Architectural drawings (no longer in current use by Facilities Management), transferred to the Avery Architectural & Fine Arts Library from the Dept. of Facilities Management pertaining to proposals, construction, alteration and addition of properties formerly used or owned, and buildings demolished or still extant. The dates of the materials span 1895 to today. The drawings include plans showing the heating and ventilation systems, electrical and plumbing details, and some original construction materials. Some of the buildings represented in this collection are: Avery Hall; Earl Hall; St. Paul's Chapel; Teachers College; Low Library; Ferris Booth; and Uris Hall, as well as details of fences; steps; statues; and bronze railings. Some of the architects hired by the University include McKim, Mead & White, Howells & Stokes, James Gamble Rogers, and Allen & Collens, as well as builder and architect R. Guastavino Co. who was responsible for the domes and vaults of St. Paul's Chapel, Earl Hall, and the Van Amringe Memorial

This collection includes original and reprographic architectural drawings, photographs, office files, and professional papers related to the work of New York architect Frederick G. Frost, his son Frederick G., Jr., and his grandson, A. Corwin Frost. Examples of the work of Trowbridge & Livingston are also included.

Gordon Bunshaft (1909-1990) was an American architect who, as a partner at Skidmore, Owings & Merrill, had a significant impact on large-scale corporate architecture. His projects include such significant urban office towers as the Lever House in midtown Manhattan, as well as modern office campuses set in natural landscapes, including such examples as the American Can Company in Greenwich, Connecticut or the Connecticut General Life Insurance Company headquarters in Bloomfield, Connecticut. Additionally, his interest in art caused him to actively integrate work by well-known modern artists into the public plazas and interiors of SOM's projects. The professional aspects of this collection can be found in clippings, project photography, oral history records, and publications, however, the majority of the collection is personal and reflects the life of Gordon and his wife Nina Bunshaft. Through correspondence, snapshots, objects, and personal papers the collection focuses on the Bunshafts' friends, their travels, and their impressive art collection of both modern and ancient sculptures and paintings.

This collection contains documents, statements, minutes, correspondence, notes, and reference materials related to the activities of the Joint Advisory Committee on Planning and Development of the United Nations Headquarters. Although materials relating to Wallace Harrison appear in this collection, there is otherwise no direct connection between this group of papers and the team of international architects who designed the Headquarters.

A 1956 proposal drafted by Skidmore, Owings & Merrill for the Union Carbide Building, a historically significant, mid-twentieth century office tower located at 270 Park Avenue, just north of Grand Central Station. The proposal consists of reproductions of plan and elevation drawings and photographs of the Union Carbide model, together with outline specifications, cost estimates, and construction and drawing schedules.

This collection primarily contains materials related to Percy and Harold Uris and their real estate businesses. Correspondence, financial records, and estate papers document the professional and personal lives of the brothers and their wives. The bulk of the business records are from their properties at 380 Madison Avenue and 300 Park Avenue. There is limited information about the other Uris properties and Uris Building Corporation. Finally, the collection contains records from the Uris Brothers Foundation, Inc about the family's philanthropic endeavors.

Collection consists of 51 reprographic architectural working drawings for the TWA Terminal A at John F. Kennedy International Airport in Queens, N.Y., drawn between 1958 and 1961. All sheets are diazo print on paper, with a very few bearing graphite and/or colored pencil annotations. Earlier drawings note Eero Saarinen as the architect of record; later drawings note Eero Saarinen and Associates. Architectural working drawings are stored in numerical order, sheets 2 through 121, with some sheets lacking.

The Wallace K. Harrison architectural drawings and papers consists of architectural drawings, photographs, correspondence, notes, speeches, manuscripts, press releases, clippings, memoranda, printed material, job lists, curriculam vitae, contracts, articles, and other material related to Harrison's architectural projects. The collection also contains a significant amount of material regarding Harrison's position as director of the Office of Inter-American Affairs, director of planning of the United Nations Headquarters and biographical material. Approximately a third of the collection is made up of photographs. Photographers include Wendy Barrows, Shirley Burden, George Cserna, Y[uzo] Nagata, and Ezra Stoller, among many others. There is also a collection of 148 art books that belonged to Harrison referred to as his "doodle books." A list of these books with brief descriptions of where Harrison drew in them is contained in the finding aid. Projects documented include Lincoln Center, Metropolitan Opera House, Rockefeller Center, Albany Mall (Empire State Plaza), United Nations, X City, ALCOA building, Corning Glass building, First Presbyterian Church, La Guardia Airport, Socony-Mobil building, Battery Park City, Radio City Music Hall, New York World's Fair (1939 and 1964), Institute for Advanced Study, National Academy of Science, Pahlavi National Library Competition, Oberlin College's Hall Auditorium, Pershing Memorial, Rockefeller University, Hopkins Center, The Anchorage, Avila Hotel, and numerous other buildings and residences.

Drawings are primarily for residential commissions in and around New York City, Connecticut, and Rhode Island. Some manuscript and photographic materials are also included in the collection.

Architectural drawings, correspondence, accounts, estimates, specifications, invoices, contracts, samples, invoices, and other material related to William Muschenheim's projects. The William Muschenheim Architectural Drawings and Papers span 1929-1957, with bulk dates 1931-1950. Muschenheim's papers document 130 separate jobs, and the visual material (described in RLIN VIM), consists of 3081 sheets of drawings. The projects mainly represent Muschenheim's work in New York City, but also include work in Albany (NY), Amenia (NY), Bridgehampton (NY), Chappaqua (NY), Hampton Bays (NY), Malverne (NY), Massapequa (NY), Nassau Point (Long Island), Washington (CT), Washington DC, Westhampton Beach (NY), and Woodstock (NY), among other locations. William Muschenheim also had numerous clients which included the following family members: Carl Muschenheim, Elsa Muschenheim, and Frederick A. Muschenheim. In addition to the many clients for whom he did alteration work, Muschenheim also worked with a wide variety of companies including Bigelow Carpet Company, C.G. Flygare Inc., Excel Metal Cabinet Co., F. Schumacher & Co., Famaes Development, Hans Knoll, Howard & Schaffer, Inc., Kurt Versen Lamps, Inc., Ledlin Light Designers, Portland Cement Association, and Thonet Brothers, among many others