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John Clough Papers,

State University of New York at Buffalo, Music Library

112 Baird Hall
Buffalo, New York 14260-4750
United States
Phone: 716 645-2924
Fax: 716 645-3906
Email:musique@buffalo.edu
URL: http://ublib.buffalo.edu/libraries/units/music

Clough, John (John L.)

17 boxes

(407 folders)

English.

Chiefly secondary materials such as articles and symposium papers collected by John Clough, many with correspondence.

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Collection Details

Processed by John Bewley.

Gift of the estate of John Clough, 2003.

John Clough was born in Dover, Delaware in 1930. He graduated from Dover High School in 1947, earned his bachelor's degree in music at Oberlin College Conservatory of Music and earned his Master's degree in music at Yale University in 1955. He taught at Oberlin 1955-70 and at the University of Michigan 1970-81. He was the Slee Professor of Music Theory at the University at Buffalo, The State University of New York from 1981 until his retirement in 2002.

John Clough was one of the major music theorists during the second half of the twentieth century. He produced two music theory text books: Scales, Intervals, Keys, and Triads (1964; expanded edition, 1983; 3rd edition, 1999) and Basic Harmonic Progressions (1984). Clough was also the author of at least eighteen published articles, seven published reviews, and more than two dozen conference papers and lectures. He served as editor of Music Theory Spectrum 1985-55 and on the editorial boards of The Journal of Music Theory and Music Theory Online. His special area of expertise was the interaction of music and mathematics. His influence in the field of music theory extends beyond his own research and findings. He also shaped the field through his teaching and support he demonstrated for the work of other colleagues.

John Clough died September 3, 2003 in Knoxville, Tennessee.

The collection comprises 407 folders in 17 boxes. The majority of the material (296 folders) consists of writings by authors in the field in which John Clough specialized: mathematics as it applies to music. Many of the articles and papers are accompanied by notes or correspondence by John Clough or other scholars. The group of scholars represented in the collection includes noted music theorists, Etyan Agmon, Jay Rahn, David Lewin, David Clampitt, Stephen Soderberg, Jack Douthett, Charles J. Smith, Norman Carey, John Chalmers, Richard Cohn, and many others. The collection also includes Clough's own writings, research notes, and musical analyses.

Correspondence in the collection is almost entirely work-related and very subject-specific. Therefore, correspondence located with articles was left with the article rather than creating a separate correspondence series. Folders that contain only correspondence have been placed in the same series with articles by other authors. These correspondence folders are placed before any other folders of items by the same author. As a result, it is important to note that correspondence by any single author may be scattered throughout many folders in the collection. John Clough's original subject-oriented arrangement was deemed more significant than collation by personal name.

The collection is arranged in nine series, with subseries as indicated:
I. Personal documents
II. Writings A. Articles and lectures B. Writings with others C. Analyses: pre-20th century D. Analyses: 20th century
III. Research notes
IV. Articles and papers by other authors
V. Subject and conference files
VI. Grant applications
VII. Publications
VIII. Bibliographies
IX. Annotated books

No further accruals are expected to this collection.


Collection Access & Use

Materials can be examined by qualified researchers in the Music Library during hours of operation during which Music Librarians are present. In order to insure access, researchers are advised to contact the Music Library in advance of visits.

Copyright for the materials in the collection does not reside with the Music Library. Therefore, patrons wishing to publish any item, or part of an item from this collection for any purpose, are responsible for securing requisite permissions.

[Specified item], John Clough Papers, circa 1959-2002, Music Library, The State University of New York at Buffalo.

Collection Subjects & Formats

Series I.: Personal Documents,

Size: Folder 1

Box: 1

Folder: 1


Date: circa 1990

Series II.: Writings,

Size: Folder 2-52

Subseries II.A: Articles and lectures (some with commentary by others),

Arrangement: Arranged alphabetically by title. Some folders contain notes and correspondence with others.

Size: Folders 2-16

Box: 1

Folder: 2

Aspects of diatonic sets

Box: 1

Folder: 3

Chord personality profiles: the exclusion relation

Lecture, 17 March 1981, with notes, illustrations, and notes

Box: 1

Folder: 4

Diatonic interval sets

Commentary from Jay Rahn

Box: 1

Folder: 5

Diatonic interval sets and transformational structures

Reprint from Fall-Winter 1979

Box: 1

Folder: 6

Diatonic trichords in two pieces from Kurtág's Kafka-Fragmente: a neo-Riemannian approach

Offprint from 43:3-4, 2002

Box: 1

Folder: 7

An example of diatonic hierarchy in Beethoven's Symphony no. 5 in C minor, second movement

Lecture, 30 April 1981, University at Buffalo

Box: 1

Folder: 8

Game of triad

Originally housed in Folder 15 with

Box: 1

Folder: 9

Interval circles

Lecture, 2 May 1990, University at Buffalo

Box: 1

Folder: 10

Motivic shape in the late string quartets of Beethoven

Typescript with annotations, January 1982

Box: 1

Folder: 11

Music and mathematics

Lecture, 11 March 1980, University of Michigan

Box: 1

Folder: 12

Music and mathematics: some recent connections

Lecture, 24 February 1994, Mt. Holyoke College

Box: 1

Folder: 13

A new theorem of the diatonic set

Lecture, with illustrations and annotations, 25 April 1984, University at Buffalo

Box: 1

Folder: 14

Scale theory, finger exercises, and ear training

Lecture, 31 October 1987, Music Teachers' National Association Meeting, Buffalo

Box: 1

Folder: 15

Some unstudied diatonic structures in classical music

Scope and Content

Examples only

Box: 1

Folder: 16

Trichords and transformations in two pieces from György Kurtág's Kafka-Fragments

Version of paper presented at Buffalo Symposium on Neo-Riemannian Theory, 20-21 July 2001, with notes, examples, and correspondence.

Subseries II.B: Writings with others,

Arrangement: Arranged alphabetically by co-author names, then by title. Some folders contain notes or correspondence.

Size: Folder 17-21

Box: 1

Folder: 17

Hyperscales and the generalized tetrachord


Person: Douthett, Jack

Scope and Content

The article itself is not included. Two readers' reports and notes. The article was published in Journal of Music Theory 41:1, Spring 1997.

Box: 1

Folder: 18

Maximally even sets


Person: Douthett, Jack

Scope and Content

Includes version presented in October 1989, with examples and notes.

Box: 1

Folder: 19

Maximally even sets: a discovery in mathematical music theory is found to apply in physics


Person: Douthett, Jack

Scope and Content

Different versions of the text, with older title, Music, mathematics, and magnetic ordering. Includes correspondence and notes for revisions, 1996-2000.

Box: 1

Folder: 20

Diatonic hierarchies in tonal music


Person: Ehrenkreutz, Stefan

Scope and Content

Partial draft, with examples for 29 October 1981 presentation, notes, and correspondence.

Box: 2

Folder: 21

Variety and multiplicity in diatonic systems


Person: Myerson, Gerald

Scope and Content

Includes preliminary form under Clough's name alone, titled Chord structure and multiplicity in embedded diatonic systems. Also submitted as Musical scales and the generalized circle of fifths to American Mathematical Monthly, a version for scientists.

Subseries II.C: Analyses: pre-20th century,

Arrangement: Arranged alphabetically by name of composer, with miscellaneous folder at end of sequence.

Size: Folder 22-31

Box: 2

Folder: 22

18th century counterpoint (chiefly Johann Sebastian Bach)

Box: 2

Folder: 23

Beethoven, Ludwig van

Box: 2

Folder: 24

Brahms, Johannes

Box: 2

Folder: 25

Chopin, Frédéric

Box: 2

Folder: 26

Haydn, Joseph

Box: 2

Folder: 27

Mozart, Wolfgang Amadeus

Box: 2

Folder: 28

Schubert, Franz

Box: 2

Folder: 29

Schumann, Robert

Box: 2

Folder: 30

Wagner, Richard

Box: 2

Folder: 31

Pre-20th century miscellaneous

Subseries II.D: Analyses: 20th century,

Arrangement: Arranged alphabetically by name of composer, with miscellaneous folder at end of sequence.

