as Max Jacob, the French poet, painter, writer, and critic.

Correspondence, manuscripts, notes, diaries, documents, photographs, audio tape recordings, printed materials, scrapbooks, and sketches and drafts of portraits. Her finished portraits on ivory are cataloged separately for the Art Collection (q.v.). The collection includes her correspondence with friends and clients; manuscripts of her articles, lectures, and many unpublished autobiographical drafts; pencil sketches, watercolor drafts, and photoprints of her portraits on ivory; photographs of her family amd travels; clippings and other printed materials; and three scrapbooks of clippings and memorabilia. There is cataloged correspondence from Arnold Genthe, S.I. Hayakawa, Karen Horney, Burges Johnson, Dwight Macdonald, and Alice B. Toklas, etc.

The Morton Feldman Collection of Audio Recordings contains 52 reel to reel tapes and 35 cassette recordings, including performances of 38 compositions by Morton Feldman. The collection also includes some events, including the conversations between John Cage and Feldman recorded in 1966 as Radio Happenings I and II, the memorial service for Feldman at St. Mark's Church in New York City, a tribute radio program broadcast by WNYC 7 November 1987 in New York City, and an interview of Jan Williams by Sebastian Claren about Feldman. Other composers represented by recordings include Harrison Birtwistle, Pierre Boulez, John Cage, Barbara Monk Feldman, and Bunita Marcus.

Correspondence, manuscripts, notes, technical reports, memoranda, questionnaires, interview schedules, personal and professional documents, several photographs, one tape recording, and printed materials. The correspondence files contain letters to colleagues and researchers such as Bernard Berelson, Robert Lynd, Robert Merton, and Frank Stanton. The subject files document Lazarsfeld's many research projects such as the Admissions Officers Project, 1964-1970, the Planning Project for Advanced Training in Social Research, 1950-1955, and his first major endeavor, the Princeton Radio Research Project, 1937-1940. There are complete records for his 1954-1955 study on McCarthyism's effect on college teaching. These original materials consisting of correspondence, interview schedules, and questionnaires contain many detailed comments which could not be included in the published version of this study, THE ACADEMIC MIND (1958). Numerous files relate to Lazarsfeld's position as Associate Director of the Bureau of Applied Social Research (BASR). There are manuscripts of books, research papers, lectures, and articles by Lazarsfeld as well as by his students and colleagues.

Correspondence, manuscripts, playscripts, screenplays, diaries, documents, contracts, financial records, photographs, phonograph records, motion pictures, playbills, posters, sheet music, cartoons, art work, memorabilia, scrapbooks, and printed materials. . The collection consists chiefly of correspondence and production files relating to the creation, production, and performance of their works for stage, screen, radio, and television, such as Leave It To Me and Kiss Me Kate (with music by Cole Porter), Boy Meets Girl, and My Three Angels. Correspondence (with twentieth century authors, playwrights, musicians, political figures, and actors) includes: George Abbott, Jean Arthur, Bennett Cerf, Katharine Cornell, Jo Davidson, George and Ira Gershwin, Alec Guinness, W. Averell Harriman, Lilli Lehmann, Mary Martin, Laurence Olivier, Mary Pickford, Cole Porter, Regina Resnick, Eleanor Roosevelt, Robert E. Sherwood, Lincoln Steffens, Kurt Weill, Rebecca West, and Thornton Wilder. There is also correspondence concerning Bella Spewack's work with the New York Girls' Scholarship, UNRA, and the Sports Center of Israel. In addition to the production files, there are manuscripts and typescript drafts for novels, short stories, and articles by the Spewacks.

Serge Prokofiev (1891–1953) was a Russian and Soviet composer, pianist and conductor, and seminal figure in the history of twentieth-century music. The Serge Prokofiev Archive (SPA) contains 58 original music manuscripts and over 10,000 letters and documents primarily from 1918-1936, the years Prokofiev spent in the West. The SPA also includes an expansive collection of music manuscript copies, published scores, concert programs, scholarly books and articles, photographs, and audio and video material, making it the premier research collection for studying Prokofiev's life, work and legacy.

The collection of Slee Lecture Recital Recordings contains 94 reel to reel tapes of lectures by the named Slee Visiting Lecturer in the Music Department at the State University of New York at Buffalo.

The original compositions of Solomon Pimsleur, consisting of over 100 sonatas, suites, etudes, and songs for piano, orchestra and voice. Also included are Pimsleur's arrangements of various musical works, and photodisks and tapes of Pimsleur performing his own works; there are also a few periodical and monograph publications which the composer used as bases for some of his work

Experimental, non-commercial, commercial and radio broadcasts phonograph records and tape recordings containing a wide range of spoken arts, documentary and some musical recordings which include speeches, lectures, interviewes, prose and poetry readings, dramatic readings and dramatic performances, language series and some folk music.

Correspondence, manuscripts, audio tapes and printed material pertaining to the coup d'etat in Greece in 1967 and to Greek resistance movements in Europe and the United States. Letters from Margaret Papandreou describe the arrest of Andreas Papandreou at the time of the coup and his activities in Europe after his release from prison and the activities of his associates and supporters. There are records of American organizations, especially the Pan-Helenic Liberation Movement (PAK), formed to help Papandreou's cause. Also included are many letters from Mogens Camre, then aide to the Prime Minister of Denmark, and later member of the Danish Parliament; correspondence with Eleni Vlachou, publisher and editor of Kathimerini ('The Daily' a principal Athens newspaper) and with several U.S. political figures including Robert F. Kennedy, Eugene McCarthy, John Kenneth Galbraith and James William Fulbright. The audiotapes are of speechesby and interviews of Papandreou, Rousseas, and others.

A large and important collection of the correspondence, memoirs, and plays of Tennessee Williams. The collection is especially strong in the later works.

The Theodore Richards Conant Collection documents the life and film making career of Theodore Richards Conant, dating from 1949 to 2010, with the bulk of the materials dating from 1953 to 2000. The focus of the materials is on the Korean War, Korean culture and society. Materials in the collection consist of his personal papers and a substantial amount of audiovisual materials related to the documentary films created and/or collected by him during his career. The personal papers consist of clippings, ephemera, correspondence, scenarios, notes, catalogs, journals and other unique items. The photographs in the collection document Korea's political and cultural aspect, as well as Conant's work in Korea as a film producer while working in the UN Korean Reconstruction Agency (UNKRA). The audiovisual materials are the documentaries directed and filmed by Conant, related to the Korean War, Korean society and culture.

Collection contains tape recording and transcript of a symposium held at the University at Buffalo, State University of New York on October 12, 1978 with presentations by Robert Buck, John Cage, Robert Creeley, Merce Cunningham, and Morton Feldman.

Ulysses Kay (1917-1995) was a noted twentieth-century American composer. The collection includes audio reels, biographical materials, correspondence, diaries, phonograph records, photographs, programs, and scores.

The collection includes the original manuscript of "Surrender on Demand", Mr. Fry's account of his wartime experiences, which was later rewritten for young readers as "Assignment Rescue" (New York, Four Winds Press, 1968). Among the correspondents represented in the collection are Marc Chagall, Jacques Lipchitz, Roger Baldwin, Norman Thomas, J. Edgar Hoover, and Herman Wouk. In addition to the material relating to the Emergency Relief Committee (later known as the International Rescue Committee), the collection includes correspondence and papers concerning Fry's work as a writer on foreign affairs as well as copies of his books.