The Amiri Baraka Papers contains correspondence, writings, and the personal, political activism and teaching materials related to Amiri Baraka's career as a poet, writer, editor, activist, and teacher in the New York City Beat, Downtown, and Black Arts literary scenes from the 1960s through the 2000s. Included are manuscripts from Baraka's numerous books of poetry, non-fiction, fiction, plays, editorial work, and screenplays. The collection also features organizational and documentary materials relating to Baraka's university teaching and Newark, NJ-based Black radical activism, as well as audio/visual material, photographs, and printed material collected and created by Baraka.

The Larry Neal Papers document his role as a writer/editor and seminal figure in the Black Arts Movement, and consists principally of Neal's diverse forms of writings, including essays, scripts, screenplays, poems, short stories and anthologies. Published copies of some of his writings are included in the collection, as are writings by colleagues and publishers.

Master's thesis produced by May Randall entitled "The New Negro Poet" for her degree in English from the University of Chicago in the late 1920s. The thesis examines black poets of the Harlem Riennaisance and the collection includes a photocopy of her thesis, and the original letters from 39 Dlack poets of the time, all personal correspondence with Ms Randall regarding her thesis, which she Dlanned to submit for publication. The poets include many of the leading lights: Countee Cullen, Langston Hughes, W.E.B. Du Bois, and Claude McKay, plus 35 lesser known authors. Most of the letters are giving her permission to publish their work, but they also referred her to other poets, and gave her contact information so she could include them. The letters are friendly, helpful, and enthusiastic about the idea that her thesis might become a published book.