Size: Folder 32-52

Box: 3

Folder: 32

Babbitt, Milton

Box: 3

Folder: 33

Barber, Samuel

Box: 3

Folder: 34

Bartók, Béla

Box: 3

Folder: 35

Berg, Alban

Box: 3

Folder: 36

Capers, Valerie

Box: 3

Folder: 37

Coltrane, John

Box: 3

Folder: 38

Dallapiccola, Luigi

Box: 3

Folder: 39

Debussy, Claude

Box: 3

Folder: 40

Hindemith, Paul

Box: 3

Folder: 41

Messiaen, Olivier

Box: 3

Folder: 42

Reich, Steve

Box: 3

Folder: 43

Schoenberg, Arnold - General

Box: 3

Folder: 44

Schoenberg, Arnold - Op. 33a, 33b

Box: 3

Folder: 45

Schoenberg, Arnold - Moses und Aron

Box: 3

Folder: 46

Scriabin, Aleksandr Nikolayevich

Box: 4

Folder: 47

Stravinsky, Igor

Box: 4

Folder: 48

Webern, Anton von - Op. 22

Box: 4

Folder: 49

Webern, Anton von - Op. 24

Box: 4

Folder: 50

Webern, Anton von - Op. 29

Box: 4

Folder: 51

Webern, Anton von - Collected

Box: 4

Folder: 52

20th century - Miscellaneous

Series III.: Research notes,

Arrangement: Arranged alphabetically by folder title. Extent of contents varies, including articles, clippings, notes, and correspondence.

Size: Folders 53-71

Box: 5

Folder: 53

Change ringing

Scope and Content

Articles by Arthur White

Box: 5

Folder: 54

Concentric circle problem

Scope and Content

6 leaves, no date

Box: 5

Folder: 55

Diatonic interval cycles and hierarchical structure

Scope and Content

Reviews of Clough's article, notes, and correspondence with Jay Rahn, David Lewin, Gerald Myerson, 1989-1990

Box: 5

Folder: 56

Indian scales

Scope and Content

Notes and correspondence with Jack Douthett, Lewis Rowell

Box: 5

Folder: 57

Indian scales, part 2

Scope and Content

Articles by Lewis Rowell: How universal is the idea of mode? Evidence from Asia ; Scale and mode in ancient Tamil music literature; The origin of the Indian 22-tone system by Mieczyslaw Kolinski (1961); Pitch-class techniques, the pure fifth, and the East Indian grama family by Jack Douthett (Aug. 1982) With notes by John Clough, correspondence with Jack Douthett, Lewis Rowell, and Jay Rahn

Box: 5

Folder: 58

Kurtág research

Scope and Content

Notes, clippings, articles, and correspondence

Box: 5

Folder: 59

Long-range plans, etc.

Box: 5

Folder: 60

Microtonality

Scope and Content

Collection of articles and papers by Chris Mohr, John Chalmers, Richard Sanford, and Jim Horton

Box: 5

Folder: 61

Music and mathematics, etc.

Scope and Content

Correspondence with David Clampitt and Jack Douthett, 1988-1991

Box: 5

Folder: 62

Number theory at University of Michigan

Scope and Content

March 1979 issue of Research News: Pure mathematics: problems and prospects in number theory

Box: 5

Folder: 63

Positional evenness

Box: 5

Folder: 64

Projects in diatonic theory and evenness

Box: 5

Folder: 65

Research notes 1

Box: 5

Folder: 66

Research notes 2

Box: 6

Folder: 67

Research notes - Summer 1959

Box: 6

Folder: 68

Scales, sets, and interval cycles: a taxonomy

Scope and Content

Residual notes for article printed in Music Theory Spectrum 21:1, Spring 1999

Box: 6

Folder: 69

Science and art

Scope and Content

Clippings

Box: 6

Folder: 70

Set theory - miscellaneous

Box: 6

Folder: 71

Wong proof (x set) ; Clough proof (hex theorem)

Series IV.: Articles and papers by other authors,

Arrangement: Arranged alphabetically by author names. Folders containing only correspondence are filed before other entries for an author. Many articles or papers also include correspondence specifically related to that paper. Some folders contain only the handouts or examples used with a presentation rather than the entire paper. Papers by unidentified authors are at the end of the sequence, arranged alphabetically by title.

Size: Folders 72-368

Box: 6

Folder: 72


Person: Agmon, Etyan


Date: 1988-1995

Scope and Content

Correspondence, 14 items

Box: 6

Folder: 73


Person: Agmon, Etyan


Date: 1992

Scope and Content

Categories and prototypes in music: diatonic intonation and functional harmony. Handout Paper for Society for Music Theory 15th Annual Meeting

Box: 6

Folder: 74


Person: Agmon, Etyan


Date: 1989

Scope and Content

A mathematical model of the diatonic system, In Journal of Music Theory 33:1, 1989. Incomplete photocopy of typescript, two printed copies, and comments.

Box: 6

Folder: 75


Person: Agmon, Etyan


Date: 1990

Scope and Content

Music theory as a cognitive science: some conceptual and methodological issues, In Music Perception 7:3, Spring 1990

Box: 6

Folder: 76


Person: Agmon, Etyan


Date: 1991

Scope and Content

Towards a diatonic theory of intonation. Two versions: Photocopy of typescript, presented at meeting of the European Society for the Cognitive Science of Music, Oct. 1991; Reprint from Interface 22, 1993.

Box: 6

Folder: 77


Person: Agmon, Etyan


Date: 1996

Scope and Content

When formal truths are intuitively problematic: inversional equivalence, distance, and the normed space.

Box: 6

Folder: 78


Person: Agmon, Etyan


Date: 1991

Scope and Content

Linear transformations between cyclically generated chords , In Musikometria 3, 1991

Box: 6

Folder: 79


Person: Ahn, So-Yung


Date: circa 2002

Scope and Content

Dissertation materials

Box: 6

Folder: 80


Person: Alegant, Brian


Date: 1995

Scope and Content

Correspondence and notes

Box: 6

Folder: 81


Person: Alegant, Brian


Date: undated

Scope and Content

Generalizing twelve-tone combinatoriality

Box: 6

Folder: 82


Person: Alegant, Brian


Date: undated

Scope and Content

Programs for the enumeration and analysis of twelve-tone mosaics

Box: 6

Folder: 83


Person: Alegant, Brian


Date: undated

Scope and Content

Six of one half a dozen of the other: partitions and Milton Babbitt's Sextets

Box: 6

Folder: 84


Person: Alegant, Brian


Date: 1996

Scope and Content

When even becomes odd: a partitional approach to inversion . Paper Paper for Society for Music Theory Meeting, 1996

Box: 6

Folder: 85


Person: Alegant, Brian


Date: 1995

Scope and Content

On the nature of enlargement. Paper for Society for Music Theory Meeting, November 4, 1995

Box: 6

Folder: 86


Person: Alpern, Wayne


Date: 1996

Scope and Content

Minimum aggregate partitions: mapping timepoints in Babbitt's third and fourth string quartets. Paper for Society for Music Theory Meeting, November 2, 1996

Box: 6

Folder: 87


Person: Althius, Theo. A.


Date: 2000

Scope and Content

Mathematical structures in atonal music. Master's thesis, Feb. 2000

Box: 6

Folder: 88


Person: Balzano, Gerald J.


Date: 1980

Scope and Content

The group-theoretic description of 12-fold and microtonal pitch systems , In Computer Music Journal 4:4, Winter 1980

Box: 6

Folder: 89


Person: Balzano, Gerald J.


Date: 1982

Scope and Content

The pitch set as a level of description for studying musical pitch perception , In Music, Mind, and Brain: the neuropsychology of music, 1982

Box: 6

Folder: 90


Person: Barbaud, Pierre


Date: 1993

Scope and Content

Vademecum de l'ingénieur en musique, 1993. Chapter 3. Triades at Accords

Box: 6

Folder: 91


Person: Bass, Richard


Date: 2000

Scope and Content

Half-diminished functions and transformations in late-Romantic music. Examples, 2000?

Box: 6

Folder: 92


Person: Berry, David Carson


Date: 1995

Scope and Content

The exclusion quotient. With correspondence.

Box: 6

Folder: 93


Person: Bier, Carol


Date: 1992

Scope and Content

Elements of plane symmetry in Oriental carpets , In Textile Museum Journal, 1992

Box: 6

Folder: 94


Person: Blau, Stephen K.


