Museum of Modern Art

Museum of Modern Art

11 West 53 Street
New York, NY 10019, United States
(212) 708-9433
The Museum of Modern Art Archives is an internationally recognized research center for modern and contemporary art. The Archives collects, preserves, and makes accessible nearly 90 years’ worth of the Museum’s historical records, 40 years’ worth of MoMA PS1 records, and other primary source documents concerning art and cultural history in the 20th and 21st centuries, including private archives and papers of artists, galleries, dealers, art historians, critics, and others.

Recently added Collections

Calvin Tomkins Papers, 1860-2006, bulk 1962-2006

Professional papers of Calvin Tomkins, author, journalist, and contributor to theThe New Yorkermagazine.

Victor D'Amico Papers, 1926-2011 (bulk 1942-1969)

Documentation of the founding Director (1937-1969) of MoMA's Department of Education and the Department's programs during his tenure: exhibitions and teaching materials circulated by the New York City High Schools Program, classes at the War Veterans' Art Center and People's Art Center, the Children's Art Carnival at MoMA and overseas, and summer art classes at the Art Barge; D'Amico's extra-MoMA involvement in progressive museum art education, including his articles, speeches, and participation in the National Committee for Art Education; as well as personal writings, correspondence, honors, and awards.

The Oral History Program, 1987-

Oral history interviews conducted with individuals related to The Museum of Modern Art

Sound Recordings of Museum-Related Events, 1939-

This Record Group contains recordings of events that either occurred at or are related to Museum of Modern Art activities. Types of events include interviews, lectures, speeches, symposia, panel discussions, and discussions between filmmakers and audience.

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Richard Brown Baker Diaries, October 16, 1952 to May 17, 1960

The Diaries describe Baker's growth as a collector of post-World War II art in New York, and his relationships with various artists, including Enrico Donati, Pierre Dumont, Jackson Pollock, Robert Motherwell, Richard Stankiewicz; dealers including Leo Castelli, Rose Fried, Sidney Janis; and New York society, including Sam and Jane Kootz, and the Walter Hochschilds, among others. He also details his relationship with The Museum of Modern Art including individuals such as Margaret Scolari Barr (Mrs. Alfred H. Barr, Jr.), Dorothy Miller, and Abe Chanin, among others.

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