This collection contains architectural drawings, photographs, business records and reference materials related to the projects and designs of Bertram Grosvenor Goodhue and his successor firm, Mayers, Murray & Philips, primarily in the New York City region. A large portion of the collection consists of personal and professional correspondence to and from Goodhue from the early 1900s until his death in 1926. Relatively few architectural drawings from his professional practice survive.

Included are the architectural drawings pertaining to the Church of St. Vincent Ferrer in New York, N.Y. These drawings include plans, elevations, sections, and details in full-scale, and the dates of the drawings span 1908-1928. The drawings are cataloged separately in CLIO and their call numbers are NYDA98-F0 through NYDA98-F6; their accession numbers are 1996.011.00001 through.00452.

Architectural drawings (no longer in current use by Facilities Management), transferred to the Avery Architectural & Fine Arts Library from the Dept. of Facilities Management pertaining to proposals, construction, alteration and addition of properties formerly used or owned, and buildings demolished or still extant. The dates of the materials span 1895 to today. The drawings include plans showing the heating and ventilation systems, electrical and plumbing details, and some original construction materials. Some of the buildings represented in this collection are: Avery Hall; Earl Hall; St. Paul's Chapel; Teachers College; Low Library; Ferris Booth; and Uris Hall, as well as details of fences; steps; statues; and bronze railings. Some of the architects hired by the University include McKim, Mead & White, Howells & Stokes, James Gamble Rogers, and Allen & Collens, as well as builder and architect R. Guastavino Co. who was responsible for the domes and vaults of St. Paul's Chapel, Earl Hall, and the Van Amringe Memorial

This collection is made up of architectural drawings, correspondence, specifications, contracts, invoices, minutes, financial statements, patents, advertisements, photographs, photograph album, test results and reports, memoranda, tile samples, factory order cards, and other materials pertaining to The Guastavino Fireproof Construction Company's projects. The dates of the materials span 1866-1985, with bulk dates 1890-1942. The architectural records include structural, decorative, and acoustical sample products and fragments. Also included are materials added to the files by George Collins (1917-1993), Professor of Art History at Columbia University. Prof. Collins secured the donation of this archive in 1963, and remained its custodian until it was transferred to the Drawings and Archives Collection at the Avery Architectural and Fine Arts Library in 1988. The records document Prof. Collins' research efforts, as well as the Company's projects in forty states (including District of Columbia), four Canadian provinces, and eleven other foreign countries.

Correspondence, specifications, contracts, invoices, financial statements, memoranda, and architectural drawings pertaining to the construction of St. Paul's Chapel (Columbia University, New York, N.Y.), a project designed by Howells & Stokes, and by Stokes independently. Correspondence is between Howells & Stokes and Columbia University officials, contractors, and suppliers, including Nicholas Murray Butler, R. Guastavino Co., Tiffany Studios, Coppède, Paul Manship, and McKim, Mead & White, as well as Stokes' aunts Olivia Egleston Phelps Stokes and Caroline Phelps Stokes.

Architectural drawings for projects designed by Howells & Stokes, and by Stokes working independently, particularly, residence for Stokes' father, financier and philanthropist Anson Phelps Stokes (1838-1913) at Collender's Point, Darien, Conn., 1902-1905; a house for himself"High-Low House" Greenwich, Conn., 1901-1917; house for his wife at Indian Harbor, Greenwich, Conn., 1927, undated; outdoor pulpit for the Cathedral of St. John the Divine, New York, 1912-1915 (built in 1916); proposal for an apartment house at 953 Fifth Ave., New York, 1924-1926; competition entry for the Chicago Tribune Tower, undated (the competition, 1922, was won by Raymond Hood); and St. Paul's Chapel, Columbia University, New York, 1904-1930. Also, miscellaneous designs; competition entries; designs for unidentified buildings; designs for apartment buildings and housing projects; photographs of buildings by Stokes; landscape designs done by the Olmsted Brothers firm for Stokes for an unidentified project or projects. Also included are documents relating to the planning, construction, and, later, repairs and the addition of memorial tablets to St. Paul's Chapel, Columbia University, which was designed by Howells & Stokes and built in 1907. Correspondence, with related memoranda, estimates, specifications, accounts, contracts between Howells and Stokes or Stokes with Columbia University officials, and contractors and suppliers date from 1903 to the 1930s.

This collection contains original and reprographic design drawings, photographic prints and various types of business records documenting the work of Rambusch Company across the United States. Over many decades, Rambusch has collaborated on projects with numerous noted architectural firms, including Bertram Goodhue, R. Guastavino & Co.

The Woodlawn Cemetery archive documents the history of the grounds, mausolea, monuments, and operations of Woodlawn Cemetery, founded in 1863 in The Bronx, New York, and one of the largest in the United States. The collection includes architectural designs records, maps, photographs, correspondence, construction and maintenance records, and other historical documents, spanning 140 years of the cemetery's operations.

Architectural drawings for projects designed by the firm. The drawings, mostly blueprints, documents Allegheny General Hospital, Pittsburgh, Pa.; Mountainside Hospital, Glen Ridge, N.J.; The Department of Commerce Building, Washington, D.C.; The New York Academy of Medicine, New York, N.Y.; Federal Reserve Bank of New York, New York, N.Y.; and University of Michigan, Ann Arbor, Mich.