Date: 1999

Scope and Content

The hexachordal theorem: a mathematical look at interval relations in twelve-tone composition , In Mathematics Magazine 72:4, Oct. 1999

Box: 6

Folder: 95


Person: Boge, Claire


Date: 1991

Scope and Content

Correspondence

Box: 6

Folder: 96


Person: Boge, Claire


Date: 1988

Scope and Content

Idea and analysis: aspects of unification in musical explanation , 1988

Box: 6

Folder: 97


Person: Boge, Claire


Date: 1991

Scope and Content

Poetic analysis and the musical experience. Paper presented at Music Theory Midwest Meeting, May 17, 1991

Box: 7

Folder: 98


Person: Bombieri, Enrico


Date: 1992

Scope and Content

Prime territory: exploring the infinite landscape at the base of the number system , In The Sciences, September/October 1992

Box: 7

Folder: 99


Person: Browne, Richmond


Date: 1981

Scope and Content

Tonal implications of the diatonic set , In In Theory Only 5:6-7, 1981

Box: 7

Folder: 100


Person: Buchler, Michael


Date: 1995

Scope and Content

An alternative to the interval-class vector and its use in relating abstract pitch-class sets. Paper presented at Society for Music Theory Meeting, November 3, 1995

Box: 7

Folder: 101


Person: Buchler, Michael


Date: 1997

Scope and Content

A cycle-based system for relating pitch-class sets. Paper presented at Society for Music Theory Meeting, 1997

Box: 7

Folder: 102


Person: Buchler, Michael


Date: 1999

Scope and Content

Scale-step sequences in tonal music. Paper presented at Music Theory Midwest Meeting, May 14, 1999

Box: 7

Folder: 103


Person: Cambouropoulos, Emilios


Date: 1996

Scope and Content

A general pitch interval representation: theory and applications. Reprint from Journal of New Music Research 25, 1996

Box: 7

Folder: 104


Person: Cambouropoulos, Emilios


Date: 1997

Scope and Content

Unscramble: a new unsupervised symbolic machine learning algorithm - excerpt. March 1997

Box: 7

Folder: 105


Person: Capuzzo, Guy


Date: 2000

Scope and Content

CUP spaces in post-tonal music. Paper presented at Society for Music Theory Meeting, November 5, 2000

Box: 7

Folder: 106


Person: Capuzzo, Guy


Date: 1997

Scope and Content

Pitch space ordering types in the recent solo music of Elliott Carter. Paper presented at Music Theory Society of New York State Meeting, April 13, 1997

Box: 7

Folder: 107


Person: Carey, Norman


Date: 2000

Scope and Content

Correspondence, 1 item

Box: 7

Folder: 108


Person: Carey, Norman


Date: 1992

Scope and Content

Amarantha. Composition with correspondence

Box: 7

Folder: 109


Person: Carey, Norman


Date: 2000

Scope and Content

Coherence and failure: a general theory of ambiguity and contradiction. Paper presented at Society for Music Theory Meeting, November 5, 2000

Box: 7

Folder: 110


Person: Carey, Norman


Date: 1995

Scope and Content

Generic ordering in well-formed scales. With correspondence

Box: 7

Folder: 111


Person: Carey, Norman


Date: 1992

Scope and Content

Illustrations for lecture, University at Buffalo, October 26, 1992

Box: 7

Folder: 112


Person: Carey, Norman


Date: 1992

Scope and Content

The ordering of generic intervals in well-formed scales.

Box: 7

Folder: 113


Person: Carey, Norman


Date: 1992

Scope and Content

Well-formed scales and the invariant generator.

Box: 7

Folder: 114


Person: Carey, Norman


Date: 1989

Scope and Content

Aspects of well-formed scales , In Music Theory Spectrum 11:2, 1989

Box: 7

Folder: 115


Person: Carey, Norman


Date: 1987

Scope and Content

Pythagorean scales and the Nicomachus triangle.

Box: 7

Folder: 116


Person: Carey, Norman


Date: 1991

Scope and Content

Regions: a theory of tonal spaces in early Medieval treatises.

Box: 7

Folder: 117


Person: Carey, Norman


Date: 1986

Scope and Content

Structural properties of musical scales.

Box: 7

Folder: 118


Person: Carey, Norman


Date: undated

Scope and Content

Two theorems concerning rational approximations.

Box: 7

Folder: 119


Person: Chailley, J.


Date: 1960

Scope and Content

Essai analytique sur la formation de l'octoechos latin , In Essays presented to Egon Wellesz, 1960

Box: 7

Folder: 120


Person: Chalmers, John H.


Date: 1994-1997

Scope and Content

Correspondence

Box: 7

Folder: 121


Person: Chalmers, John H.


Date: 1992

Scope and Content

Construction and harmonization of microtonal scales in non-twelve-tone equal temperaments. With copy in Italian

Box: 7

Folder: 122


Person: Chalmers, John H.


Date: 1975

Scope and Content

Cyclic scales.

Box: 7

Folder: 123


Person: Chalmers, John H.


Date: undated

Scope and Content

Music and geometry.

Box: 7

Folder: 124


Person: Chalmers, John H.


Date: undated

Scope and Content

Tritriadic scales with seven tones.

Box: 7

Folder: 125


Person: Chalmers, John H.


Date: 1986

Scope and Content

Tritriadic scales with seven tones, Part Two: derived forms and structural properties.

Box: 7

Folder: 126


Person: Chalmers, John H.


Date: undated

Scope and Content

Tritriadic scales with seven tones, Part Three: The M-T and D-M matrices

Box: 7

Folder: 127


Person: Chalmers, John H.


Date: 1982

Scope and Content

Combination product sets and other harmonic and melodic structures.

Box: 7

Folder: 128


Person: Clampitt, David


Date: 1988-1991

Scope and Content

Correspondence, 6 items

Box: 7

Folder: 129


Person: Clampitt, David


Date: 1994-1996

Scope and Content

Correspondence with Richard Cohn and David Lewin, 3 items

Box: 7

Folder: 130


Person: Clampitt, David


Date: 1996

Scope and Content

Alternative interpretations of some measures from Parsifal .

Box: 7

Folder: 131


Person: Clampitt, David


Date: 2000

Scope and Content

Aspects of taxonomic and transformational music theories . Examples, March 16, 2000

Box: 7

Folder: 132


Person: Clampitt, David


Date: 1999

Scope and Content

Brahms paper. Fall 1999

Box: 7

Folder: 133


Person: Clampitt, David


Date: 1992

Scope and Content

Lumpiness is orthogonal to smoothness. Examples, March 18, 1992

Box: 7

Folder: 134


Person: Clampitt, David


Date: undated

Scope and Content

Maximally even sets summary

Box: 7

Folder: 135


Person: Clampitt, David


Date: 1992

Scope and Content

nlog23.

Box: 8

Folder: 136


Person: Clampitt, David


Date: 1992

Scope and Content

Notes on Pythagorean tuning and well-formed scales. 6 NOvember 1992

Box: 8

Folder: 137


Person: Clampitt, David


Date: 1997

Scope and Content

Ramsey theory, unary transformations, and Webern's op. 5, no. 4.

Box: 8

Folder: 138


Person: Clampitt, David


Date: 1992

Scope and Content

Recent diatonic theory and the Scholia Enchiriadis . October 1992

Box: 8

Folder: 139


Person: Clampitt, David


Date: 1996

Scope and Content

Riemann groups. 1 December 1996

Box: 8

Folder: 140


Person: Clampitt, David


Date: 1994

Scope and Content

Some refinements on the three gap theorem with applications to music. Paper presented at International Symposium on Music and Mathematics, May 29-30, 1994

Box: 8

Folder: 141


Person: Clampitt, David


Date: 1997

Scope and Content

Structural and transformational properties of pairwise well-formed scales. Paper presented at Society for Music Theory Meeting, October 1997

Box: 8

Folder: 142


Person: Cohn, Richard


Date: 1995

Scope and Content

Correspondence, 4 items between Clough, Cohn, Jack Douthett, David Clampitt, and David Lewin; with other examples

Box: 8

Folder: 143


Person: Cohn, Richard


Date: 1998

Scope and Content

Brahms's complex hemiolas. October 1998

Box: 8

Folder: 144


Person: Cohn, Richard


Date: 1996

Scope and Content

Maximally smooth cycles, hexatonic systems, and the analysis of late-Romantic triadic progressions , In Music analysis 15:1, March 1996

Box: 8

Folder: 145


Person: Cohn, Richard


Date: 1993

Scope and Content

Metric and hypermetric dissonance in the Menuetto of Mozart's Symphony in G Minor, K. 550 , In Intégral 6, 1993

Box: 8

Folder: 146


Person: Cohn, Richard


Date: 1998

Scope and Content

Music theory's new pedagogability , In Music Theory Online 4:2, 1998

Box: 8

Folder: 147


Person: Cohn, Richard


Date: 1997

Scope and Content

Neo-Riemannian operations, parsimonious trichords, and their Tonnetz representations , In Journal of Music Theory 41:1, 1997

Box: 8

Folder: 148


Person: Cohn, Richard


Date: 1994-1998

Scope and Content

The over-determined triad: a group-theoretic approach to chromatic harmony. Book prospectus, 1994, 1998

Box: 8

Folder: 149


Person: Cohn, Richard


Date: 1992-1993

Scope and Content

P-related sets. With correspondence, including with Paul Ishihara

Box: 8

Folder: 150


Person: Cohn, Richard


Date: 1991

Scope and Content

Properties and generability of transpositionally invariant sets , In Journal of Music Theory 35, 1991

Box: 8

Folder: 151


Person: Cohn, Richard


Date: 1992

Scope and Content

Thematicized hemiolas, rhythmic normalization, and the metric consonance/dissonance metaphor. Examples for paper presented at Society for Music Theory Meeting, October 18, 1992

Box: 8

Folder: 152


Person: Cohn, Richard


Date: 1992

Scope and Content

Transpositional combination of beat-class sets in Steve Reich's phase-shifting music (with earlier version) , In Perpspectives of New Music 30:2, Summer 1992. Earlier working title: Teleology, craft, tradition, and analysis in a minimalist context: transpositional combination of beat-class sets in Steve Reich's phase-shifting music.

Box: 8

Folder: 153


Person: Corless, Robert M.


Date: 1992

Scope and Content

Continued fractions and chaos , In American Mathematical Monthly 99:3, March 1992

Box: 8

Folder: 154


Person: Cuciurean, John


Date: 1994

Scope and Content

Properties of equal-tempered microtonal scales in Easley Blackwood's 12 Microtonal etudes, op. 28.. 14 December 1994

Box: 8

Folder: 155


Person: Dembski, Stephen


Date: 1989

Scope and Content

Steps and skips from content and order: aspects of a generalized step-class system. With correspondence (1 item) to Clough.

Box: 8

Folder: 156


Person: Derrick, William


Date: 1995

Scope and Content

Continued fractions, Chebychev polynomials, and chaos , In American Mathematical Monthly 102:4, April 1995

Box: 8

Folder: 157


Person: Douthett, Jack


Date: 1989-1999

Scope and Content

Correspondence and miscellaneous notes, 18 items

Box: 8

Folder: 158


Person: Douthett, Jack


Date: 1992

Scope and Content

Correspondence on Knuth problem

Box: 8

Folder: 159


Person: Douthett, Jack


Date: 1992-1993

Scope and Content

Correspondence on Pn relations

Box: 9

Folder: 160


Person: Douthett, Jack


Date: undated

Scope and Content

An approach to ETS theory. Lecture notes

Box: 9

Folder: 161


Person: Douthett, Jack


Date: 1994

Scope and Content

Boolean rings.

Box: 9

Folder: 162


Person: Douthett, Jack


Date: November 1992

Scope and Content

Circular distribution and measurements.

Box: 9

Folder: 163


Person: Douthett, Jack


Date: 1989

Scope and Content

Combinatorial properties of diatonic scale theory. Lecture notes

Box: 9

Folder: 164


Person: Douthett, Jack


Date: undated

Scope and Content

Floor functions and maximally even sets and configurations.

Box: 9

Folder: 165


Person: Douthett, Jack


Date: undated

Scope and Content

Formal mathematical intervallic notation.

Box: 9

Folder: 166


Person: Douthett, Jack


Date: 1994

Scope and Content

Inversion graphs.

Box: 9

Folder: 167


Person: Douthett, Jack


Date: undated

Scope and Content

Iterated symmetry and the dynamics of voice leading.

Box: 9

Folder: 168


Person: Douthett, Jack


Date: 1988

Scope and Content

Me and music.

Box: 9

Folder: 169


Person: Douthett, Jack


Date: 1994

Scope and Content

P-relations. Addressed to Richard Cohn

Box: 9

Folder: 170


Person: Douthett, Jack


Date: 1993

Scope and Content

Pn-relations and scale theory.

Box: 9

Folder: 171


Person: Douthett, Jack


Date: undated

Scope and Content

A perceptual approach to the metastructure of music.

Box: 9

Folder: 172


Person: Douthett, Jack


Date: 1992

Scope and Content

Pitch-class techniques, the pure fifth, and the East Indian grama family.

Box: 9

Folder: 173


Person: Douthett, Jack


Date: 1983

Scope and Content

Set properties of the series type used in Webern's Concerto for Nine Instruments, op. 24.

Box: 9

Folder: 174


Person: Douthett, Jack


Date: 1997

Scope and Content

3-dimensional tiling. 29 October 1997

Box: 9

Folder: 175


Person: Douthett, Jack


Date: 1994

Scope and Content

The twin primes problem and musical scales and chords (MP, CV, and twin primes).

Box: 9

Folder: 176


Person: Douthett, Jack


Date: July 1996

Scope and Content

The 2-dimensional antiferromagnetic Ising model.

Box: 9

Folder: 177


Person: Douthett, Jack


Date: 1991-1996

Scope and Content

[Wheels and maximally even sets]. Pencil ms., 5 June 1991. Typescript, 26 June 1996

Box: 9

Folder: 178


Person: Douthett, Jack


Date: undated

Scope and Content

Vector products and intervallic weighting.

Box: 9

Folder: 179


Person: Douthett, Jack


Date: 1999

Scope and Content

Tuning and continued fractions.

Box: 9

Folder: 180


Person: Douthett, Jack


Date: 1992

Scope and Content

Musical scale construction: the continued fraction compromise.

Box: 9

Folder: 181


Person: Douthett, Jack


Date: 2000

Scope and Content

Construction and interpretation of equal-tempered scales using frequency ratios, maximally even sets, and P-cycles , In Journal of the Acoustical Society of America 107:5, May 2000

Box: 9

Folder: 182


Person: Douthett, Jack


Date: 1996

Scope and Content

Energy extremes and spin configurations for the one-dimensional antiferromagnetic Ising model with arbitrary-range interaction , In Journal of Mathematical Physics 37:7, July 1996

Box: 9

Folder: 183


Person: Douthett, Jack


Date: 1993

Scope and Content

A measure of the reasonableness of equal-tempered musical scales.

Box: 9

Folder: 184


Person: Douthett, Jack


Date: 1997

Scope and Content

Maximally even sets and the devil's staircase phase diagram for the one-dimensional Ising antiferromagnet with arbitrary-range interaction .

Box: 9

Folder: 185


Person: Dubiel, Joseph


Date: undated

Scope and Content

Function, explanation, and interpretation.

Box: 9

Folder: 186


Person: Dugger, Ed


Date: July 27 1990

Scope and Content

Correspondence, 1 item

Box: 9

Folder: 187


Person: Dunne, Edward


Date: 1999

Scope and Content

Pianos and continued fractions. Paper presented at American Mathematical Society Meeting, January 10 1999

Box: 9

Folder: 188


Person: Engebretsen, Nora


Date: December 1994

Scope and Content

Some comments on the generation of certain scales with multiple constraints. Notes from John Clough, David Clampitt, and Engebretsen; article itself not included . Originally in folder with residual notes for Scales, sets, and interval cycles: a taxonomy.

Box: 9

Folder: 189


Person: Erlich, Paul


Date: 1997

Scope and Content

Tuning, tonality, and twenty-two-tone temperament. With correspondence, 15 items

Box: 9

Folder: 190


Person: Forte, Allen


Date: 1988

Scope and Content

Pitch-class set genera and the origin of modern harmonic species , In Journal of Music Theory 32:2, Fall 1988

Box: 9

Folder: 191


Person: Foulkes-Levy, Laurdella


Date: undated

Scope and Content

LFB: Diatonic theory notes.

Box: 9

Folder: 192


Person: Foulkes-Levy, Laurdella


Date: undated

Scope and Content

Three categories of chord connection and their interactions with harmonic activity and musical form.

Box: 9

Folder: 193


Person: Fraenkel, Aviezri S.


Date: 1969

Scope and Content

The bracket function and complementary sets of integers , In Canadian Journal of Mathematics, 1969

Box: 9

Folder: 194


Person: Fuller, Sarah


Date: undated

Scope and Content

Examples for Fuller: "Defending the Dodecachordon" . Written by Clough

Box: 10

Folder: 195


Person: Gamer, Carlton


Date: 1967

Scope and Content

Deep scales and difference sets in equal-tempered systems . American Society of University Composers: Proceedings of the annual conference. II (1967). With accompanying notes by Clough

Box: 10

Folder: 196


Person: Gamer, Carlton


Date: 1981

Scope and Content

Et setera: some temperamental speculations , In Music Theory: special topics, 1981

Box: 10

Folder: 197


Person: Gamer, Carlton


Date: 1967

Scope and Content

Some combinatorial resources of equal-tempered systems , In Journal of Music Theory 11:1, Spring 1967

Box: 10

Folder: 198


Person: Gamer, Carlton


Date: 1985

Scope and Content

Trapezoidal numbers , In Mathematics Magazine 58:2, March 1985

Box: 10

Folder: 199


Person: Gamer, Carlton


Date: 1983

Scope and Content

Musical block designs , In Ars combinatorial 16-A, 1983

Box: 10

Folder: 200


Person: Gauldin, Robert


Date: 1983

Scope and Content

The cycle-7 complex: relations of diatonic set theory to the evolution of ancient tonal systems , In Music Theory Spectrum 5, Spring 1983

Box: 10

Folder: 201


Person: George, Thomas F.


Date: 1991

Scope and Content

Clusters and microstructures.

Box: 10

Folder: 202


Person: George, Thomas F.


Date: undated

Scope and Content

Derivation of the model

Box: 10

Folder: 203


Person: George, Thomas F.


Date: 1988

Scope and Content

Clusters: link between molecules and solids , In Journal of Chemical Education 65, October 1988

Box: 10

Folder: 204


Person: George, Thomas F.


Date: 1987

Scope and Content

Vibrational motions of Buckminsterfullerene , In Chemical Physics Letters 137:3, 12 June 1987

Box: 10

Folder: 205


Person: George, Thomas F.


Date: 1987

Scope and Content

The Hückel model for small metal clusters. I. Geometry, stability and relationship to graph theory , In Journal of Chemical Physics 86:6, 15 March 1987

Box: 10

Folder: 206


Person: George, Thomas F.


Date: 1987

Scope and Content

The Hückel model for small metal clusters. II. Orbital energies, shell structures, ionization potentials, and extrapolation to the bulk limit , In Journal of Chemical Physics 86:6, March 15 1987

Box: 10

Folder: 207


Person: George, Thomas F.


Date: 1990

Scope and Content

The Hückel model for small metal clusters. IV. Orbital properties and cohesive energies for model clusters of up to several hundred atoms , In Journal of Cluster Science 1:1, March 1990

Box: 10

Folder: 208


Person: Gollin, Edward


Date: 1997

Scope and Content

Crystallographic space lattices … Tonnetz. Figures for paper presented at Buffalo Music Theory Symposium, July 18-19, 1997.

Box: 10

Folder: 209


Person: Gollin, Edward


Date: 1997

Scope and Content

An interesting dihedral group, its automorphisms, and transformations in Bartók's "Minor seconds, major sevenths". Paper presented at New England Conference of Music Theorists, 6 April 1997

Box: 10

Folder: 210


Person: Gollin, Edward


Date: 1998

Scope and Content

Transformational spaces and metaphorical journeys in some Schubert Lieder.

Box: 10

Folder: 211


Person: Gordon, Carolyn


Date: 1996

Scope and Content

You can't hear the shape of a drum , In American Scientist 84, January-February 1996

Box: 10

Folder: 212


Person: Graham, R. L.


Date: 1973

Scope and Content

Covering the positive integer by disjoint sets of the form … , In Journal of Combinatorial Theory 15, 1973

Box: 10

Folder: 213


Person: Grmela, Sylvia


Date: 2000-2004

Scope and Content

Dissertation material on Kurtág

Box: 10

Folder: 214


Person: Grmela, Sylvia


Date: 1991

Scope and Content

Messiaen's Pièce pour piano et quatuor à cordes .

Box: 10

Folder: 215


Person: Grmela, Sylvia


Date: 1997

Scope and Content

Paper presented at Society for Music Theory meeting, 1997

Box: 10

Folder: 216


Person: Guy, Richard K.


Date: 1981

Scope and Content

Unsolved problems in number theory.

Box: 10

Folder: 217


Person: Guy, Richard K.


Date: 1992

Scope and Content

Western number theory problems. 19 December 1992, 22 December 1992

Box: 10

Folder: 218


Person: Haack, Joel K.


Date: 1991

Scope and Content

Clapping music - a combinatorial problem , In College Mathematics Journal 22, 1991

Box: 10

Folder: 219


Person: Hanson, Howard


Date: 1960

Scope and Content

The projection and interrelation of sonorities in equal temperament from Harmonic Materials of Modern Music

Box: 10

Folder: 220


Person: Hauptmann, Moritz


Date: 1991

Scope and Content

The nature of harmony and metre (1888). Photocopy of Da Capo Press reprint, 1991

Box: 10

Folder: 221


Person: Heinemann, Stephen


Date: 1992

Scope and Content

Boulez's elegant operation: pitch-class set multiplication in Le marteau sans maàt;re

Box: 10

Folder: 222


Person: Herron, Amy J.


Date: 2000

Scope and Content

Exploring melodic patterns in diatonic and chromatic music . With correspondence

Box: 10

Folder: 223


Person: Herstein, I. N.


Date: 1964

Scope and Content

Topics in algebra. Photocopy of p. 1-38

Box: 10

Folder: 224


Person: Hook, Julian L.


Date: 1999-2001

Scope and Content

Correspondence between Hook, Jack Douthett, and John Clough, 5 items

Box: 10

Folder: 225


Person: Hook, Julian L.


Date: 2000

Scope and Content

Cross-type transformations, GIS homomorphisms, and generalized transposition and inversion. Paper presented at Indiana Graduate Theory Association Symposium, Feb. 25, 2000

Box: 10

Folder: 226


Person: Hook, Julian L.


Date: 1 May 1997

Scope and Content

Equal-tempered approximations to intervals by the method of continued fractions.

Box: 10

Folder: 227


Person: Hook, Julian L.


Date: 1999-2000

Scope and Content

Uniform triadic transformations: A Unified theory of triadic transformations. Dissertation proposal, with correspondence

Box: 10

Folder: 228


Person: Hughes, J. Robin


Date: 1986

Scope and Content

Correspondence, 2 items

Box: 10

Folder: 229


Person: Hyde, Martha


Date: 1993

Scope and Content

Dodecaphony: Schoenberg (op. 33b). From Early Twentieth Century Music, 1993

Box: 10

Folder: 230


Person: Hyer, Brian


Date: 1995

Scope and Content

Reimag(in)ing Riemann , In Journal of Music Theory 39:1, Spring 1995

Box: 11

Folder: 231


Person: Isaacson, Eric J.


Date: 1992

Scope and Content

Similarity relations in music analysis. Paper presented at Society for Music Theory Meeting, 1992

Box: 11

Folder: 232


Person: Ishihara, Paul


Date: 1993

Scope and Content

Basic Z12 analysis of musical chords , In Tools for Teaching, 1993

Box: 11

Folder: 233


Person: Jefferis, Jim


Date: 1996

Scope and Content

Analytically rich Klumpenhouwer networks: their properties and conditions. Class paper for MUS613, 16 December 1996

Box: 11

Folder: 234


Person: Johnson, Timothy


Date: 1997

Scope and Content

Correspondence, 1 item

Box: 11

Folder: 235


Person: Johnson, Timothy


Date: 2000

Scope and Content

Foundations of diatonic theory: a supplemental text for introductory music theory classes. With review by Clough

Box: 11

Folder: 236


Person: Jones, Mari Reiss


Date: 1981

Scope and Content

Music as a stimulus for psychological motion: Part I. Some determinants of expectancies , In Psychomusicology 1:2, 1981

Box: 11

Folder: 237


Person: Jung, Jiyoung


Date: 1999

Scope and Content

The new approach respect to contour theory in Deut by Milton Babbitt. Notes for class presentation, 10 December 1999

Box: 11

Folder: 238


Person: Kárpáti, János


Date: 1981

Scope and Content

Alternative structures in Bartók's Contrasts , In Studia Musicologica Academiae Scientiarum Hungaricae 23, 1981

Box: 11

Folder: 239


Person: Kleeman, Emily


Date: 1993

Scope and Content

Number theoretical relationships between mathematics and music.

Box: 11

Folder: 240


Person: Klein, Michael


Date: 2001

Scope and Content

Correspondence

Box: 11

Folder: 241


Person: Klein, Michael


Date: undated

Scope and Content

Chopin's Etude in C, op. 10/1: text, context, and intertext.

Box: 11

Folder: 242


Person: Klumpenhouwer, Henry


Date: 1994

Scope and Content

Essay on Lewin's and Hyer's use of transformations derived from Riemann's work , In Music Theory Online, 1994

Box: 11

Folder: 243


Person: Kochavi, Jonathan


Date: 1994

Scope and Content

Musical groups

Box: 11

Folder: 244


Person: Kochavi, Jonathan


Date: undated

Scope and Content

Sequences

Box: 11

Folder: 245


Person: Kopp, D.


Date: 1992

Scope and Content

A system of pentatonic organization in a Debussy prelude . Paper presented at Society for Music Theory Meeting, Oct. 16, 1992

Box: 11

Folder: 246


Person: Kreyszig, Walter


Date: 1996-1998

Scope and Content

Correspondence, 8 items

Box: 11

Folder: 247


Person: Krumhansl, Carol L.


Date: 1995-1997

Scope and Content

Correspondence, 2 items

Box: 11

Folder: 248


Person: Krumhansl, Carol L.


Date: 1987

Scope and Content

General properties of musical pitch systems: some psychological considerations. From Harmony and Tonality, 1987

Box: 11

Folder: 249


Person: Krumhansl, Carol L.


Date: undated

Scope and Content

Perceptual analysis: tension and topic in music.

Box: 11

Folder: 250


Person: Krumhansl, Carol L.


Date: 2000

Scope and Content

Rhythm and pitch in musical cognition , In Psychological Bulletin 126:1, 2000

Box: 11

Folder: 251


Person: Krumhansl, Carol L.


Date: 1990

Scope and Content

Tonal hierarchies in atonal and non-Western tonal music ; Music cognition: theoretical and empirical generalizations. Chapters 10 and 11 from the author's Cognitive Foundations of Musical Pitch

Box: 11

Folder: 252


Person: Krumhansl, Carol L.


Date: 1982

Scope and Content

Tracing the dynamic changes in perceived tonal organization in a spatial representation of musical keys , In Psychological Review 89:4, 1982

Box: 11

Folder: 253


Person: Kurth, Richard


Date: 2000

Scope and Content

A partition-lattice model of prolongation and progression in twelve-tone music.

Box: 11

Folder: 254


Person: Kurth, Richard


Date: undated

Scope and Content

Schoenberg and combinatoriality: another perspective.

Box: 11

Folder: 255


Person: Lefkoff, Gerald


Date: 1992

Scope and Content

The complex functional fields in diatonic-tonal compositions .

Box: 11

Folder: 256


Person: Lekkas, Demetrios E.


Date: 1996

Scope and Content

Correspondence and excerpt from book

Box: 11

Folder: 257


Person: Lerdahl, Fred


Date: 1988

Scope and Content

Cognitive constraints on compositional systems. From Cognitive Processes in Music

Box: 11

Folder: 258


Person: Lewin, David


Date: 1993-1994

Scope and Content

Correspondence with Clough, Richard Cohn, David Clampitt

Box: 11

Folder: 259


Person: Lewin, David


Date: 1982

Scope and Content

Formal theory of generalized tonal functions , In Journal of Music Theory 26:1, Spring 1982. With correspondence

Box: 11

Folder: 260


Person: Lewin, David


Date: undated

Scope and Content

Interesting cases of the interval function between pitch-class sets X and Y.

Box: 11

Folder: 261


Person: Lewin, David


Date: undated

Scope and Content

Transformational considerations in Schoenberg's Opus 23, number 3.

Box: 11

Folder: 262


Person: Lindley, Mark


Date: 1980

Scope and Content

Mersenne on keyboard tuning , In Journal of Music Theory 24:2, Fall 1980

Box: 11

Folder: 263


Person: Lindley, Mark


Date: 1993

Scope and Content

A systematic approach to chromaticism. With correspondence, 2 items

Box: 12

Folder: 264


Person: Makeig, Scott


Date: 1982

Scope and Content

Affective versus analytic perception of musical intervals . From Music, Mind, and Brain

Box: 12

Folder: 265


Person: Mandell, Arnold J.


Date: undated

Scope and Content

Eigenfunction themes and ergodic variations in jazz and classical music.

Box: 12

Folder: 266


Person: Mathews, M. V.


Date: 1987

Scope and Content

Harmony and new scales. From Harmony and tonality: Papers given at a seminar organized by the Music Acoustics Committee of the Royal Swedish Academy of Music, 1987

Box: 12

Folder: 267


Person: Mavromatis, Panayotis


Date: 1997

Scope and Content

Similarity of pitch class sets: a perceptual study. Paper presented at Society for Music Theory Meeting, 30 October 1997

Box: 12

Folder: 268


Person: Mazzola, Guerino


Date: 1996

Scope and Content

Rubato: the open standard workstation for analysis and performance of music. With correspondence regarding Mazzola's planned lecture in Buffalo and a Perspectives of New Music article by John Roeder: A MaMuTh achievement, about Mazzola's work.

Box: 12

Folder: 269


Person: McCartin, Brian J.


Date: 1998

Scope and Content

Prelude to musical geometry , In College Mathematics Journal 29:5, 1998

Box: 12

Folder: 270


Person: McLaren, Brian


Date: 1996

Scope and Content

General methods for generating musical scales.

Box: 12

Folder: 271


Person: McLaren, Brian


Date: 1995

Scope and Content

Postings on modern theory and microtonality.

Box: 12

Folder: 272


Person: McLaren, Brian


Date: 1991

Scope and Content

Biases in xenharmonic scales , In Xenharmonikon 13, Spring 1991

Box: 12

Folder: 273


Person: Mead, Andrew


Date: 1990

Scope and Content

Webern, tradition, and "composing with twelve tones …" .

Box: 12

Folder: 274


Person: Meredith, David


Date: 1992

Scope and Content

Tonal scales and graph theory. With correspondence, 3 items, between Clough, Meredith, and Jack Douthett

Box: 12

Folder: 275


Person: Morris, Robert D.


Date: 1994

Scope and Content

Equivalence and similarity in pitch and their interaction in Pcset theory. Paper presented at Society for Music Theory Meeting, 1994

Box: 12

Folder: 276


Person: Morris, Robert D.


Date: 1998

Scope and Content

Sets, scales, and rhythmic cycles: a classification of talas in Indian music. Examples for paper presented at Society for Music Theory Meeting, 1998

Box: 12

Folder: 277


Person: Morris, Robert D.


Date: undated

Scope and Content

Voice-leading spaces.

Box: 12

Folder: 278


Person: Morris, Robert D.


Date: undated

Scope and Content

Why weight? Pitch-class duplications in twelve-tone polyphony.

Box: 12

Folder: 279


Person: Myerson, Gerry


Date: 1987-1990

Scope and Content

Correspondence, 9 items

Box: 12

Folder: 280


Person: Neal, Jocelyn


Date: 1997

Scope and Content

Graphic representation of trichord-partition symmetries in selected hexachords. Paper presented at Music Theory Society of New York State, 1997

Box: 12

Folder: 281


Person: Nolan, Cathy


Date: 1996

Scope and Content

Appendix: Interval cycles generalized. With correspondence, 2 items

Box: 12

Folder: 282


Person: O'Connell, Walter


Date: 1959

Scope and Content

Tone spaces. With correspondence

Box: 12

Folder: 283


Person: Olds, C. D.


Date: 1963

Scope and Content

Continued fractions. Photocopy of 5th printing, 1963

Box: 12

Folder: 284


Person: Olivastro, Dominic


Date: 1991

Scope and Content

Object lessons: state of grace , In The Sciences, May/June 1991

Box: 12

Folder: 285


Person: Oña, Erik


Date: 1997

Scope and Content

Preliminary remarks on voice leading pattern classes.

Box: 12

Folder: 286


Person: Park, Jae-Sung


Date: 17 October 1990

Scope and Content

Correspondence, 1 item

Box: 12

Folder: 287


Person: Payne, Maribeth Anderson, on behalf of Schirmer Books


Date: 1989

Scope and Content

Correspondence

Box: 12

Folder: 288


Person: Peck, Robert W.


Date: 2001

Scope and Content

Correspondence

Box: 12

Folder: 289


Person: Peifer, David


Date: 1997

Scope and Content

An introduction to combinatorial group theory and the word problem , In Mathematics Magazine 70:1, February 1997

Box: 12

Folder: 290


Person: Peles


Date: undated

Scope and Content

Partial orderings as compositional prototypes.

Box: 12

Folder: 291


Person: Polansky, Larry


Date: 1993

Scope and Content

More on morphological mutation functions, recent techniques and developments.

Box: 12

Folder: 292


Person: Pressing, Jeff


Date: 1983

Scope and Content

Cognitive isomorphisms between pitch and rhythm in world musics: West Africa, the Balkans and Western tonality , In Studies in Musici 17, 1983

Box: 12

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Person: Quinn, Ian


Date: 1996

Scope and Content

Fuzzy transposition of pitch sets. Paper presented at Society for Music Theory Meeting, 2 November 1996

Box: 12

Folder: 294


Person: Quinn, Ian


Date: 1997

Scope and Content

On relations, similarity, and similarity relations. Paper presented at Society for Music Theory Meeting, 1997

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Folder: 295


Person: Rahn, Jay


Date: 1991-1999

Scope and Content

Correspondence, circa 20 items

Box: 12

Folder: 296


Person: Rahn, Jay


Date: 1990

Scope and Content

An advance on A Theory for all music: at-least-as predicates for pitch, time and loudness; figures and appendix.

Box: 12

Folder: 297


Person: Rahn, Jay


Date: 1987

Scope and Content

Asymmetrical ostinatos in sub-Saharan music: time, pitch, and cycles reconsidered , In In Theory Only 9:7, March 1987

Box: 12

Folder: 298


Person: Rahn, Jay


Date: 1999

Scope and Content

"Chinese harmony" and contemporary non-tonal music theory , In Canadian University Music Review 19:2, 1999

Box: 12

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Person: Rahn, Jay


Date: 1978

Scope and Content

Constructs for modality, ca. 1300-1500 , In Canadian Association of University Schools of Music Journal 8:2, Autumn 1978

Box: 12

Folder: 300


Person: Rahn, Jay


Date: undated

Scope and Content

Counting pairs that match or differ, and the gestalt principle of similarity in music.

Box: 13

Folder: 301


Person: Rahn, Jay


Date: 1983

Scope and Content

The isomorphism of pitch and time. From A Theory for All Music, 1983

Box: 13

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Person: Rahn, Jay


Date: 1996

Scope and Content

Perceptual aspects of tuning in a Balinese gamelan angklung for North American students , In Canadian University Music Review 16:2, 1996

Box: 13

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Person: Rahn, Jay


Date: 1997

Scope and Content

Recent diatonic theory and Curwen's tonic sol-fa method: formal models for a kinesic-harmonic system , In Proceedings of the Third Triennial ESCOM conference, June 1997

Box: 13

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Person: Rahn, Jay


Date: 1985

Scope and Content

Restricted relational richness and musical analysis , In Journal of Comparative Literature and Aesthetics 8:1-2, 1985

Box: 13

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Person: Rahn, Jay


Date: 1981

Scope and Content

Structure and frequency in South Indian melas , In Proceedings of the Saint Thyagaraja music festivals, 1981

Box: 13

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Person: Rahn, Jay


Date: 1996

Scope and Content

Turning the analysis around: Africa-derived rhythms and Europe-derived music theory , In Black Music Research Journal 16:1, Spring 1996

Box: 13

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Person: Rahn, Jay


Date: 1996

Scope and Content

"Chinese harmony" and contemporary non-tonal music theory.

Box: 13

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Person: Randolph, John


Date: 1993

Scope and Content

On Lewin's generalized interval systems.

Box: 13

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Person: Ravenstein, Tony van


Date: 1989

Scope and Content

Optimal spacing of points on a circle , In Fibonacci Quarterly, February 1989

Box: 13

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Person: Reiner, David L.


Date: 1985

Scope and Content

Enumeration in music theory , In The American Mathematical Monthly 92:1, January 1985

Box: 13

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Person: Roeder, John


Date: 1990

Scope and Content

A calculus of accent.

Box: 13

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Person: Roeder, John


Date: 1988

Scope and Content

Issues of representation in the analysis of atonal music , In Proceedings of the First Workshop on Artificial Intelligence and Music, 1988

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Person: Roeder, John


Date: 1989

Scope and Content

A Prolog program for music segmentation , In Musicus 1:2, December 1989

Box: 13

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Person: Roeder, John


Date: undated

Scope and Content

Second thoughts: pretension and form in Fauré's Prelude, op. 103, no. 9.

Box: 13

Folder: 315


Person: Roeder, John


Date: undated

Scope and Content

Semiotic aspects of music analysis.

Box: 13

Folder: 316


Person: Roeder, John


Date: undated

Scope and Content

Voice leading as transformation.

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Person: Rogers, John


Date: 1966

Scope and Content

Some properties of non-duplicating rotational arrays .

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Person: Rogers, John


Date: 1968

Scope and Content

A problem in mathematics and music , In American Mathematical Monthly 75, 1968. With notes

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Person: Roiter, Robert


Date: 10 November 1983

Scope and Content

Set transformation geometry.

Box: 13

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Person: Rothenberg, David


Date: 1978

Scope and Content

A model for pattern perception with musical applications Part II: The information content of pitch structures , In Mathematical Systems Theory 11, 1978

Box: 13

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Person: Rowell, Lewis


Date: 1994-1997

Scope and Content

Correspondence, 6 items

Box: 13

Folder: 322


Person: Rowell, Lewis


Date: 1996

Scope and Content

The pentatonic dialect(s) of India.

Box: 13

Folder: 324


Person: Rudin, Cynthia


Date: 15 December 1998

Scope and Content

The complement theorem and its applications.

Box: 13

Folder: 324


Person: Samplaski, Artie


Date: 1997

Scope and Content

Axiomatic derivations of scales: a comparative review/critique of three approaches.

Box: 13

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Person: Santa, Matthew


Date: 2001

Scope and Content

Hexatonic and nonatonic systems in late nineteenth century music.

Box: 13

Folder: 326


Person: Santa, Matthew


Date: 1999

Scope and Content

Modular sets and modular set types.

Box: 13

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Person: Schat, Peter


Date: 1984

Scope and Content

On harmony and tonality , In Key Notes 19, 1984

Box: 13

Folder: 328


Person: Schat, Peter


Date: 1983

Scope and Content

The tone clock: or, the zodiac of the twelve tonalities , In Key Notes 17, 1983

Box: 13

Folder: 329


Person: Scott, Damon


Date: undated

Scope and Content

The interval angle: a similarity measure for pitch-class sets.

Box: 13

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Person: Shepard, Roger N.


Date: 1984

Scope and Content

Auditory illusions demonstrating that tones are assimilated to an internalized musical scale , In Science 226, December 1984

Box: 13

Folder: 331


Person: Slawson, Wayne


Date: undated

Scope and Content

Subaggregate braids.

Box: 13

Folder: 332


Person: Sloan, Donald


Date: 1995

Scope and Content

Fuzzy set theory, fuzzy measures, and their application to resemblance theories in music. Handouts for paper presented at Society for Music Theory Meeting, 3 November 1995

Box: 13

Folder: 333


Person: Slottow, Stephen


Date: 2000

Scope and Content

A Ruggles compositional model and its unfoldings.

Box: 13

Folder: 334


Person: Smith, Charles J.


Date: 1995

Scope and Content

Correspondence, 1 item

Box: 13

Folder: 335


Person: Smith, Charles J.


Date: undated

Scope and Content

Appreciation for John Clough. Two versions

Box: 13

Folder: 336


Person: Smith, Charles J.


Date: undated

Scope and Content

Diatonic sequences. Lecture notes

Box: 13

Folder: 337


Person: Smith, Charles J.


Date: 1996

Scope and Content

Tonal models of music. ch. 2.6, 5, 6.

Box: 13

Folder: 338


Person: Smith, J. David


Date: 1992

Scope and Content

Correspondence, 2 items

Box: 14

Folder: 339


Person: Snell, James


Date: 19 October 1990

Scope and Content

Mathematics and music.

Box: 14

Folder: 340


Person: Soderberg, Stephen


Date: 2001

Scope and Content

Correspondence, 5 items

Box: 14

Folder: 341


Person: Soderberg, Stephen


Date: 1997

Scope and Content

White note fantasy. With review, correspondence, and notes

Box: 14

Folder: 342


Person: Steinbach, Peter


Date: undated

Scope and Content

A case for the heptagon.

Box: 14

Folder: 343


Person: Steinbach, Peter


Date: 1997

Scope and Content

Golden fields: a case for the heptagon , In Mathematics Magazine 70:1, February 1997

Box: 14

Folder: 344


Person: Steinbach, Peter


Date: undated

Scope and Content

Sections beyond golden.

Box: 14

Folder: 345


Person: Stephens, Peter W.


Date: 1991

Scope and Content

The structure of quasicrystals , In Scientific American April 1991

Box: 14

Folder: 346


Person: Stoecker, Philip


Date: 2000

Scope and Content

Axial isography as an extension of Klumpenhouwer networks . Examples for paper presented at Music Theory Society of New York State, April 8-9, 2000

Box: 14

Folder: 347


Person: Straus, Joseph N.


Date: 2001

Scope and Content

A new model for voice leading in atonal music. Examples for paper presented at Society for Music Theory Meeting, Nov. 10, 2001

Box: 14

Folder: 348


Person: Straus, Joseph N.


Date: 1993

Scope and Content

Voice leading in atonal music. Paper presented at Florida State University Music Theory Forum, 27 February 1993

Box: 14

Folder: 349


Person: Swinden, Kevin


Date: 1994

Scope and Content

Aspects of current theoretical thought on interval cycles . for class, MUS613, Theory of Scales, 14 December 1994. Originally in folder with residual notes for Scales, sets, and interval cycles: a taxonomy.

Box: 14

Folder: 350


Person: Swinden, Kevin


Date: December 1994

Scope and Content

Scriabin's late period: independent study report. Originally in folder with residual notes for Scales, sets, and interval cycles: a taxonomy.

Box: 14

Folder: 351


Person: Tam, Christine


Date: 2002

Scope and Content

The musical theory and microtonal compositions of Alois Haba (1893-1973). Thesis proposal, July 2, 2002

Box: 14

Folder: 352


Person: Thomas, Scott


Date: 1993

Scope and Content

Correspondence, 1 item

Box: 14

Folder: 353


Person: Thomas, Scott


Date: undated

Scope and Content

Millileau rows.

Box: 14

Folder: 354


Person: Thomas, Scott


Date: undated

Scope and Content

Vector products, evenness, and altered sets.

Box: 14

Folder: 355


Person: Vieru, Anatol


Date: 1996-1997

Scope and Content

Correspondence, 17 items

Box: 14

Folder: 356


Person: Vieru, Anatol


Date: 1997

Scope and Content

The "Other" music. With correspondence

Box: 14

Folder: 357


Person: Vinogradov, I. M.


Date: 1954

Scope and Content

Elements of number theory. Photocopy. Translated from the fifth rev. ed. by Saul Kravetz. 1954

Box: 14

Folder: 358


Person: Watkins, Glenn


Date: 1995

Scope and Content

Correspondence, 1 item

Box: 14

Folder: 359


Person: Watkins, Glenn


Date: 1995

Scope and Content

Stravinsky and a theory of games. Examples for paper presented at University at Buffalo, 16 October 1995

Box: 14

Folder: 360


Person: Westergaard, Peter


Date: 1975

Scope and Content

Constructing a pitch system for tonal music. From An introduction to tonal theory, 1975

Box: 14

Folder: 361


Person: Wilson, Ervin M.


Date: 1964-1975

Scope and Content

Correspondence with John H. Chalmers

Box: 14

Folder: 362


Person: Wilson, Ervin M.


Date: 1994

Scope and Content

AILM 29, et al.

Box: 14

Folder: 363


Person: Wilson, Ervin M.


Date: 1994-1995

Scope and Content

Scale-tree, 1994. With correspondence, 1995

Box: 14

Folder: 364


Person: Wilson, Ervin M.


Date: 1983

Scope and Content

Some basic patterns underlying genus 12 & 17.

Box: 14

Folder: 365


Person: Unidentified


Date: undated

Scope and Content

Appendix: Functions on groups.

Box: 14

Folder: 366


Person: Peck, Robert


Date: 2002

Scope and Content

Composite interval cycle sets, their relations, and applications. With review by Clough

Box: 14

Folder: 367


Person: Unidentified


Date: undated

Scope and Content

A measure of eveness and maximally even sets.

Box: 14

Folder: 368


Person: Unidentified


Date: 1993

Scope and Content

The mystic chord and its chromatic modifications, (Scriabin).

Series V.: Subject and conference files,

Arrangement: Arranged alphabetically by subject. Folders also include notes and correspondence.

Size: Folders 369-378

Box: 15

Folder: 369


Person: Berry, Wallace


Date: 1992-1993

Scope and Content

Correspondence regarding proposed publication of Berry's unpublished works

Box: 15

Folder: 370

Buffalo Music Theory Working Group Meeting held at University at Buffalo, 28-29 July 1993

Scope and Content

Correspondence, bibliography, proposal notes, etc.

Box: 15

Folder: 371

Buffalo Music Theory Working Group Meeting held at University at Buffalo, July 28-29, 1993

Scope and Content

John Clough's notes

Box: 15

Folder: 372

Buffalo Music Theory Working Group Meeting held at University at Buffalo, July 18-19, 2001.

The meeting was titled "2nd Buffalo Music Theory Symposium: Neo-Riemannian Transformations: mathematics and applications"

Scope and Content

Correspondence

Box: 15

Folder: 373


Person: Evans, Bill

Scope and Content

Music for tunes composed or performed by pianist Bill Evans

Box: 15

Folder: 374

International Symposium on Music and Mathematics (1994 : Bucharest, Rumania)

Scope and Content

Program and correspondence

Box: 15

Folder: 375

Journal of Music Theory


Date: 1997-1998

Scope and Content

Correspondence

Box: 15

Folder: 376


Date: 2000-2001

Scope and Content

Correspondence

Box: 15

Folder: 377

Society for Music Theory Meeting, Chapel Hill, North Carolina, December 1998

Scope and Content

Papers on Riemann: Brown, Stephen C. Dual interval space in twentieth-century music Childs, Adrian P. Symmetric family values: notions of closeness in transformational systems Engebretsen, Nora. Psychological-aesthetic foundations and group-theoretic perspectives: triadic relations in Hostinský's Die Lehre von den musikalischen Klängen Gauldin, Robert. Further manifestation of the Douth2 relation in Tristan and Wagner's other music dramas Kopp, David. Subverting the dominant paradigm? shifting concepts of V in influential 19th century theories and some implications for today Mooney, Kevin. Musical syntax, the Tonnetz, Schubert's Impromptu Murphy, Scott. Generalized cyclical motions in Wagnerian triadic progressions Rehding, Alexander. Major thirds and German nationhood: Hugo Riemann's Myth of Ethnic Election

Box: 15

Folder: 378

Three-gap theory, miscellaneous

Scope and Content

Fried, E., Sós, Vera T. A generalization of the three-distance theorem for groups, In Algebra Universalis 29, 1992 Halton, John H. The distribution of the sequence In Proceedings of the Cambridge Philosophical Society 61, 1965 Ruzsa, Imre Z. Generalized arithmetical progressions and sumsets Preprint no.: 38/1992, Mathematical Institute of the Hungarian Academy of Sciences Slater, Noel B. Gaps and steps for the sequence n0 mod 1 In Proceedings of the Cambridge Philosophical Society 63, 1967 Sós, Vera T. On the distribution Mod 1 of the sequence na In Annales Universitatis Scientiarum Budapestinensis, 1958

Series VI.: Grant applications,

Arrangement: Arranged alphabetically by name of grant-funding institution.

Size: Folders 379-382

Box: 16

Folder: 379


Date: 1987

Box: 16

Folder: 380


Date: 1990

Box: 16

Folder: 381


Date: 1988

Box: 16

Folder: 382


Date: 1987?

Series VII.: Publications,

Arrangement: Chiefly correspondence from publisher W. W. Norton regarding Clough's two books.

Size: Folders 383-386

Box: 16

Folder: 383

Basic Harmonic Progressions

Scope and Content

Comment cards from W.W. Norton

Box: 16

Folder: 384

Scales, Intervals, Keys, Triads, Rhythm, and Meter

Scope and Content

Reviews, etc.

Box: 16

Folder: 385

Scope and Content

Statements of royalties

Box: 16

Folder: 386

Scope and Content

Correspondence

Series VIII.: Bibliographies,

Arrangement: Arranged alphabetically by author of bibliography, interfiled with journal titles separately indexed.

Size: Folders 387-402

Box: 17

Folder: 387


Person: Benjamin, William E.

Scope and Content

Publications record

Box: 17

Folder: 388


Person: Browne, Richmond

Scope and Content

Mind/Brain "stuff"

Box: 17

Folder: 389


Person: Christensen, Thomas

Scope and Content

Bibliography on tonal rhythm

Box: 17

Folder: 390


Person: Clough, John

Scope and Content

A bibliography of writings in English on atonal and serial music and set-theoretic analysis (1979-1985)

Box: 17

Folder: 391

The computer and the humanities

Scope and Content

Indexes for 1969-1975

Box: 17

Folder: 392

Dissertation Abstracts International.

Scope and Content

Music and the performing arts, selected collection of doctoral dissertations and masters theses, 1987-1991

Box: 17

Folder: 393

In Theory Only

Scope and Content

Indexes for 1955-1970

Box: 17

Folder: 394

Indiana Theory Review

Scope and Content

Indexes for v.1-3

Box: 17

Folder: 395

Intégral

Scope and Content

Indexes to 1987-2000

Box: 17

Folder: 396

Journal of Music Theory

Scope and Content

Indexes for v. 1-17

Box: 17

Folder: 397


Person: Lewin, David

Scope and Content

Bibliography of his works

Box: 17

Folder: 398


Person: Nolan, Catherine

Scope and Content

Bibliography from master's thesis, Symmetric inversion: a sign of tonality, 1983

Box: 17

Folder: 399

Perspectives of New Music

Scope and Content

Indexes to v. 1-15

Box: 17

Folder: 400


Person: Smith, Charles J.

Scope and Content

An annotated bibliography of the work of Heinrich Schenker

Box: 17

Folder: 401

Gioseffo Zarlino: a beginner's guide and bibliography


Person: Smith, Charles J.

Box: 17

Folder: 402


Person: Van den Toorn, Pieter C.

Scope and Content

Stravinsky

Series IX.: Annotated books,

Arrangement: Arranged alphabetically by author and then in order by receipt.

Size: Folders 403-407

Box: 17

Folder: 403

The Structure of Atonal Music


Person: Forte, Allan


Date: 1973

Box: 17

Folder: 404

The Structure of Atonal Music


Person: Forte, Allan


Date: 1977 printing (paperback)

Box: 17

Folder: 405

An Introduction to Number Theory


Person: Stark, Harold M.


Date: 1981 printing (paperback)